The Collected Works Of Walter Pater Classical Studies
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Author | : Matthew Potolsky |
Publisher | : Oxford University Press, USA |
Total Pages | : 416 |
Release | : 2021-01-26 |
Genre | : |
ISBN | : 9780198861928 |
Classical Studies is Volume 8 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. Pater carried this spirit into his studies of Greek mythology and sculpture in the 1870s and 1880s--among the most important encounters of any Victorian writer with the classical tradition. Pater's classical studies offer revisionary accounts of the myths of Demeter and Persephone and Dionysus and undertake original interpretations of the history of Greek sculpture and tragedy. Deeply informed by, but never beholden to, the verities of classical scholarship, Pater approaches Greek myth and art from the perspective of what he famously called 'aesthetic criticism': with an eye to their beauty and the ways they speak to modern life. Pater's interpretations of classical culture cut against the grain of the high Victorian appreciation of ancient Greece, which imagined a placid world of reason and pure white beauty. Like his contemporary Friedrich Nietzsche, Pater is by contrast attentive to the dark side of antiquity, highlighting its depths of emotion, its dissident sexuality, its gaudy colours, and its transgressive challenges to the ruling order. These essays were highly influential among Pater's younger contemporaries, and would later inform works like James Joyce's Ulysses, which likewise traces links between ancient Greece and modern life.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Art |
ISBN | : |
Classical Studies is Volume 8 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life.0Pater carried this spirit into his studies of Greek mythology and sculpture in the 1870s and 1880s-among the most important encounters of any Victorian writer with the classical tradition. Pater's classical studies offer revisionary accounts of the myths of Demeter and Persephone and Dionysus and undertake original interpretations of the history of Greek sculpture and tragedy. Deeply informed by, but never beholden to, the verities of classical scholarship, Pater approaches Greek myth and art from the perspective of what he famously called 'aesthetic criticism': with an eye to their beauty and the ways they speak to modern life. Pater's interpretations of classical culture cut against the grain of the high Victorian appreciation of ancient Greece, which imagined a placid world of reason and pure white beauty. Like his contemporary Friedrich Nietzsche, Pater is by contrast attentive to the dark side of antiquity, highlighting its depths of emotion, its dissident sexuality, its gaudy colours, and its transgressive challenges to the ruling order. These essays were highly influential among Pater's younger contemporaries, and would later inform works like James Joyce's Ulysses, which likewise traces links between ancient Greece and modern life.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 381 |
Release | : 2020 |
Genre | : Art, Classical |
ISBN | : |
Classical Studies is Volume 8 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life.0Pater carried this spirit into his studies of Greek mythology and sculpture in the 1870s and 1880s-among the most important encounters of any Victorian writer with the classical tradition. Pater's classical studies offer revisionary accounts of the myths of Demeter and Persephone and Dionysus and undertake original interpretations of the history of Greek sculpture and tragedy. Deeply informed by, but never beholden to, the verities of classical scholarship, Pater approaches Greek myth and art from the perspective of what he famously called 'aesthetic criticism': with an eye to their beauty and the ways they speak to modern life. Pater's interpretations of classical culture cut against the grain of the high Victorian appreciation of ancient Greece, which imagined a placid world of reason and pure white beauty. Like his contemporary Friedrich Nietzsche, Pater is by contrast attentive to the dark side of antiquity, highlighting its depths of emotion, its dissident sexuality, its gaudy colours, and its transgressive challenges to the ruling order. These essays were highly influential among Pater's younger contemporaries, and would later inform works like James Joyce's Ulysses, which likewise traces links between ancient Greece and modern life.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 264 |
Release | : 1900 |
Genre | : |
ISBN | : |
Author | : Walter Pater |
Publisher | : Cambridge University Press |
Total Pages | : 293 |
Release | : 2011-11-10 |
Genre | : Art |
ISBN | : 1108034284 |
Pater's lectures on Plato were first published in 1893, and reissued in his collected works of 1900-1.
Author | : Robert Seiler |
Publisher | : Oxford University Press |
Total Pages | : 529 |
Release | : 2023-09-21 |
Genre | : Literary Criticism |
ISBN | : 0192695304 |
Correspondence is vol. ix in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. For the first time, all the known correspondence of Walter Pater has been assembled and fully annotated, including letters exchanged with his main publisher, the Macmillans, for more than two decades. Pertinent letters written after his death by his sisters Clara and Hester Pater are also included. The Correspondence provides a richer, much more complete overview of Pater's academic, professional, and personal lives and demonstrates how vigorously he participated in some of the most important literary and cultural networks of the Victorian era.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 0 |
Release | : 2019 |
Genre | : |
ISBN | : 9780198861928 |
Imaginary Portraits' is volume 3 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. Pater's Imaginary Portraits are among some of the most stylish and original pieces of short fiction in Victorian literature: portrayals of a series of handsome male protagonists across the ages of European history, set against a range of evocative European backdrops from Classical Greece to Medieval France, eighteenth-century Germany and modern England. Together, they constitute a remarkable testimony to Pater's profound understanding of centuries of cultural history, reworked in the0hybrid genre of the imaginary portrait as sophisticated portrait miniatures of minor characters touched and affected by major moments in European history. They question central issues of nationhood and belonging, a Pan-European cultural identity, and the fate of the individual in the face of collective history. As formative texts for Modernist writers like Joyce, Eliot, and Woolf, Pater's Imaginary Portraits had an impact which reached far beyond the nineteenth century.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 2378 |
Release | : 2011-07 |
Genre | : Literary Criticism |
ISBN | : 9781108034326 |
Author | : Charles Martindale |
Publisher | : Oxford University Press |
Total Pages | : 397 |
Release | : 2017-03-02 |
Genre | : Literary Collections |
ISBN | : 0191091340 |
Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.
Author | : Walter Pater |
Publisher | : |
Total Pages | : 272 |
Release | : 1967 |
Genre | : |
ISBN | : |