The Chorus Wreath
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The Chorus Wreath
Author | : |
Publisher | : |
Total Pages | : 244 |
Release | : 1864 |
Genre | : Choruses (Mixed voices) with piano |
ISBN | : |
The Chorus Wreath; a Collection of Sacred and Secular Choruses, Selected from the Best Oratorios, Operas and Glee Books, Designed for the Use of Musical
Author | : Anonymous |
Publisher | : Rarebooksclub.com |
Total Pages | : 44 |
Release | : 2013-09 |
Genre | : |
ISBN | : 9781230059570 |
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1864 edition. Excerpt: ...____, -- " i __=a a: hff# F1Jcents1if-of ' 111.: E:::: I:: I: -: S:: it: E: Zz: fik _ _"i: ::, ii _ '------: _--'W: _: :: ' --' 2'!-- _ ___ _-n-----' __ _ _ _ __ "v_E;, _, i7 =._____ _____.:,""1' 'i' b_-_, 'iE cents-l-n -r-'-_ _ ___; __ __ _'; ____ _ ___ _ __. __-._ __fi'l_ ?, _T__"l; _N I' L'CC Q_: 5 ! I '--v_';_I__ _ I;'lI _.__ _____ _ __cents_ _______ ___ __, _I__, .____ I spiriirs _vet shall ev-er yenm For that happy day, Awhcinthey slmllall vi to-ria-us '_ j;i;;'_"____: i'_: ___: ___ _;';' --:: ' ': 5_ ! _ ____ _ ___ _'___ _ i._.:1i_: _"__ 3_: L'_. _i'_i: l'E: 'i_: _"'' ' _:: -- -;_j_Ii_ EL" --------::1: _:: : $; 1 4?-1-.-a.: :: --::: '; :1: :: __: $::1:: "- 31; __: I3 11: _;_fE__"____f" ' 1_1# 1:1: __: ._: _ _ _ __: __ ________--_---------- spir-lts yet shall ev er yearn For that happy day, when Lhey shall nll vlc-to
Carmina Collegensia
Author | : Henry Randall Waite |
Publisher | : |
Total Pages | : 264 |
Release | : 1868 |
Genre | : Songs with piano |
ISBN | : |
The Poetics of Slavdom
Author | : Zdenko Zlatar |
Publisher | : Peter Lang |
Total Pages | : 500 |
Release | : 2007 |
Genre | : Foreign Language Study |
ISBN | : 9780820481357 |
Between 1400 and 1878, the majority of Southern Slavic peoples endured several centuries of Ottoman rule. In the nineteenth century there was a movement among both the Croats and the Serbs to set aside regional, ethnic, religious, and cultural differences in order to work together toward the liberation of all the Southern Slavs from the Ottoman yoke. These volumes explore how the masterpieces of two leading poets among the Croats and Serbs - Ivan Mazuranić (1814-1890) and Petar II Petrović Njegos (1813-1851), who was Prince-Bishop of Montenegro from 1830-1851 - dealt with the Southern Slavs' relationship to Islam in their greatest poetic works, The Death of Smail-agha Čengić and The Mountain Wreath, respectively.
Images in Mind
Author | : Deborah Steiner |
Publisher | : Princeton University Press |
Total Pages | : 382 |
Release | : 2001 |
Genre | : Art |
ISBN | : 9780691094885 |
In archaic and classical Greece, statues played a constant role in people's religious, political, economic, aesthetic, and mental lives. Evidence of many kinds demonstrates that ancient Greeks thought about--and interacted with--statues in ways very different from our own. This book recovers ancient thinking about statues by approaching them through contemporary literary sources. It not only shows that ancient viewers conceived of images as more operative than aesthetic, but additionally reveals how poets and philosophers found in sculpture a practice ''good to think with.'' Deborah Tarn Steiner considers how Greek authors used images to ponder the relation of a copy to an original and of external appearance to inner reality. For these writers, a sculpture could straddle life and death, encode desire, or occasion reflection on their own act of producing a text. Many of the same sources also reveal how thinking about statues was reflected in the objects' everyday treatment. Viewing representations of gods and heroes as vessels hosting a living force, worshippers ritually washed, clothed, and fed them in order to elicit the numinous presence within. By reading the plastic and verbal sources together, this book offers new insights into classical texts while illuminating the practices surrounding the design, manufacture, and deployment of ancient images. Its argument that images are properly objects of cultural and social--rather than purely aesthetic--study will attract art historians, cultural historians, and anthropologists, as well as classicists.