The Chip Womans Fortune
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| Author | : Venetria K. Patton |
| Publisher | : Rutgers University Press |
| Total Pages | : 678 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780813529301 |
In this important new anthology. Venetria K. Patton and Maureen Honey bring together a comprehensive scicction of texts from the Harlem Renalssance a key period in the literary and cultural history of the cultural life of the United States. The collection revolutionizes our way of viewing this era, as it redresses the ongoing emphasis on the male writers of this time. Double.Take offers a unique, balanced collection of writers - men and women, gay and straight, familiar and obscure. The editors have also included works from a wide variety of genres poetry, short stories, drama, essays, music, and art - allowing readers to understand the true interdisciplinary quality of this cultural movement. Biographical sketches of the authors are provided and most of the places are included in their entirely. Double.Take also includes artwork and illustrations, many of which are from periodicals and have never before been reprinted. Significantly, Double-Take is the first book to include music lyrics to illustrate the interrelation of various art forms. Arranged by author, rather than by genre, this anthology includes works from major Harlem Renaissance figures as well as often-overlooked essay
| Author | : Willis Richardson |
| Publisher | : Independently Published |
| Total Pages | : 33 |
| Release | : 2019-02-03 |
| Genre | : |
| ISBN | : 9781795287630 |
In 1922, Willis Richardson wrote The Chip Woman's Fortune. On January 29, 1923, the play was performed by the Ethiopian Art Players in Chicago. In April 1923, the play moved to New York. On May 7, 1923, The Chip Woman's Fortune had a short run at the Lafayette Theatre in Harlem. Eight days later, it became the first play by an African American to reach Broadway. The chip woman, in The Chip Woman's Fortune, is named Aunt Nancy. She contributes to the household where she resides by picking up chips of wood and lumps of coal from the streets. We find her living with Silas and caring for his ill wife, Liza, whom we learn is making a steady recovery under Aunt Nancy's care. Silas learns that the family's greatest treasure, a Victrola record player, is about to be repossessed because of financial strain that has left him unable to make payments on the outstanding debt owed on the machine. After learning that, Aunt Nancy has managed to save some money from street donations she receives, Silas decides that it is time for her to contribute more than the nursing care provided to his wife, and the wood chips and coal lumps she collects for use by the family.
| Author | : James V. Hatch |
| Publisher | : Wayne State University Press |
| Total Pages | : 460 |
| Release | : 1992-01-04 |
| Genre | : Social Science |
| ISBN | : 081433847X |
Biographic information and a bibliographyof other plays follow each script, providing readers with added sources for study.
| Author | : |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 1975-04 |
| Genre | : |
| ISBN | : |
Founded in 1943, Negro Digest (later “Black World”) was the publication that launched Johnson Publishing. During the most turbulent years of the civil rights movement, Negro Digest/Black World served as a critical vehicle for political thought for supporters of the movement.
| Author | : Leslie Catherine Sanders |
| Publisher | : LSU Press |
| Total Pages | : 272 |
| Release | : 1989-08-01 |
| Genre | : Drama |
| ISBN | : 9780807115824 |
In The Development of Black Theater in America, Leslie Sanders examines the work of the American black theater’s five most productive playwrights: Willis Richardson, Randolph Edmonds, Langston Hughes, LeRoi Jones, and Ed Bullins. Sanders sees the history of black theater as the process of creating a “black stage reality” while at the same time transforming conventions borrowed from white European culture into forms appropriate to black artists and audiences. The author argues that only when these things were accomplished could the aim of black playwrights, often articulated as “the realistic portrayal of the Negro,” be fully realized. This study also examines the changing nature of the dialogue black playwrights have held with the dominant tradition and how that dialogue has shaped their imaginations. Sanders’ discussion of Richardson, Edmonds, Hughes, Jones, and Bullins provides a context for approaching the work of other black playwrights, such as James Baldwin, Lorraine Hansberry, and Owen Dodson. And her argument provides a concrete way of understanding how the context of a dominant culture influences the artistic imagination of writers not of that culture, who must come to terms with its influences and transform it into a vehicle of their own.
| Author | : Jayne Ann Krentz |
| Publisher | : Simon and Schuster |
| Total Pages | : 404 |
| Release | : 2004-02-01 |
| Genre | : Fiction |
| ISBN | : 0743496434 |
Even a heaven-sent love can be hot as hell... Sweet Fortune Everyone thought Jessie Benedict's impending marriage to Sam Hatchard was a great arrangement -- everyone, that is, but Jessie herself. Was she the only one who could see that Hatchard, her powerful father's protégé, had a scheming ulterior motive in marrying her? He was more than just a chip off the old workaholic's block -- he was positively lusting after Jessie's inheritance to build his own business empire! Free-spirited Jessie has plans for her own career as a detective -- starting with the rescue of a teenage girl from a dangerous cult. But when a break-in and an intimidating act of vandalism strike close to home, her investigation pairs her with the compellingly masculine entrepreneur. Hatch does make her heart beat deliciously fast, but she's not taking orders from any man. Imagine her surprise when he turns out to be not only a friend and ally, but a strong, tender lover who, in the end, knows how to seal a deal -- with her resounding "I do!"
| Author | : Antonio Garcia Martinez |
| Publisher | : HarperCollins |
| Total Pages | : 720 |
| Release | : 2018-07-24 |
| Genre | : Business & Economics |
| ISBN | : 0062884484 |
The instant New York Times bestseller, now available in paperback and featuring a new afterword from the author—the insider's guide to the Facebook/Cambridge Analytica scandal, the inner workings of the tech world, and who really runs Silicon Valley “Incisive.... The most fun business book I have read this year.... Clearly there will be people who hate this book — which is probably one of the things that makes it such a great read.” — Andrew Ross Sorkin, New York Times Imagine a chimpanzee rampaging through a datacenter powering everything from Google to Facebook. Infrastructure engineers use a software version of this “chaos monkey” to test online services’ robustness—their ability to survive random failure and correct mistakes before they actually occur. Tech entrepreneurs are society’s chaos monkeys. One of Silicon Valley’s most audacious chaos monkeys is Antonio García Martínez. After stints on Wall Street and as CEO of his own startup, García Martínez joined Facebook’s nascent advertising team. Forced out in the wake of an internal product war over the future of the company’s monetization strategy, García Martínez eventually landed at rival Twitter. In Chaos Monkeys, this gleeful contrarian unravels the chaotic evolution of social media and online marketing and reveals how it is invading our lives and shaping our future.
| Author | : Errol Hill |
| Publisher | : Hal Leonard Corporation |
| Total Pages | : 388 |
| Release | : 1987 |
| Genre | : Performing Arts |
| ISBN | : 9780936839271 |
(Applause Books). From the origins of the Negro spiritual and the birth of the Harlem Renaissance to the emergence of a national black theatre movement, The Theatre of Black Americans offers a penetrating look at a black art form that has exploded into an American cultural institution. Among the essays: James Hatch Some African Influences on the Afro-American Theatre; Shelby Steele Notes on Ritual in the New Black Theatre; Sister M. Francesca Thompson OSF The Lafayette Players; Ronald Ross The Role of Blacks in the Federal Theatre.
| Author | : Harvey Young |
| Publisher | : Cambridge University Press |
| Total Pages | : 359 |
| Release | : 2023-05-31 |
| Genre | : Drama |
| ISBN | : 1009359592 |
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
| Author | : |
| Publisher | : |
| Total Pages | : 398 |
| Release | : 1923 |
| Genre | : |
| ISBN | : |
