The Cid And Cinna And The Theatrical Illusion
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| Author | : Pierre Corneille |
| Publisher | : Penguin |
| Total Pages | : 286 |
| Release | : 1976-01-30 |
| Genre | : Drama |
| ISBN | : 9780140443127 |
This volume compiles three of Corneille's most lauded plays: The Cid, Corneille's masterpiece set in medieval Spain, was the first great work of French classical drama; Cinna, written three years later in 1641, is a tense political drama; and The Theatrical Illusion, an earlier work, is reminiscent of Shakespeare's exuberant comedies. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : Pierre Corneille |
| Publisher | : |
| Total Pages | : 281 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : Gerhard Fischer |
| Publisher | : Rodopi |
| Total Pages | : 478 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9042022574 |
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
| Author | : |
| Publisher | : Penguin |
| Total Pages | : 260 |
| Release | : 1985-01-08 |
| Genre | : Poetry |
| ISBN | : 9780140444469 |
One of the finest of epic poems, and the only one to have survived from medieval Spain, The Poem of the Cid recounts the adventures of the warlord and nobleman Rodrigo Díaz de Vivar - 'Mio Cid'. A forceful combination of heroic fiction and historical fact, the tale seethes with the restless, adventurous spirit of Castille, telling of the Cid's unjust banishment from the court of King Alfonso, his victorious campaigns in Valencia, and the crowning of his daughters as queens of Aragon and Navarre - the high point of his career as a warmonger. An epic that sings of universal human values, this is one of the greatest of all works of Spanish literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : Katherine Ibbett |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351881418 |
Engaging with recent thinking about performance, political theory and canon formation, this study addresses the significance of the formal changes in seventeenth-century French theater. Each chapter takes up a particularity of seventeenth-century theatrical style and staging”for example, the clearing of violence from the stage”and shows how the conceptualization of these French stylistic shifts appropriates a rich body of Italian political writing on questions of action, temporality, and law. The theater's appropriation of political concerns and vocabularies, the author argues, proffers an astute reflection on the practices of government that draws attention to questions obscured in reason of state, such as the instrumentalization of women's bodies. In a new reading of tragedies about government, the author shows how the canonical figure of Pierre Corneille is formally engaged with the political strategizing he often appears to repudiate, and in so doing challenges a literary history that has read neoclassicism largely as a display of pure French style.
| Author | : Cormac Power |
| Publisher | : BRILL |
| Total Pages | : 184 |
| Release | : 2019-10-21 |
| Genre | : Drama |
| ISBN | : 9004409548 |
Power’s Stoicism and Performance presents Stoicism as a means of navigating key debates and concepts in contemporary theatre and performance. Stoicism has influenced many of the most cited radical thinkers in the discipline of theatre and performance studies; for instance Deleuze, Foucault, Kristeva, Agamben. A central aim of this work is to bring Stoicism more explicitly into the fold of the discipline, and to use Stoicism to think differently about performance. With a series of chapters covering themes such as performativity, embodiment, emotion, affect and spectatorship, this book finds points of encounter between Stoicism and contemporary understandings and practices of performance. It presents these encounters as modes of transformative experience in relation to our being in the world.
| Author | : Alison Shell |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 321 |
| Release | : 2014-09-22 |
| Genre | : Literary Criticism |
| ISBN | : 1408143615 |
This book sets Shakespeare in the religious context of his times, presenting a balanced, up-to-date account of current biographical and critical debates, and addressing the fascinating, under-studied topic of how Shakespeare's writing was perceived by literary contemporaries - both Catholic and Protestant - whose priorities were more obviously religious than his own. It advances new readings of several plays, especially Hamlet, King Lear and The Winter's Tale; these draw in many cases on new and under-exploited contemporary analogues, ranging from conversion narratives, books of devotion and polemical pamphlets to manuscript drama and emblems. Shakespeare's writing has been seen both as profoundly religious, giving everyday human life a sacramental quality, and as profoundly secular, foreshadowing the kind of humanism that sees no necessity for God. This study attempts to reconcile these two points of view, describing a writer whose language is saturated in religious discourse and whose dramaturgy is highly attentive to religious precedent, but whose invariable practice is to subordinate religious matter to the particular aesthetic demands of the work in hand. For Shakespeare, as for few of his contemporaries, the Judaeo-Christian story is something less than a master narrative.
| Author | : |
| Publisher | : Penguin UK |
| Total Pages | : 167 |
| Release | : 2015-02-26 |
| Genre | : Reference |
| ISBN | : 0141398841 |
In 1946, E. V. Rieu's groundbreaking translation of The Odyssey established a cultural legacy that would bring the world's most compelling and influential literature to millions of readers around the globe. For over sixty-five years, Penguin Classics have been making works that were once the sole preserve of academics accessible to everyone; this catalogue offers a complete list of all titles in print across the list - more than 1,200 books, from Aristotle and Austen, to Zola and Zamyatin. 'The Penguin Classics, though I designed them to give pleasure even more than instruction, have been hailed as the greatest educative force of the twentieth century. And far be it for me to quarrel with that encomium, for there is no one whom they have educated more than myself' E. V. Rieu
| Author | : Virginia Walker Jackson |
| Publisher | : JHU Press |
| Total Pages | : 678 |
| Release | : 2014-02 |
| Genre | : Literary Criticism |
| ISBN | : 1421412004 |
Reading lyric poetry over the past century. The Lyric Theory Reader collects major essays on the modern idea of lyric, made available here for the first time in one place. Representing a wide range of perspectives in Anglo-American literary criticism from the twentieth and twenty-first centuries, the collection as a whole documents the diversity and energy of ongoing critical conversations about lyric poetry. Virginia Jackson and Yopie Prins frame these conversations with a general introduction, bibliographies for further reading, and introductions to each of the anthology’s ten sections: genre theory, historical models of lyric, New Criticism, structuralist and post-structuralist reading, Frankfurt School approaches, phenomenologies of lyric reading, avant-garde anti-lyricism, lyric and sexual difference, and comparative lyric. Designed for students, teachers, scholars, poets, and readers with a general interest in poetics, this book presents an intellectual history of the theory of lyric reading that has circulated both within and beyond the classroom, wherever poetry is taught, read, discussed, and debated today.
| Author | : Hélène E. Bilis |
| Publisher | : Modern Language Association |
| Total Pages | : 428 |
| Release | : 2021-06-19 |
| Genre | : Literary Criticism |
| ISBN | : 1603295321 |
Tragedy has been reborn many times since antiquity. Seventeenth-century French playwrights composed tragedies marked by neoclassical aesthetics and the divine-right absolutism of the Grand Siècle. But their works also speak to the modern imagination, inspiring reactions from Barthes, Derrida, and Foucault; adaptations and reworkings by Césaire and Kushner; and new productions by francophone and anglophone directors. This volume addresses both the history of French neoclassical tragedy--its audiences, performance practice, and development as a genre--and the ideas these works raise, such as necessity, free will, desire, power, and moral behavior in the face of limited choices. Essays demonstrate ways to teach the plays through a variety of lenses, such as performance, spectatorship, aesthetics, rhetoric, and affect. The book also explores postcolonial engagement, by writers and directors both in and outside France, with these works.
