The Cinquecento In Florence
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Author | : Carlo Falciani |
Publisher | : Antique Collector's Club |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9788874613519 |
-Accompanies a splendid exhibition devoted to the art of the second half of the 16th century in Florence -A unique opportunity to celebrate the outstanding cultural and intellectual era From 22 September 2017 to 21 January 2018 Palazzo Strozzi will be hosting a splendid exhibition devoted to the art of the second half of the 16th century in Florence, the third and final act in a trilogy which began with Bronzino ISBN 9788874611546, in 2010 and was followed by Pontormo and Rosso Fiorentino ISBN 9788874612161, in 2014. Curated by Carlo Falciani and Antonio Natali, the show, and this accompanying book, explores the development of Florentine art in the second half of the century through the painting, sculpture, and draughtsmanship of such artists as Andrea del Sarto, Bronzino, Pontormo, Giorgio Vasari, Giambologna and Bartolomeo Ammannati. The exhibition will also provide a unique opportunity to celebrate the outstanding cultural and intellectual era that was marked by the Council of Trent and its Counter-Reformation, and by the figure of Francesco I de Medici, one of the most outstanding figures in the history of court patronage of the arts in Europe.
Author | : Michael W. Cole |
Publisher | : Princeton University Press |
Total Pages | : 372 |
Release | : 2022-07-12 |
Genre | : Art |
ISBN | : 1400836425 |
Ambitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked. Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect.
Author | : Carla D'Arista |
Publisher | : Harvey Miller |
Total Pages | : 0 |
Release | : 2020 |
Genre | : Architecture, Renaissance |
ISBN | : 9781912554256 |
Shrewd and ruthless, the Pucci were Medici loyalists whose political and cultural alignment with the most powerful family in Renaissance Florence was rewarded with wealth and influence. The Pucci family's martial support for the Medici in the ugly business of ruling Tuscany drove their transformation from a clan of minor guildsmen to a noble dynasty with three cardinals to its name. Over the next centuries, they showcased their exalted status with art and architecture that mirrored Medici tastes and reflected the values of civic humanism. The political and religious turmoil of the High Renaissance is writ large in this vivid portrait of the Pucci cardinals and their artistic patronage, a cultural biography inflected by the expulsion of the Medici from Florence, the Sack of Rome, the Reformation, and the occupation of Italy by Emperor Charles V. New archival evidence documents the chapels, palaces, and villas that were built, expanded, and decorated by the Pucci family in Rome, Tuscany, and Umbria. These celebrated projects were carried out by luminaries of Renaissance art and architecture: Michelozzo, the Pollaiuolo brothers, the Sangallo family, Baccio d'Agnolo, the Montelupo workshop, and others. A remarkable body of inventories reveals how the family's trials and tribulations shaped the fate of their estates and illustrates the role luxury goods played in the social ambitions of this newly-arrived family. Finally, a previously unknown catalogue of Palazzo Pucci tells the tale of the nineteenth-century dispersal of the family's priceless Renaissance artworks, a collection that once paralleled the splendor of the Medici court.
Author | : Marc Föcking |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 333 |
Release | : 2023-03-06 |
Genre | : Literary Criticism |
ISBN | : 3110783479 |
‘Anticlassicisms,’ as a plural, react to the many possible forms of ‘classicisms.’ In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo’s canonization of a ‘second antiquity’ in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic ‘classicisms’ need to be distinguished as so many ‘anticlassicisms’. This volume, after discussing the history and possible implications of the label ‘anticlassicism’ in Renaissance studies, differentiates and analyzes these ‘anticlassicisms.’ It distinguishes the various forms of opposition to ‘classicisms’ as to their scope (on a scale between radical poetological dissension to merely sectorial opposition in a given literary genre) and to their alternative models, be they authors (like Dante) or texts. At the same time, the various chapters specify the degree of difference or erosion inherent in anticlassicist tendencies with respect to their ‘classicist’ counterparts, ranging from implicit ‘system disturbances’ to open, intended antagonism (as in Bernesque poetry), with a view to establishing an overall picture of this field of phenomena for the first time.
Author | : Susan B. Puett |
Publisher | : Penn State Press |
Total Pages | : 274 |
Release | : 2016-08-25 |
Genre | : Art |
ISBN | : 0271091320 |
The creativity of the human mind was brilliantly displayed during the Florentine Renaissance when artists, mathematicians, astronomers, apothecaries, architects, and others embraced the interconnectedness of their disciplines. Artists used mathematical perspective in painting and scientific techniques to create new materials; hospitals used art to invigorate the soul; apothecaries prepared and dispensed, often from the same plants, both medicinals for patients and pigments for painters; utilitarian glassware and maps became objects to be admired for their beauty; art enhanced depictions of scientific observations; and innovations in construction made buildings canvases for artistic grandeur. An exploration of these and other intersections of art and science deepens our appreciation of the magnificent contributions of the extraordinary Florentines.
Author | : Carlo Falciani |
Publisher | : |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Art |
ISBN | : 9788874612161 |
In 1956, Palazzo Strozzi hosted the exhibition 'Pontormo and Early Florentine Mannerism', in which Pontormo's work was displayed alongside that of Rosso Fiorentino, Beccafumi and other adepts of the new and unconventional trend in painting. Almost sixty years later, Palazzo Strozzi has decided to hold an exhibition devoted to only two of that movement's leading lights, Pontormo and Rosso Fiordentino. In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.
Author | : Eugene J. Johnson |
Publisher | : Cambridge University Press |
Total Pages | : 349 |
Release | : 2018-05-17 |
Genre | : Architecture |
ISBN | : 1108421741 |
This book examines the invention of the architecture of the modern opera house in Italy between the late fifteenth and late seventeenth centuries.
Author | : Mark Rosen |
Publisher | : Cambridge University Press |
Total Pages | : 297 |
Release | : 2015 |
Genre | : Art |
ISBN | : 1107067030 |
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
Author | : Joseph Archer Crowe |
Publisher | : |
Total Pages | : 526 |
Release | : 1911 |
Genre | : Italy |
ISBN | : |
Author | : Heidi J. Hornik |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : Art |
ISBN | : 9781845191863 |
This book sets out to establish Michele Tosini's critical role in sixteenth-century Mannerist art in Florence. He was well-trained, well-educated and well-liked, and created a highly productive workshop environment that not only succeeded but thrived in one of the most competitive ages of artistic production in the history of art. To date, scholarship executed on Tosini (Carlo Gamba in 1928, Sydney Freedberg in 1974) has produced a plethora of misunderstandings about Tosini's role in the Florentine artistic community. The verdict that Tosini was a 'hack' painter who could make his works look like those of more 'established' painters in order to get commissions, and that he was an uneducated 'second-rate' painter who could not formulate complex iconographical programs, is at odds with the evidence presented in this current research. Tosini was much more than just 'the right man in the right place at the right time'. He not only promoted Mannerism, but was part of its process; indeed, the formation of the Accademia del Disegno took place at the height of his artistic career. Given his business acumen it is perhaps understandable that ;misunderstandings; have arisen. (To borrow from William Wallace, Tosini can legitimately be thought of as 'Genius as Entrepreneur'.) This is not only essential reading for all students of Late Renaissance / Mannerist art history, but a majestic story of the process of artistic endeavour and how it unfolds that is so deeply admired today.