The Construction Of Space In Early China
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| Author | : Mark Edward Lewis |
| Publisher | : State University of New York Press |
| Total Pages | : 514 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 0791482499 |
This book examines the formation of the Chinese empire through its reorganization and reinterpretation of its basic spatial units: the human body, the household, the city, the region, and the world. The central theme of the book is the way all these forms of ordered space were reshaped by the project of unification and how, at the same time, that unification was constrained and limited by the necessary survival of the units on which it was based. Consequently, as Mark Edward Lewis shows, each level of spatial organization could achieve order and meaning only within an encompassing, superior whole: the body within the household, the household within the lineage and state, the city within the region, and the region within the world empire, while each level still contained within itself the smaller units from which it was formed. The unity that was the empire's highest goal avoided collapse back into the original chaos of nondistinction only by preserving within itself the very divisions on the basis of family or region that it claimed to transcend.
| Author | : Mark Edward Lewis |
| Publisher | : State University of New York Press |
| Total Pages | : 258 |
| Release | : 2012-02-01 |
| Genre | : Religion |
| ISBN | : 0791482227 |
Early Chinese ideas about the construction of an ordered human space received narrative form in a set of stories dealing with the rescue of the world and its inhabitants from a universal flood. This book demonstrates how early Chinese stories of the re-creation of the world from a watery chaos provided principles underlying such fundamental units as the state, lineage, the married couple, and even the human body. These myths also supplied a charter for the major political and social institutions of Warring States (481–221 BC) and early imperial (220 BC–AD 220) China. In some versions of the tales, the flood was triggered by rebellion, while other versions linked the taming of the flood with the creation of the institution of a lineage, and still others linked the taming to the process in which the divided principles of the masculine and the feminine were joined in the married couple to produce an ordered household. While availing themselves of earlier stories and of central religious rituals of the period, these myths transformed earlier divinities or animal spirits into rulers or ministers and provided both etiologies and legitimation for the emerging political and social institutions that culminated in the creation of a unitary empire.
| Author | : Mark Edward Lewis |
| Publisher | : SUNY Press |
| Total Pages | : 392 |
| Release | : 1990-01-01 |
| Genre | : History |
| ISBN | : 9780791400760 |
This book provides new insight into the creation of the Chinese empire by examining the changing forms of permitted violence--warfare, hunting, sacrifice, punishments, and vengeance. It analyzes the interlinked evolution of these violent practices to reveal changes in the nature of political authority, in the basic units of social organization, and in the fundamental commitments of the ruling elite. The work offers a new interpretation of the changes that underlay the transformation of the Chinese polity from a league of city states dominated by aristocratic lineages to a unified, territorial state controlled by a supreme autocrat and his agents. In addition, it shows how a new pattern of violence was rationalized and how the Chinese of the period incorporated their ideas about violence into the myths and proto-scientific theories that provided historical and natural prototypes for the imperial state.
| Author | : Michelle H. Wang |
| Publisher | : University of Chicago Press |
| Total Pages | : 243 |
| Release | : 2023 |
| Genre | : Cartography |
| ISBN | : 0226827461 |
"This is the first English-language monograph on the early history of cartography in China. Its chief players are three maps found in tombs that date from the fourth to the second century BCE and together constitute the entire known corpus of ancient Chinese maps (ditu). A millennium separates them from the next available map from 1136 CE. Most scholars study them through the lens of modern, empirical definitions of maps and their use. This book offers an alternative view by drawing on methods not just from cartography but from art history, archaeology, and religion. It argues that, as tomb objects, the maps were designed to be simultaneously functional for the living and the dead-that each map was drawn to serve navigational purposes of guiding the living from one town to another as well as to diagram ritual order, thereby taming the unknown territory of the dead. In contrast with traditional scholarship, The Art of Terrestrial Diagrams in Early China proposes that ditu can "speak" through their forms. Departing from dominant theories of representation that forge a narrow path from form to meaning, the book braids together two main strands of argumentation to explore the multifaceted and multifunctional diagrammatic tradition of rendering space in early China"--
| Author | : Min Li |
| Publisher | : Cambridge University Press |
| Total Pages | : 587 |
| Release | : 2018-05-24 |
| Genre | : History |
| ISBN | : 1107141451 |
A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.
| Author | : Aurelia Campbell |
| Publisher | : University of Washington Press |
| Total Pages | : 234 |
| Release | : 2020-06-30 |
| Genre | : History |
| ISBN | : 0295746890 |
One of the most famous rulers in Chinese history, the Yongle emperor (r. 1402–24) gained renown for constructing Beijing’s magnificent Forbidden City, directing ambitious naval expeditions, and creating the world’s largest encyclopedia. What the Emperor Built is the first book-length study devoted to the architectural projects of a single Chinese emperor. Focusing on the imperial palaces in Beijing, a Daoist architectural complex on Mount Wudang, and a Buddhist temple on the Sino-Tibetan frontier, Aurelia Campbell demonstrates how the siting, design, and use of Yongle’s palaces and temples helped cement his authority and legitimize his usurpation of power. Campbell offers insight into Yongle’s sense of empire—from the far-flung locations in which he built, to the distant regions from which he extracted construction materials, and to the use of tens of thousands of craftsmen and other laborers. Through his constructions, Yongle connected himself to the divine, interacted with his subjects, and extended imperial influence across space and time. Spanning issues of architectural design and construction technologies, this deft analysis reveals remarkable advancements in timber-frame construction and implements an art-historical approach to examine patronage, audience, and reception, situating the buildings within their larger historical and religious contexts.
| Author | : Mark Edward Lewis |
| Publisher | : Harvard University Press |
| Total Pages | : 334 |
| Release | : 2010-10-30 |
| Genre | : History |
| ISBN | : 0674265424 |
In 221 BC, the First Emperor of Qin unified the lands that would become the heart of a Chinese empire. Though forged by conquest, this vast domain depended for its political survival on a fundamental reshaping of Chinese culture. With this informative book, we are present at the creation of an ancient imperial order whose major features would endure for two millennia. The Qin and Han constitute the “classical period” of Chinese history—a role played by the Greeks and Romans in the West. Mark Edward Lewis highlights the key challenges faced by the court officials and scholars who set about governing an empire of such scale and diversity of peoples. He traces the drastic measures taken to transcend, without eliminating, these regional differences: the invention of the emperor as the divine embodiment of the state; the establishment of a common script for communication and a state-sponsored canon for the propagation of Confucian ideals; the flourishing of the great families, whose domination of local society rested on wealth, landholding, and elaborate kinship structures; the demilitarization of the interior; and the impact of non-Chinese warrior-nomads in setting the boundaries of an emerging Chinese identity. The first of a six-volume series on the history of imperial China, The Early Chinese Empires illuminates many formative events in China’s long history of imperialism—events whose residual influence can still be discerned today.
| Author | : Garret Pagenstecher Olberding |
| Publisher | : Cambridge University Press |
| Total Pages | : 213 |
| Release | : 2021-11-18 |
| Genre | : History |
| ISBN | : 1316513696 |
Explores how sovereign space in early China was imagined and negotiated in the ancient world.
| Author | : Lillian Lan-ying Tseng |
| Publisher | : BRILL |
| Total Pages | : 479 |
| Release | : 2020-03-17 |
| Genre | : Art |
| ISBN | : 1684175097 |
Tian, or Heaven, had multiple meanings in early China. It had been used since the Western Zhou to indicate both the sky and the highest god, and later came to be regarded as a force driving the movement of the cosmos and as a home to deities and imaginary animals. By the Han dynasty, which saw an outpouring of visual materials depicting Heaven, the concept of Heaven encompassed an immortal realm to which humans could ascend after death. Using excavated materials, Lillian Tseng shows how Han artisans transformed various notions of Heaven—as the mandate, the fantasy, and the sky—into pictorial entities. The Han Heaven was not indicated by what the artisans looked at, but rather was suggested by what they looked into. Artisans attained the visibility of Heaven by appropriating and modifying related knowledge of cosmology, mythology, astronomy. Thus the depiction of Heaven in Han China reflected an interface of image and knowledge. By examining Heaven as depicted in ritual buildings, on household utensils, and in the embellishments of funerary settings, Tseng maintains that visibility can hold up a mirror to visuality; Heaven was culturally constructed and should be culturally reconstructed.
| Author | : Walter Scheidel |
| Publisher | : |
| Total Pages | : 322 |
| Release | : 2015 |
| Genre | : History |
| ISBN | : 0190202246 |
Two thousand years ago, the Qin/Han and Roman empires were the largest political entities of the ancient world, developing simultaneously yet independently at opposite ends of Eurasia. Although their territories constituted only a small percentage of the global land mass, these two Eurasian polities controlled up to half of the world population and endured longer than most pre-modern imperial states. Similarly, their eventual collapse occurred during the same time. The parallel nature of the Qin/Han and Roman empires has rarely been studied comparatively. Yet here is a collection of pioneering case studies, compiled by Walter Scheidel, that sheds new light on the prominent aspects of imperial state formation. This essential new volume builds on the foundation of Scheidel's Rome and China (2009), and opens up a comparative dialogue among distinguished scholars. They provide unique insights into the complexities of imperial rule, including the relationship between rulers and elite groups, the funding of state agents, the determinants of urban development, and the rise of bureaucracies. By bringing together experts in each civilization, State Power in Ancient China and Rome provides a unique forum to explore social evolution, helping us further understand government and power relations in the ancient world.
