The Dating of the Trent Codices from Their Watermarks
Author | : Suparmi Elizabeth Saunders |
Publisher | : Garland Publishing |
Total Pages | : 386 |
Release | : 1989 |
Genre | : Religion |
ISBN | : |
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Author | : Suparmi Elizabeth Saunders |
Publisher | : Garland Publishing |
Total Pages | : 386 |
Release | : 1989 |
Genre | : Religion |
ISBN | : |
Author | : Iain Fenlon |
Publisher | : Cambridge University Press |
Total Pages | : 292 |
Release | : 1995-11-16 |
Genre | : Literary Criticism |
ISBN | : 9780521558433 |
Devoted to the study of music from the early Middle Ages to the end of the seventeenth century
Author | : Robert James Mitchell |
Publisher | : |
Total Pages | : 530 |
Release | : 1989 |
Genre | : Mass (Music) |
ISBN | : |
Author | : David Fallows |
Publisher | : Taylor & Francis |
Total Pages | : 358 |
Release | : 2023-05-31 |
Genre | : History |
ISBN | : 1000947467 |
This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment. Another theme concerns the various different ways in which particular songs have their impact on the next generations. Yet another concerns the authorshop of poems that were set to music by Binchois and Ciconia in particular. A group of essays on Josquin were parerga to the author's edition of his four-voice secular music for the New Josquin Edition (2005) and to his monograph on the composer (2009).
Author | : Paula Marie Higgins |
Publisher | : Oxford University Press |
Total Pages | : 630 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780198164067 |
This volume brings together twenty original essays by distinguished scholars on the life, works, and cultural context of Antoine Busnoys (c.1430-1492), musician to Charles the Bold, duke of Burgundy, and one of the most celebrated composers of the fifteenth century. The chapters offer a wealth of new information about musical culture in the late middle ages.
Author | : Iain Fenlon |
Publisher | : Cambridge University Press |
Total Pages | : 338 |
Release | : 2009-03-19 |
Genre | : Literary Criticism |
ISBN | : 9780521104333 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.
Author | : Rebecca Herissone |
Publisher | : Routledge |
Total Pages | : 558 |
Release | : 2016-04-01 |
Genre | : Music |
ISBN | : 131704326X |
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author | : Iain Fenlon |
Publisher | : Cambridge University Press |
Total Pages | : 346 |
Release | : 2003-10-16 |
Genre | : Music |
ISBN | : 9780521831093 |
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 22 include: O Quelle Armonye: dialogue singing in late Renaissance France; Ars Subtilior and the patronage of French princes; Laboring in the midst of wolves: reading a group of Fauvel motets; Watermarks and musicology: the genesis of Johannes Wiser's collection.
Author | : Julie E. Cumming |
Publisher | : Cambridge University Press |
Total Pages | : 440 |
Release | : 2003-10-16 |
Genre | : Music |
ISBN | : 9780521543378 |
A re-evaluation of the Latin-texted motet during the age of Du Fay.
Author | : Randall Rosenfeld |
Publisher | : Routledge |
Total Pages | : 473 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351557688 |
The interdisciplinary approach of Music and Medieval Manuscripts is modeled on the work of the scholar to whom the book is dedicated. Professor Andrew Hughes is recognized internationally for his work on medieval manuscripts, combining the areas of paleography, performance, liturgy and music. All these areas of research are represented in this collection with an emphasis on the continuity between the physical characteristics of medieval manuscripts and their different uses. Albert Derolez provides a landmark and controversial essay on the origins of pre-humanistic script, while Margaret Bent proposes a new interpretation of a famous passage from a fifteenth-century poem by Martin Le Franc. Timothy McGee contributes an innovative essay on late-medieval music, text and rhetoric. David Hiley discusses musical changes and variation in the offices of a major saint‘s feast, and Craig Wright presents an original study of Guillaume Dufay. Jan Ziolkowski treats the topic of neumed classics, an under-explored aspect of the history of medieval pedagogy and the transmission of texts. The essays that comprise this volume offer a unique focus on medieval manuscripts from a wide range of perspectives, and will appeal to musicologists and medievalists alike.