Colonial Documentary Film in South and South-East Asia

Colonial Documentary Film in South and South-East Asia
Author: Ian Aitken
Publisher: Edinburgh University Press
Total Pages: 256
Release: 2016-12-05
Genre: Performing Arts
ISBN: 1474407218

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

The Colonial Documentary Film in South and South-East Asia

The Colonial Documentary Film in South and South-East Asia
Author: Ian Aitken
Publisher:
Total Pages:
Release: 2017
Genre: Documentary films
ISBN: 9781474430487

Based on rare archival documents and films, this anthology is the first to focus primarily on the use of official and colonial documentary films in the South and South-East Asian regions. Drawing together a range of international scholars, the book sheds new light on historical, theoretical and empirical issues pertaining to the documentary film, in order to better comprehend the significant transformations of the form in the colonial, late colonial and immediate post-colonial period. Covering diverse geographical and colonial contexts in countries like Singapore, Malaysia, the Philippines and Hong Kong, and focusing on under-researched or little-known films, it demonstrate the complex set of relations between the colonisers and the colonised throughout the region.

The British Official Film in South-East Asia

The British Official Film in South-East Asia
Author: Ian Aitken
Publisher: Springer
Total Pages: 257
Release: 2016-11-22
Genre: Performing Arts
ISBN: 1137493445

This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.

The British Official Film in South-East Asia

The British Official Film in South-East Asia
Author: I. Aitken
Publisher: Palgrave Macmillan
Total Pages: 256
Release: 2014-01-14
Genre: Social Science
ISBN: 9781349697038

This book explores the ways in which the British official film was used in Malaya/Malaysia, Singapore and Hong Kong from 1945 to the 1970s. Aitken uncovers how the British official film, and British official information agencies, adapted to the epochal contexts of the Cold War and end of empire. In addition to an extensive introduction, which touches on a number of critical issues related to the post-war British official film, the book provides an account of how the tradition of film-making associated with the British documentary film movement spread into the region during the post-war period, and how that tradition was contested by a ‘Colonial Office’ tradition of film-making. The volume concludes by covering the rise of television in the region within the context of developing post-colonial authoritarian states in Singapore and Malaysia, and the continuation of colonial authoritarianism in Hong Kong.

Film in South East Asia

Film in South East Asia
Author: David Hanan
Publisher: National Gallery of Australia
Total Pages: 328
Release: 2001
Genre: Performing Arts
ISBN:

Film in South East Asia: views from the region: essays on film in ten South East Asian countries.

South East Asia, Colonial History: Imperialism before 1800

South East Asia, Colonial History: Imperialism before 1800
Author: Paul H. Kratoska
Publisher: Taylor & Francis
Total Pages: 440
Release: 2001
Genre: History
ISBN: 9780415215404

The six volumes that make up this unique set provide an extensive overview of colonialism in South-East Asia. In the majority of cases, authors chosen were specialists writing about their individual areas of expertise, and had first-hand experience in the region. Outline of contents: * I. Imperialism before 1800 [Edited by Peter Borschberg] * II. Empire-Building in the Nineteenth-Century * III. High Imperialism * IV. Imperial Decline: Nationalism and the Japanese Challenge * V. Peaceful Transitions to Independence * VI. Independence through Violent Struggle

Colonialism and Nationalism in Asian Cinema

Colonialism and Nationalism in Asian Cinema
Author: Wimal Dissanayake
Publisher: Indiana University Press
Total Pages: 266
Release: 1994-10-22
Genre: Performing Arts
ISBN: 9780253208958

" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." —Media Asia " . . . a momentous contribution to the study of colonialism and postcoloniality in Asia . . . " —The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols. . . . This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." —Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.

South East Asia Colonial History V2

South East Asia Colonial History V2
Author: Paul Kratoska
Publisher: Routledge
Total Pages: 418
Release: 2021-12-17
Genre: History
ISBN: 1000560481

The six volumes that make up this set provide an overview of colonialism in South East Asia. The first volume deals with Portuguese, Spanish and Dutch Imperialism before 1800, the second with empire-building during the Nineteenth Century, and the third with the imperial heyday in the early Twentieth Century. The remaining volumes are devoted to the decline of empire, covering nationalism and the Japanese challenge to the Western presence in the region, and the transition to independence. The authors whose works are anthologised include both official participants, and scholars who wrote about events from a more detached perspective. Wherever possible, authors have been chosen who had first-hand experience in the region

Southeast Asia on Screen

Southeast Asia on Screen
Author: Gaik Cheng Khoo
Publisher:
Total Pages: 0
Release: 2020
Genre: Motion picture industry
ISBN: 9789462989344

After the end of World War II when many Southeast Asian nations gained national independence, and up until the Asian Financial Crisis, film industries here had distinctive and colourful histories shaped by unique national and domestic conditions. Southeast Asia on Screen: From Independence to Financial Crisis (1945-1998) addresses the similar themes, histories, trends, technologies and sociopolitical events that have moulded the art and industry of film in this region, identifying the unique characteristics that continue to shape cinema, spectatorship and Southeast Asian filmmaking in the present and the future. Bringing together scholars across the region, chapters explore the conditions that have given rise to today's burgeoning Southeast Asian cinemas as well as the gaps that manifest as temporal belatedness and historical disjunctures in the more established regional industries.