The Cavern Mystery Transmission
Download The Cavern Mystery Transmission full books in PDF, epub, and Kindle. Read online free The Cavern Mystery Transmission ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : Charles D. Benn |
| Publisher | : University of Hawaii Press |
| Total Pages | : 266 |
| Release | : 2019-03-31 |
| Genre | : Philosophy |
| ISBN | : 0824880846 |
Very little scholarly research has been done on the institutional structure of Taoism in medieval times. With this study of investiture, Benn attempts to fill that void. He describes the mechanism by which the Taoist priesthood ordered and perpetuated itself, as revealed in a rare account of an ordination rite for two T'ang princesses. He examines the lives of the participants, the hierarchy of the clergy, the liturgy, and the significance of the altar and its furnishings, and discusses other works of Chang Wan-fu, who authored this account.
| Author | : Charles D. Benn |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 1991 |
| Genre | : Ordination (Liturgy) |
| ISBN | : 9780824880859 |
| Author | : Luk Yuping |
| Publisher | : The Chinese University of Hong Kong Press |
| Total Pages | : 308 |
| Release | : 2016-02-16 |
| Genre | : Religion |
| ISBN | : 9629966530 |
Over twentyseven meters long, the Ordination Scroll of Empress Zhang (1493) is an important Ming Dynasty Daoist artifact from the San Diego Museum of Art's collection that records the imperial ordination of Empress Zhang (1470–1541), consort of the Ming Dynasty Hongzhi emperor (r. 1488–1505), by Zhang Xuanqing (d. 1509), the fortyseventh Heavenly Master of the Zhengyi institution. This book uncovers the history of imperial ordinations through a detailed examination of the scroll's transcriptions and the meticulouslypainted images of celestial beings, as well as the influences of the Daoist leaders known as the Zhengyi Heavenly Masters.
| Author | : Jinhua Jia |
| Publisher | : SUNY Press |
| Total Pages | : 312 |
| Release | : 2014-07-31 |
| Genre | : Religion |
| ISBN | : 1438453078 |
A gender-critical consideration of women and religion in Chinese traditions from medieval to modern times. Gendering Chinese Religion marks the emergence of a subfield on women, gender, and religion in China studies. Ranging from the medieval period to the present day, this volume departs from the conventional and often male-centered categorization of Chinese religions into Confucianism, Buddhism, Daoism, and popular religion. It makes two compelling arguments. First, Chinese women have deployed specific religious ideas and rituals to empower themselves in various social contexts. Second, gendered perceptions and representations of Chinese religions have been indispensable to the historical and contemporary construction of social and political power. The contributors use innovative ways of discovering and applying a rich variety of sources, many previously ignored by scholars. While each of the chapters in this interdisciplinary work represents a distinct perspective, together they form a coherent dialogue about the historical importance, intellectual possibilities, and methodological protocols of this new subfield.
| Author | : Fabio Rambelli |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 613 |
| Release | : 2022-01-19 |
| Genre | : Religion |
| ISBN | : 3110720264 |
In premodern Japan, legitimization of power and knowledge in various contexts was sanctioned by consecration rituals (kanjō) of Buddhist origin. This is the first book to address in a comprehensive way the multiple forms and aspects of these rituals also in relation to other Asian contexts. The multidisciplinary chapters in the book address the origins of these rituals in ancient Persia and India and their developments in China and Tibet, before discussing in depth their transformations in medieval Japan. In particular, kanjō rituals are examined from various perspectives: imperial ceremonies, Buddhist monastic rituals, vernacular religious forms (Shugendō mountain cults, Shinto lineages), rituals of bodily transformation involving sexual practice, and the performing arts: a history of these developments, descriptions of actual rituals, and reference to religious and intellectual arguments based on under-examined primary sources. No other book presents so many cases of kanjō in such depth and breadth. This book is relevant to readers interested in Buddhist studies, Japanese religions, the history of Japanese culture, and in the intersections between religious doctrines, rituals, legitimization, and performance.
| Author | : John Lagerwey |
| Publisher | : BRILL |
| Total Pages | : 1584 |
| Release | : 2009-11-23 |
| Genre | : Religion |
| ISBN | : 904742929X |
After the Warring States, treated in Part One of this set, there is no more fecund era in Chinese religious and cultural history than the period of division (220-589 AD). During it, Buddhism conquered China, Daoism grew into a mature religion with independent institutions, and, together with Confucianism, these three teachings, having each won its share of state recognition and support, formed a united front against shamanism. While all four religions are covered, Buddhism and Daoism receive special attention in a series of parallel chapters on their pantheons, rituals, sacred geography, community organization, canon formation, impact on literature, and recent archaeological discoveries. This multi-disciplinary approach, without ignoring philosophical and theological issues, brings into sharp focus the social and historical matrices of Chinese religion.
| Author | : Jinhua Jia |
| Publisher | : Columbia University Press |
| Total Pages | : 228 |
| Release | : 2018-03-13 |
| Genre | : History |
| ISBN | : 0231545495 |
During the Tang dynasty (618–907), changes in political policies, the religious landscape, and gender relations opened the possibility for Daoist women to play an unprecedented role in religious and public life. Women, from imperial princesses to the daughters of commoner families, could be ordained as Daoist priestesses and become religious leaders, teachers, and practitioners in their own right. Some achieved remarkable accomplishments: one wrote and transmitted texts on meditation and inner cultivation; another, a physician, authored a treatise on therapeutic methods, medical theory, and longevity techniques. Priestess-poets composed major works, and talented priestess-artists produced stunning calligraphy. In Gender, Power, and Talent, Jinhua Jia draws on a wealth of previously untapped sources to explain how Daoist priestesses distinguished themselves as a distinct gendered religious and social group. She describes the life journey of priestesses from palace women to abbesses and ordinary practitioners, touching on their varied reasons for entering the Daoist orders, the role of social and religious institutions, forms of spiritual experience, and the relationships between gendered identities and cultural representations. Jia takes the reader inside convents and cloisters, demonstrating how they functioned both as a female space for self-determination and as a public platform for both religious and social spheres. The first comprehensive study of the lives and roles of Daoist priestesses in Tang China, Gender, Power, and Talent restores women to the landscape of Chinese religion and literature and proposes new methodologies for the growing field of gender and religion.
| Author | : Jan de Meyer |
| Publisher | : BRILL |
| Total Pages | : 520 |
| Release | : 2006-02-15 |
| Genre | : History |
| ISBN | : 904741800X |
Here is the first booklength study of the life and works of Wu Yun, one of the most remarkable figures of eighth-century Daoism. Blending literary criticism with religious and cultural history, this book assesses the importance of Wu Yun the Daoist priest, the poet, the anti-Buddhist, the defender of reclusion and the philosopher of immortality, and in doing so, sheds new light on the very nature of Tang dynasty Daoism. The book, which should be of special interest to students of Tang literature and Medieval Daoism alike, alternates narrative and analysis with annotated translations of two thirds of Wu Yun’s remaining writings, including two stela inscriptions, three prose treatises, four rhapsodies and several dozens of poems.
| Author | : Dominic Steavu |
| Publisher | : University of Hawaii Press |
| Total Pages | : 385 |
| Release | : 2019-09-30 |
| Genre | : Religion |
| ISBN | : 0824879392 |
In 648 CE, Tang imperial authorities collected every copy of the Writ of the Three Sovereigns (Sanhuang wen) from the four corners of the empire and burned them. The formidable talismans at its core were said not only to extend their owners’ lifespan and protect against misfortune, but also propel them to stratospheric heights of power, elevating them to the rank of high minister or even emperor. Only two or three centuries earlier, this controversial text was unknown in most of China with the exception of Jiangnan in the south, where it was regarded as essential local lore. In the span of a few generations, the Writ of the Three Sovereigns would become the cornerstone of one of the three basic corpora of the Daoist Canon, a pillar of Daoism—and a perceived threat to the state. This study, the only book-length treatment of the Writ of the Three Sovereigns in any language, traces the text’s transition from local tradition to empire-wide institutional religion. The volume begins by painting the social and historical backdrop against which the scripture emerged in early fourth-century Jiangnan before turning to its textual history. It reflects on the work’s centerpiece artifacts, the potent talismans in celestial script, as well as other elements of its heritage, namely alchemical elixirs and “true form” diagrams. During the fifth and sixth centuries, with Daoism coalescing into a formal organized religion, the Writ of the Three Sovereigns took on a symbolic role as a liturgical token of initiation while retaining its straightforward language of sovereignty and strong political overtones, which eventually led to its prohibition. The writ endured, however, and later experienced a revival as its influence spread as far as Japan. Despite its central role in the development of institutional Daoism, the Writ of the Three Sovereigns has remained an understudied topic in Chinese history. Its fragmentary textual record combined with the esoteric nature of its content have shrouded it in speculation. This volume provides a lucid reconstruction of the text’s hidden history and enigmatic practices while shedding light on its contributions to the religious landscape of medieval China.
| Author | : Kristofer Schipper |
| Publisher | : University of Chicago Press |
| Total Pages | : 1684 |
| Release | : 2019-09-01 |
| Genre | : Religion |
| ISBN | : 022672106X |
Taoism remains the only major religion whose canonical texts have not been systematically arranged and made available for study. This long-awaited work, a milestone in Chinese studies, catalogs and describes all existing texts within the Taoist canon. The result will not only make the entire range of existing Taoist texts accessible to scholars of religion, it will open up a crucial resource in the study of the history of China. The vast literature of the Taoist canon, or Daozang, survives in a Ming Dynasty edition of some fifteen hundred different texts. Compiled under imperial auspices and completed in 1445—with a supplement added in 1607—many of the books in the Daozang concern the history, organization, and liturgy of China's indigenous religion. A large number of works deal with medicine, alchemy, and divination. If scholars have long neglected this unique storehouse of China's religious traditions, it is largely because it was so difficult to find one's way within it. Not only was the rationale of its medieval classification system inoperable for the many new texts that later entered the Daozang, but the system itself was no longer understood by the Ming editors; hence the haphazard arrangement of the canon as it has come down to us. This new work sets out the contents of the Daozang chronologically, allowing the reader to follow the long evolution of Taoist literature. Lavishly illustrated, the first volume ranges from antiquity through the Middle Ages, while the second spans the modern period. Within this frame, texts are grouped by theme and subject. Each one is the subject of a historical abstract that identifies the text's contents, date of origin, and author. Throughout the first two volumes, introductions outline the evolution of Taoism and its spiritual heritage. A third volume offering biographical sketches of frequently mentioned Taoists, multiple indexes, and an extensive bibliography provides critical tools for navigating this guide to one of the fundamental aspects of Chinese culture.
