The Cambridge History Of The Book In Britain Volume 6 1830 1914
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Author | : David McKitterick |
Publisher | : Cambridge University Press |
Total Pages | : 940 |
Release | : 2009-03-05 |
Genre | : Language Arts & Disciplines |
ISBN | : 131617588X |
The years 1830–1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings The Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.
Author | : David McKitterick |
Publisher | : Cambridge University Press |
Total Pages | : 813 |
Release | : 2014-03-20 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781107668294 |
The years 1830-1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings the Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.
Author | : Daniel Allington |
Publisher | : John Wiley & Sons |
Total Pages | : 567 |
Release | : 2019-03-11 |
Genre | : Literary Criticism |
ISBN | : 0470654937 |
Introduces readers to the history of books in Britain—their significance, influence, and current and future status Presented as a comprehensive, up-to-date narrative, The Book in Britain: A Historical Introduction explores the impact of books, manuscripts, and other kinds of material texts on the cultures and societies of the British Isles. The text clearly explains the technicalities of printing and publishing and discusses the formal elements of books and manuscripts, which are necessary to facilitate an understanding of that impact. This collaboratively authored narrative history combines the knowledge and expertise of five scholars who seek to answer questions such as: How does the material form of a text affect its meaning? How do books shape political and religious movements? How have the economics of the book trade and copyright shaped the literary canon? Who has been included in and excluded from the world of books, and why? The Book in Britain: A Historical Introduction will appeal to all scholars, students, and historians interested in the written word and its continued production and presentation.
Author | : Christopher Ferguson |
Publisher | : LSU Press |
Total Pages | : 387 |
Release | : 2016-12-14 |
Genre | : History |
ISBN | : 0807163821 |
In An Artisan Intellectual, Christopher Ferguson examines the life and ideas of English tailor and writer James Carter, one of countless and largely anonymous citizens whose lives dramatically transformed during Britain’s long march to modernity. Carter began his working life at age thirteen as an apprentice and continued to work as a tailor throughout the first half of the nineteenth century, first in Colchester and then in London. As the Industrial Revolution brought innovations to every aspect of British life, Carter took advantage of opportunities to push against the boundaries of his working-class background. He supplemented his income through his writing, publishing often unsigned books, articles, and poems on subjects as diverse as religion, death, nature, aesthetics, and theories of civilization. Carter’s words give us a fascinating window into the revolutionary forces that upended the world of ordinary citizens in this era and demonstrate how the changes in daily life impacted personal experiences and intellectual pursuits as well as labor practices and living and working environments. Ferguson deftly explores a forgotten tailor’s varied responses to the many transformations that produced the world’s first modern society.
Author | : David Finkelstein |
Publisher | : Oxford University Press |
Total Pages | : 332 |
Release | : 2018-06-20 |
Genre | : History |
ISBN | : 0192560484 |
This is a study of international print networks developed across the English-speaking world over a significant part of the long nineteenth century. The first study of its kind, it draws on unique sources from Australasia, North America, South Africa, the British Isles, and Ireland, to explore how printers interacted and shared trade and cultural identities across international boundaries during the period 1830-1914. Morality, mobility, mobilisation, and solidarity were central to how compositors and print trade workers defined themselves during this period. These themes are addressed in case studies on roving printers, striking printers, and creative printers. The case studies explore the cultural values and trade skills transmitted and embedded by such actors, the global networks that enabled print workers to travel across continents in search of work and experience, the trade actions reliant on mobilization and information-sharing across the printing world, and the creative ideas that printers shared through such means as memoirs, poetry, prose, and trade news contributions to print trade journals and other public outlets.
Author | : Maurice S. Lee |
Publisher | : Princeton University Press |
Total Pages | : 294 |
Release | : 2019-09-10 |
Genre | : Literary Criticism |
ISBN | : 0691192928 |
As Lee shows in Overwhelmed, the rapid expansion of print created new relationships between literature and information. He presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the 19th century were entangled in surprisingly collaborative ways.
Author | : Gowan Dawson |
Publisher | : University of Chicago Press |
Total Pages | : 409 |
Release | : 2020-03-02 |
Genre | : Science |
ISBN | : 022667651X |
Periodicals played a vital role in the developments in science and medicine that transformed nineteenth-century Britain. Proliferating from a mere handful to many hundreds of titles, they catered to audiences ranging from gentlemanly members of metropolitan societies to working-class participants in local natural history clubs. In addition to disseminating authorized scientific discovery, they fostered a sense of collective identity among their geographically dispersed and often socially disparate readers by facilitating the reciprocal interchange of ideas and information. As such, they offer privileged access into the workings of scientific communities in the period. The essays in this volume set the historical exploration of the scientific and medical periodicals of the era on a new footing, examining their precise function and role in the making of nineteenth-century science and enhancing our vision of the shifting communities and practices of science in the period. This radical rethinking of the scientific journal offers a new approach to the reconfiguration of the sciences in nineteenth-century Britain and sheds instructive light on contemporary debates about the purpose, practices, and price of scientific journals.
Author | : J. Spiers |
Publisher | : Springer |
Total Pages | : 272 |
Release | : 2011-02-18 |
Genre | : Literary Criticism |
ISBN | : 0230299369 |
This volume focuses on the publisher's series as a cultural formation - a material artefact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.
Author | : David Finkelstein |
Publisher | : Taylor & Francis |
Total Pages | : 459 |
Release | : 2024-03-14 |
Genre | : History |
ISBN | : 1003823610 |
This volume brings together key documents covering technologies of production that affected the British publishing industry during a significant period of change. It focuses in particular on key source material related to industrialisation of print production, which saw major leaps forward as mechanised innovations increased the speed, efficiency and delivery of texts through the production process. The introduction of iron, steam and other forms of rotary power presses improved the output of the print room over the century. Alongside this came improvements in typesetting and associated tasks, with the adoption of linotype and monotype casting machines. Changes in available methods of reproducing illustrations such as the development of lithographic printing processes and, in the second half of the century, photographic processes such as half-tone and photogravure, enabled wider incorporation of illustrations into periodicals and books. Such technological changes also fed organisational changes within the print and publishing trade. National unions for the print trade were established in the middle of the century to adapt to new working conditions, and engaged in robust debates about technology and its effect in the workplace.
Author | : Glenda Norquay |
Publisher | : Anthem Press |
Total Pages | : 244 |
Release | : 2020-01-31 |
Genre | : Literary Criticism |
ISBN | : 1785272853 |
Robert Louis Stevenson, Literary Networks and Transatlantic Publishing in the 1890s investigates Stevenson and the geographies of his literary networks during the last years of his life and after his death. It profiles a series of figures who worked with Stevenson, negotiated his publications on both sides of the Atlantic, wrote for him or were inspired by him. Using archival material, correspondence, fiction and biographies it moves across these literary networks. It deploys the concept of ‘literary prosthetics’ to frame its analysis of gatekeepers, tastemakers, agents, collaborators and authorial surrogates in the transatlantic production of Stevenson’s writing. Case studies of understudied individuals and broader consideration of the networks they represent contribute to knowledge of transatlantic publishing in the 1890s, understanding of transatlantic culture, Stevenson studies, current interest in the workings of literary communities and in nineteenth-century mobility.