The Contemporaneos Group
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| Author | : Salvador A. Oropesa |
| Publisher | : University of Texas Press |
| Total Pages | : 200 |
| Release | : 2010-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 0292774125 |
In the years following the Mexican Revolution, a nationalist and masculinist image of Mexico emerged through the novels of the Revolution, the murals of Diego Rivera, and the movies of Golden Age cinema. Challenging this image were the Contemporáneos, a group of writers whose status as outsiders (sophisticated urbanites, gay men, women) gave them not just a different perspective, but a different gaze, a new way of viewing the diverse Mexicos that exist within Mexican society. In this book, Salvador Oropesa offers original readings of the works of five Contemporáneos—Salvador Novo, Xavier Villaurrutia, Agustín Lazo, Guadalupe Marín, and Jorge Cuesta—and their efforts to create a Mexican literature that was international, attuned to the realities of modern Mexico, and flexible enough to speak to the masses as well as the elites. Oropesa discusses Novo and Villaurrutia in relation to neo-baroque literature and satiric poetry, showing how these inherently subversive genres provided the means of expressing difference and otherness that they needed as gay men. He explores the theatrical works of Lazo, Villaurrutia's partner, who offered new representations of the closet and of Mexican history from an emerging middle-class viewpoint. Oropesa also looks at women's participation in the Contemporáneos through Guadalupe Marín, the sometime wife of Diego Rivera and Jorge Cuesta, whose novels present women's struggles to have a view and a voice of their own. He concludes the book with Novo's self-transformation from intellectual into celebrity, which fulfilled the Contemporáneos' desire to merge high and popular culture and create a space where those on the margins could move to the center.
| Author | : David William Foster |
| Publisher | : University of Texas Press |
| Total Pages | : 478 |
| Release | : 2010-07-22 |
| Genre | : Literary Criticism |
| ISBN | : 0292786530 |
Mexico has a rich literary heritage that extends back over centuries to the Aztec and Mayan civilizations. This major reference work surveys more than five hundred years of Mexican literature from a sociocultural perspective. More than merely a catalog of names and titles, it examines in detail the literary phenomena that constitute Mexico's most significant and original contributions to literature. Recognizing that no one scholar can authoritatively cover so much territory, David William Foster has assembled a group of specialists, some of them younger scholars who write from emerging trends in Latin American and Mexican literary scholarship. The topics they discuss include pre-Columbian indigenous writing (Joanna O'Connell), Colonial literature (Lee H. Dowling), Romanticism (Margarita Vargas), nineteenth-century prose fiction (Mario Martín Flores), Modernism (Bart L. Lewis), major twentieth-century genres (narrative, Lanin A. Gyurko; poetry, Adriana García; theater, Kirsten F. Nigro), the essay (Martin S. Stabb), literary criticism (Daniel Altamiranda), and literary journals (Luis Peña). Each essay offers detailed analysis of significant issues and major texts and includes an annotated bibliography of important critical sources and reference works.
| Author | : William Beezley |
| Publisher | : Oxford University Press |
| Total Pages | : 689 |
| Release | : 2010-08-03 |
| Genre | : History |
| ISBN | : 0199779937 |
The Oxford History of Mexico is a narrative history of the events, institutions and characters that have shaped Mexican history from the reign of the Aztecs through the twenty-first century. When the hardcover edition released in 2000, it was praised for both its breadth and depth--all aspects of Mexican history, from religion to technology, ethnicity, ecology and mass media, are analyzed with insight and clarity. Available for the first time in paperback, the History covers every era in the nation's history in chronological format, offering a quick, affordable reference source for students, scholars and anyone who has ever been interested in Mexico's rich cultural heritage. Scholars have contributed fascinating essays ranging from thematic (?Faith and Morals in Colonial Mexico,? ?Mass Media and Popular Culture in the Postrevolutionary Era?) to centered around one pivotal moment or epoch in Mexican history (?Betterment for Whom? The Reform Period: 1855-1875?). Two such major events are the Mexican War of Independence (1810-1821) and the Mexican Revolution (1910-1920), the subjects of several essays in the book. Publication of the reissued edition will coincide with anniversaries of these critical turning points. Essays are updated to reflect new discoveries, advances in scholarship, and occurences of the past decade. A revised glossary and index ensure that readers will have immediate access to any information they seek. William Beezley, co-editor of the original edition, has written a new preface that focuses on the past decade and covers such issues as immigration from Mexico to the United States and the democratization implied by the defeat of the official party in the 2000 and 2006 presidential elections. Beezley also explores the significance of the bicentennial of independence and centennial of the Revolution. With these updates and a completely modern, bold new design, the reissued edition refreshes the beloved Oxford History of Mexico for a new generation.
| Author | : Peter Standish |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 345 |
| Release | : 2004-04-30 |
| Genre | : Social Science |
| ISBN | : 0313062838 |
Mexico, with some 90 million people, holds a special place in Latin America. It is a large, complex hybrid, a bridge between North and South America, between the ancient and the modern, and between the developed and the developing worlds. Mexico's importance to the United States cannot be overstated. The two countries share historical, economic, and cultural bonds that continue to evolve. This book offers students and general readers a deeper understanding of Mexico's dynamism: its wealth of history, institutions, religion, cultural output, leisure, and social customs.
| Author | : Nancy Deffebach |
| Publisher | : University of Texas Press |
| Total Pages | : 252 |
| Release | : 2015-08-15 |
| Genre | : Art |
| ISBN | : 0292772424 |
María Izquierdo (1902–1955) and Frida Kahlo (1907–1954) were the first two Mexican women artists to achieve international recognition. During the height of the Mexican muralist movement, they established successful careers as easel painters and created work that has become an integral part of Mexican modernism. Although the iconic Kahlo is now more famous, the two artists had comparable reputations during their lives. Both were regularly included in major exhibitions of Mexican art, and they were invariably the only women chosen for the most important professional activities and honors. In a deeply informed study that prioritizes critical analysis over biographical interpretation, Nancy Deffebach places Kahlo's and Izquierdo's oeuvres in their cultural context, examining the ways in which the artists participated in the national and artistic discourses of postrevolutionary Mexico. Through iconographic analysis of paintings and themes within each artist's oeuvre, Deffebach discusses how the artists engaged intellectually with the issues and ideas of their era, especially Mexican national identity and the role of women in society. In a time when Mexican artistic and national discourses associated the nation with masculinity, Izquierdo and Kahlo created images of women that deconstructed gender roles, critiqued the status quo, and presented more empowering alternatives for women. Deffebach demonstrates that, paradoxically, Kahlo and Izquierdo became the most successful Mexican women artists of the modernist period while most directly challenging the prevailing ideas about gender and what constitutes important art.
| Author | : M. Nicholson |
| Publisher | : Springer |
| Total Pages | : 249 |
| Release | : 2013-01-07 |
| Genre | : Literary Criticism |
| ISBN | : 1137317612 |
Charting surrealism in Latin American literature from its initial appearance in Argentina in 1928 to the surrealist-inspired work of several writers in the 1970s, Melanie Nicholson argues that surrealism has exercised a significant and positive influence over twentieth-century Latin American literature, particularly poetry.
| Author | : Eladio Cortes |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 815 |
| Release | : 1992-11-24 |
| Genre | : Literary Criticism |
| ISBN | : 0313368996 |
This volume features approximately 600 entries that represent the major writers, literary schools, and cultural movements in the history of Mexican literature. A collaborative effort by American, Mexican, and Hispanic scholars, the text contains bibliographical, biographical, and critical material--placing each work cited within its cultural and historical framework. Intended to enrich the English-speaking public's appreciation of the rich diversity of Mexican literature, works are selected on the basis of their contribution toward an understanding of this unique artistry. The dictionary contains entries keyed by author and works, the length of each entry determined by the relative significance of the writer or movement being discussed. Each biographical entry identifies the author's literary contribution by including facts about his or her life and works, a chronological list of works, a supplementary bibliography, and, when appropriate, critical notes. Authors are listed alphabetically and cross-referenced both within the text and the index to facilitate easy access to information. Selected bibliographical entries are also listed alphabetically by author and include both the original title and English translation, publisher, date and place of publication, and number of pages.
| Author | : David William Foster |
| Publisher | : Routledge |
| Total Pages | : 821 |
| Release | : 2015-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 131751825X |
First published in 1987 (this second edition in 1992), the Handbook of Latin American Literature offers readers the opportunity to explore this literary history in the English Language and constitutes an ideological approach to Latin American Literature. It provides both concise information concerning particular authors, works, and literary traditions of Latin America as well as comprehensive material about the various national literatures of the area. This book will therefore be of interest to Hispanic scholars, as well as more general readers and non-Hispanists.
| Author | : Verity Smith |
| Publisher | : Routledge |
| Total Pages | : 1781 |
| Release | : 1997-03-26 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 113531425X |
A comprehensive, encyclopedic guide to the authors, works, and topics crucial to the literature of Central and South America and the Caribbean, the Encyclopedia of Latin American Literature includes over 400 entries written by experts in the field of Latin American studies. Most entries are of 1500 words but the encyclopedia also includes survey articles of up to 10,000 words on the literature of individual countries, of the colonial period, and of ethnic minorities, including the Hispanic communities in the United States. Besides presenting and illuminating the traditional canon, the encyclopedia also stresses the contribution made by women authors and by contemporary writers. Outstanding Reference Source Outstanding Reference Book
| Author | : Willard Bohn |
| Publisher | : SUNY Press |
| Total Pages | : 388 |
| Release | : 1997-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780791431962 |
This literary history examines Guillaume Apollinaire's reception and influence in the Western hemisphere during the early twentieth century. Ir identifies and reconstructs major literary and art historical paths of development, about which surprisingly little is known. In particular, it discusses Apollinaire's reception and formative influence in North America, England, Germany, Spain, Argentina, and Mexico, and includes important documents by Apollinaire himself that have not appeared in print until now. "Bohn brings together a worldwide network of writers, artists, and critics to reveal the role and centrality of Apollinaire as the icon of Parisian modernism, cult figure of the avant-garde, poet with a new series of techniques, esthetician of the New, innovator of modern culture, and literary and cultural arbiter of his generation. "This is Rezeptionsesthetik in its most intense form. It is the definitive reference book for checking on who had any dealings with Apollinaire, the man or his work, and French modernism in English, German, Spanish or Catalan linguistic and cultural domains in both the Old and New Worlds. Bohn's translations from the various languages he commands are superb and prove that he is always working from source material. His text is simply a tour de force, a virtuoso performance". -- Seth L. Wolitz, University of Texas, Austin "Given the centrality of French poetry for European and New World poetry since Baudelaire, one simply cannot overstate Apollinaire's role in the evolution of the most advanced poetry written throughout Europe and North and South America since circa 1900. However, no one before has tracked his impact on avant-garde circles outsideFrance with so much attention to the specifics involved. Bohn has emerged as the dean of Apollinaire studies in North America; thus everything he has to say about the poet has the ring of absolute authority". -- Robert W. Greene, State University of New York, Albany
