The Cinematic Century
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Author | : Srividhya Swaminathan |
Publisher | : Routledge |
Total Pages | : 305 |
Release | : 2017-07-28 |
Genre | : Literary Criticism |
ISBN | : 1351800949 |
This collection explores how film and television depict the complex and diverse milieu of the eighteenth century as a literary, historical, and cultural space. Topics range from adaptations of Austen’s Sense and Sensibility and Defoe's Robinson Crusoe (The Martian) to historical fiction on the subjects of slavery (Belle), piracy (Crossbones and Black Sails), monarchy (The Madness of King George and The Libertine), print culture (Blackadder and National Treasure), and the role of women (Marie Antoinette, The Duchess, and Outlander). This interdisciplinary collection draws from film theory and literary theory to discuss how film and television allows for critical re-visioning as well as revising of the cultural concepts in literary and extra-literary writing about the historical period.
Author | : J. Hoberman |
Publisher | : Verso Books |
Total Pages | : 305 |
Release | : 2013-11-05 |
Genre | : Performing Arts |
ISBN | : 1781681430 |
One of the world’s most erudite and entertaining film critics on the state of cinema in the post-digital—and post-9/11—age. This witty and allusive book, in the style of classic film theorists/critics like André Bazin and Siegfried Kracauer, includes considerations of global cinema’s most important figures and films, from Lars von Trier and Zia Jiangke to WALL-E, Avatar and Inception.
Author | : Jean-Luc Godard |
Publisher | : |
Total Pages | : 168 |
Release | : 2005-02 |
Genre | : Performing Arts |
ISBN | : |
Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. He expounds on his central concerns - how film can "resurrect the past," the role of rhythm in film, and how cinema can be an "art that thinks." Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history. --
Author | : Richard Grusin |
Publisher | : |
Total Pages | : 248 |
Release | : 2020-12-29 |
Genre | : |
ISBN | : 9781517910587 |
At the dawn of the digital era in the final decades of the twentieth century, film and media studies scholars grappled with the prospective end of what was deemed cinema: analog celluloid production, darkened public movie theaters, festival culture. The notion of the "end of cinema" had already been broached repeatedly over the course of the twentieth century--from the introduction of sound and color to the advent of television and video--and in Ends of Cinema, contributors reinvigorate this debate to contemplate the ends, as well as directions and new beginnings, of cinema in the twenty-first century. In this volume, scholars at the forefront of film and media studies interrogate multiple potential "ends" of cinema: its goals and spaces, its relationship to postcinema, its racial dynamics and environmental implications, and its theoretical and historical conclusions. Moving beyond the predictable question of digital versus analog, the scholars gathered here rely on critical theory and historical research to consider cinema alongside its media companions: television, the gallery space, digital media, and theatrical environments. Ends of Cinema underscores the shared project of film and media studies to open up what seems closed off, and to continually reinvent approaches that seem unresponsive. Contributors: Caetlin Benson-Allott, Georgetown U; James Leo Cahill, U of Toronto; Francesco Casetti, Yale U; Mary Ann Doane, U of California Berkeley; André Gaudreault, U de Montréal; Michael Gillespie, City College of New York; Mark Paul Meyer, EYE Filmmuseum; Jennifer Lynn Peterson, Woodbury U, Los Angeles; Amy Villarejo, Cornell U.
Author | : Antoine de Baecque |
Publisher | : Columbia University Press |
Total Pages | : 420 |
Release | : 2012 |
Genre | : History |
ISBN | : 0231156502 |
Antoine de Baecque proposes a new historiography of cinema, investigating how cinematic representation changes the very nature of history.
Author | : William Wolf |
Publisher | : |
Total Pages | : 440 |
Release | : 1979 |
Genre | : Performing Arts |
ISBN | : |
Author | : Wheeler Winston Dixon |
Publisher | : Rutgers University Press |
Total Pages | : 233 |
Release | : 2011-08-31 |
Genre | : Performing Arts |
ISBN | : 0813551986 |
They are shot on high-definition digital cameras—with computer-generated effects added in postproduction—and transmitted to theaters, websites, and video-on-demand networks worldwide. They are viewed on laptop, iPod, and cell phone screens. They are movies in the 21st century—the product of digital technologies that have revolutionized media production, content distribution, and the experience of moviegoing itself. 21st-Century Hollywood introduces readers to these global transformations and describes the decisive roles that Hollywood is playing in determining the digital future for world cinema. It offers clear, concise explanations of a major paradigm shift that continues to reshape our relationship to the moving image. Filled with numerous detailed examples, the book will both educate and entertain film students and movie fans alike.
Author | : Tony Thomas |
Publisher | : Secaucus, N.J. : Citadel Press |
Total Pages | : 472 |
Release | : 1979 |
Genre | : Performing Arts |
ISBN | : |
Author | : Craig Detweiler |
Publisher | : Baker Academic |
Total Pages | : 320 |
Release | : 2008-08 |
Genre | : Performing Arts |
ISBN | : 0801035929 |
A Hollywood screenwriter/producer and film professor explores forty-five of the twenty-first century's most popular films as vehicles of common grace.
Author | : Cathy Whitlock |
Publisher | : Harper Collins |
Total Pages | : 398 |
Release | : 2013-02-05 |
Genre | : Art |
ISBN | : 0062241605 |
Who can forget the over-the-top, white-on-white, high-gloss interiors through which Fred Astaire danced in Top Hat? The modernist high-rise architecture, inspired by the work of Frank Lloyd Wright, in the adaptation of Ayn Rand's The Fountainhead? The lavish, opulent drawing rooms of Martin Scorsese's The Age of Innocence? Through the use of film design—called both art direction and production design in the film industry—movies can transport us to new worlds of luxury, highlight the ornament of the everyday, offer a vision of the future, or evoke the realities of a distant era. In Designs on Film, journalist and interior designer Cathy Whitlock illuminates the often undercelebrated role of the production designer in the creation of the most memorable moments in film history. Through a lush collection of rare archival photographs, Whitlock narrates the evolving story of art direction over the course of a century—from the massive Roman architecture of Ben-Hur to the infamous Dakota apartment in Rosemary's Baby to the digital CGI wonders of Avatar's Pandora. Drawing on insights from the most prominent Hollywood production designers and the historical knowledge of the venerable Art Directors Guild, Whitlock delves into the detailed process of how sets are imagined, drawn, built, and decorated. Designs on Film is the must-have look book for film lovers, movie buffs, and anyone looking to draw interior design inspiration from the constructions and confections of Hollywood. Whitlock lifts the curtain on movie magic and celebrates the many ways in which art direction and set design allow us to lose ourselves in the diverse worlds showcased on the big screen.