The Celluloid Southern Myth
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| Author | : Edward D. C. Campbell |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 236 |
| Release | : 2003-03 |
| Genre | : Education |
| ISBN | : 9781572332539 |
The "southern" - as much a Hollywood genre as the "western" - is the subject of The Celluloid South. For decades the film industry, to provide profit-making entertainment, offered the public movies that neither raised difficult issues nor offended a majority of the ticket-buyers. As a result, Hollywood romanticized the south, particularly the antebellum era, in hundreds of films like Uncle Tom's Cabin, Gone With the Wind, Birth of a Nation, and Jezebel. During the 1920's and especially the Depression, the "moonlight and magnolia" romances increased to such an extent that Hollywood has been struggling since the late forties to rid films of the traditional images of the "southern." In his exploration of the "southern," Edward D.C. Campbell, Jr. examines the film plots and images - their social, literary, and historical origins, and their impact on the creation of a popular mythology of the south. The unrealistic but seemingly harmless characterizations of a planter society, and agricultural economy, and especially slavery have hindered the region's self-assessment and warped the nation's perspective on race. Campbell looks beyond the productions themselves, however, to advertising techniques and the reactions of the viewers and reviewers in his examination of the "southern," its popularity and its decline, and its influence of the public's conception of history, contemporary conditions, and black/white relations. The Celluloid South is not a study of film per se, but of film as a reflection of society and the ramifications inherent in popular entertainment. Readers interested in southern history, popular culture, or cinema studies, as well as movie fans, will find The Celluloid South a fascinating look at Hollywood's development of the southern myth. Thirty-one film stills illustrate the text.
| Author | : Patrick Gerster |
| Publisher | : University of Illinois Press |
| Total Pages | : 212 |
| Release | : 1989 |
| Genre | : Southern States |
| ISBN | : 9780252060250 |
Many historical myths are actually false yet psychologically true. This title looks myth and reality as complementary elements in the historical record.
| Author | : Peter C. Rollins |
| Publisher | : Columbia University Press |
| Total Pages | : 695 |
| Release | : 2004-03-24 |
| Genre | : History |
| ISBN | : 0231508395 |
American history has always been an irresistible source of inspiration for filmmakers, and today, for good or ill, most Americans'sense of the past likely comes more from Hollywood than from the works of historians. In important films such as The Birth of a Nation (1915), Roots (1977), Apocalypse Now (1979), and Saving Private Ryan (1998), how much is entertainment and how much is rooted in historical fact? In The Columbia Companion to American History on Film, more than seventy scholars consider the gap between history and Hollywood. They examine how filmmakers have presented and interpreted the most important events, topics, eras, and figures in the American past, often comparing the film versions of events with the interpretations of the best historians who have explored the topic. Divided into eight broad categories—Eras; Wars and Other Major Events; Notable People; Groups; Institutions and Movements; Places; Themes and Topics; and Myths and Heroes—the volume features extensive cross-references, a filmography (of discussed and relevant films), notes, and a bibliography of selected historical works on each subject. The Columbia Companion to American History on Film is also an important resource for teachers, with extensive information for research or for course development appropriate for both high school and college students. Though each essay reflects the unique body of film and print works covering the subject at hand, every essay addresses several fundamental questions: What are the key films on this topic? What sources did the filmmaker use, and how did the film deviate (or remain true to) its sources? How have film interpretations of a particular historical topic changed, and what sorts of factors—technological, social, political, historiographical—have affected their evolution? Have filmmakers altered the historical record with a view to enhancing drama or to enhance the "truth" of their putative message?
| Author | : Nina Silber |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 276 |
| Release | : 2000-11-09 |
| Genre | : History |
| ISBN | : 080786448X |
The reconciliation of North and South following the Civil War depended as much on cultural imagination as on the politics of Reconstruction. Drawing on a wide range of sources, Nina Silber documents the transformation from hostile sectionalism to sentimental reunion rhetoric. Northern culture created a notion of reconciliation that romanticized and feminized southern society. In tourist accounts, novels, minstrel shows, and popular magazines, northerners contributed to a mythic and nostalgic picture of the South that served to counter their anxieties regarding the breakdown of class and gender roles in Gilded Age America. Indeed, for many Yankees, the ultimate symbol of the reunion process, and one that served to reinforce Victorian values as well as northern hegemony, was the marriage of a northern man and a southern woman. Southern men also were represented as affirming traditional gender roles. As northern men wrestled with their nation's increasingly global and aggressive foreign policy, the military virtues extolled in Confederate legend became more admired than reviled. By the 1890s, concludes Silber, northern whites had accepted not only a newly resplendent image of Dixie but also a sentimentalized view of postwar reunion.
| Author | : Daniel N. Rolph |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 198 |
| Release | : 1994 |
| Genre | : Family & Relationships |
| ISBN | : 9780870498442 |
Using the oral accounts in conjunction with public records and documents, as well as the latest scholarship, Rolph probes deeply into the collective attitudes revealed by these episodes and places them in historical and cultural context.
| Author | : Thomas Lawrence Connelly |
| Publisher | : LSU Press |
| Total Pages | : 169 |
| Release | : 1995-03 |
| Genre | : History |
| ISBN | : 0807165018 |
More than a century after Appomattox, the Civil War and the idea of the "Lost Cause" remain at the center of the southern mind. God and General Longstreet traces the persistence and the transformation of the Lost Cause from the first generation of former Confederates to more recent times, when the Lost Cause has continued to endure in the commitment of southerners to their regional culture. Southern writers from the Confederate period through the southern renascence and into the 1970s fostered the Lost Cause, creating an image of the South that was at once romantic and tragic. By examining the work of these writers, Thomas Connelly and Barbara Bellows explain why the nation embraced this image and outline the evolution of the Lost Cause mentality from its origins in the South's surrender to its role in a centurylong national expression of defeat that extended from 1865 through the Vietnam War. As Connelly and Bellows demonstrate, the Lost Cause was a realization of mortality in an American world striving for perfection, an admission of failure juxtaposed against a national faith in success.
| Author | : Tison Pugh |
| Publisher | : University of Georgia Press |
| Total Pages | : 314 |
| Release | : 2020 |
| Genre | : Literary Criticism |
| ISBN | : 0820356530 |
"Within the realm of U.S. culture and its construction of its citizenry, geography, and ideology, who are Southerners and who are queers, and what is the South and what is queerness? Queering the South on Screen addresses these questions by examining "the intersections of queerness, regionalism, and identity" depicted in film, television, and other visual media about the South during the twentieth century. From portrayals of slavery to gothic horror films, the contributors show that queer southerners have always expressed desires for distinctiveness in the making and consumption of visual media. Read together, the introduction and twelve chapters deconstruct premeditated labels of identity such as queer and southern. In doing so, they expose the reflexive nature of these labels to construct fantasies based on southerner's self-identification based on what they were not"--
| Author | : Susan T. Falck |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 375 |
| Release | : 2019-08-23 |
| Genre | : History |
| ISBN | : 1496824431 |
Nearly seventy years after the Civil War, Natchez, Mississippi, sold itself to Depression-era tourists as a place “Where the Old South Still Lives.” Tourists flocked to view the town’s decaying antebellum mansions, hoopskirted hostesses, and a pageant saturated in sentimental Lost Cause imagery. In Remembering Dixie: The Battle to Control Historical Memory in Natchez, Mississippi, 1865–1941, Susan T. Falck analyzes how the highly biased, white historical memories of what had been a wealthy southern hub originated from the experiences and hardships of the Civil War. These collective narratives eventually culminated in a heritage tourism enterprise still in business today. Additionally, the book includes new research on the African American community’s robust efforts to build historical tradition, most notably, the ways in which African Americans in Natchez worked to create a distinctive postemancipation identity that challenged the dominant white structure. Using a wide range of late nineteenth- and early twentieth-century sources—many of which have never been fully mined before—Falck reveals the ways in which black and white Natchezians of all classes, male and female, embraced, reinterpreted, and contested Lost Cause ideology. These memory-making struggles resulted in emotional, internecine conflicts that shaped the cultural character of the community and impacted the national understanding of the Old South and the Confederacy as popular culture. Natchez remains relevant today as a microcosm for our nation’s modern-day struggles with Lost Cause ideology, Confederate monuments, racism, and white supremacy. Falck reveals how this remarkable story played out in one important southern community over several generations in vivid detail and richly illustrated analysis.
| Author | : Anthony Slide |
| Publisher | : University Press of Kentucky |
| Total Pages | : 264 |
| Release | : 2004-09-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 0813138248 |
" Thomas Dixon has a notorious reputation as the writer of the source material for D.W. Griffith's groundbreaking and controversial 1915 feature film The Birth of a Nation. Perhaps unfairly, Dixon has been branded an arch-conservative and a racist obsessed with what he viewed as "the Negro problem." As American Racist makes clear, however, Dixon was a complex, multitalented individual who, as well as writing some of the most popular novels of the early twentieth century, was involved in the production of some eighteen films. Dixon used the motion picture as a propaganda tool for his often outrageous opinions on race, communism, socialism, and feminism. His most spectacular production, The Fall of a Nation (1916), argues for American preparedness in the face of war and boasts a musical score by Victor Herbert, making it the first American feature film to have an original score by a major composer. Like the majority of Dixon's films, The Fall of a Nation has been lost, but had it survived, it might well have taken its place alongside The Birth of a Nation as a masterwork of silent film. Anthony Slide examines each of Dixon's films and discusses the novels from which they were adapted. Slide chronicles Dixon's transformation from a major supporter of the original Ku Klux Klan in his early novels to an ardent critic of the modern Klan in his last film, Nation Aflame. American Racist is the first book to discuss Dixon's work outside of literature and provide a wide overview of the life and career of this highly controversial twentieth-century southern populist. Anthony Slide is the author of numerous books, including Silent Players: A Biographical and Autobiographical Study of 100 Silent Film Actors and Actresses.
| Author | : Charles A. Gallagher |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1926 |
| Release | : 2014-06-24 |
| Genre | : Social Science |
| ISBN | : 1440803463 |
How is race defined and perceived in America today, and how do these definitions and perceptions compare to attitudes 100 years ago... or 200 years ago? This four-volume set is the definitive source for every topic related to race in the United States. In the 21st century, it is easy for some students and readers to believe that racism is a thing of the past; in reality, old wounds have yet to heal, and new forms of racism are taking shape. Racism has played a role in American society since the founding of the nation, in spite of the words "all men are created equal" within the Declaration of Independence. This set is the largest and most complete of its kind, covering every facet of race relations in the United States while providing information in a user-friendly format that allows easy cross-referencing of related topics for efficient research and learning. The work serves as an accessible tool for high school researchers, provides important material for undergraduate students enrolled in a variety of humanities and social sciences courses, and is an outstanding ready reference for race scholars. The entries provide readers with comprehensive content supplemented by historical backgrounds, relevant examples from primary documents, and first-hand accounts. Information is presented to interest and appeal to readers but also to support critical inquiry and understanding. A fourth volume of related primary documents supplies additional reading and resources for research.
