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| Author | : S. L. Greenslade |
| Publisher | : Cambridge University Press |
| Total Pages | : 660 |
| Release | : 1975-10-31 |
| Genre | : Religion |
| ISBN | : 9780521290166 |
Covers the effects of the Bible on the West from the Reformation to the publication of the New English Bible.
| Author | : Euan Cameron |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2016-09-01 |
| Genre | : Religion |
| ISBN | : 1316351742 |
This volume charts the Bible's progress from the end of the Middle Ages to the Enlightenment. During this period, for the first time since antiquity, the Latin Church focused on recovering and re-establishing the text of Scripture in its original languages. It considered the theological challenges of treating Scripture as another ancient text edited with the tools of philology. This crucial period also saw the creation of many definitive translations of the Bible into modern European vernaculars. Although previous translations exist, these early modern translators, often under the influence of the Protestant Reformation, distinguished themselves in their efforts to communicate the nuances of the original texts and to address contemporary doctrinal controversies. In the Renaissance's rich explosion of ideas, Scripture played a ubiquitous role, influencing culture through its presence in philosophy, literature, and the arts. This history examines the Bible's impact in Europe and its increasing prominence around the globe.
| Author | : John Barton |
| Publisher | : Penguin |
| Total Pages | : 642 |
| Release | : 2020-08-04 |
| Genre | : Religion |
| ISBN | : 0143111205 |
A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.
| Author | : Jarrett A. Carty |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 193 |
| Release | : 2017-11-08 |
| Genre | : Religion |
| ISBN | : 0773551980 |
Martin Luther (1483–1546) famously began the Reformation, a movement that shook Europe with religious schism and social upheaval. While his Ninety-Five Theses and other theological works have received centuries of scrutiny and recognition, his political writings have traditionally been dismissed as inconsistent or incoherent. God and Government focuses on Luther’s interpretations of theology and the Bible, the historical context of the Reformation, and a wide range of writings that have been misread or misappropriated. Re-contextualizing and clarifying Luther’s political ideas, Jarrett Carty contends that the political writings are best understood through Luther’s “two kingdoms” teaching, in which human beings are at once subjects of a spiritual inner kingdom, and another temporal outer kingdom. Focusing on Luther’s interpretations of theology and the Bible, the historical context of the Reformation, and a wide range of writings that have been misread or ignored, Carty traces how Luther applied political theories to the most difficult challenges of the Reformation, such as the Peasants’ War of 1525 and the Protestant resistance against the Holy Roman Empire, as well as social changes and educational reforms. The book further compares Luther’s political thought to that of Protestant and Catholic political reformers of the sixteenth century. Intersecting scholarship from political theory, religious studies, history, and theology, God and Government offers a comprehensive look at Martin Luther’s political thought across his career and writings.
| Author | : Paul Baines |
| Publisher | : Taylor & Francis |
| Total Pages | : 202 |
| Release | : 2019-07-16 |
| Genre | : History |
| ISBN | : 042951509X |
Published in 1999, this work offers a balanced interdisciplinary account of literary and criminal forgery as they were practised, constructed and theorized in the 18th century as a corollary of the new documents of the financial revolution: banknotes, bills of exchange and promissory notes. The book surveys the crime and its mythology, placing well-known cases such as that of Dr. William Dodd within the pattern of 400 prosecutions from the period 1715-1780. In parallel, accounts of some major instances of literary forgery are rooted in a more pervasive culture in which "forgery" was discovered in many developing areas of literary practice: scholarly editing, historiography and antiquarianism. One surprising aspect of this study is the extent to which literary figures were involved in matters of criminal as well as literary forgery. It is suggested that the two kinds of forgery have unexpected connections with each other through the economy of literature which, following the development of copyright, regarded the signature of authorship as the legal site of literary authenticity, and through the economic and legal culture of forgery prosecutions, in which bogus "writing" came to signify a whole range of problems of personal and literary character. The study is based on a very large body of diverse material, from major texts such as "The Dunciad" and "Lives of the English Poets" to hundreds of minor poems, controversial pamphlets, criminal biographies, newspapers, legal records and manuscripts.
| Author | : Bruce Gordon |
| Publisher | : Basic Books |
| Total Pages | : 322 |
| Release | : 2024-09-17 |
| Genre | : Religion |
| ISBN | : 1541619722 |
A “wonderful…highly comprehensive” (John Barton, author of A History of the Bible) global history of the world’s best-known and most influential book For Christians, the Bible is a book inspired by God. Its eternal words are transmitted across the world by fallible human hands. Following Jesus’s departing instruction to go out into the world, the Bible has been a book in motion from its very beginnings, and every community it has encountered has read, heard, and seen the Bible through its own language and culture. In The Bible, Bruce Gordon tells the astounding story of the Bible’s journey around the globe and across more than two thousand years, showing how it has shaped and been shaped by changing beliefs and believers’ radically different needs. The Bible has been a tool for violence and oppression, and it has expressed hopes for liberation. God speaks with one voice, but the people who receive it are scattered and divided—found in desert monasteries and Chinese house churches, in Byzantine cathedrals and Guatemalan villages. Breathtakingly global in scope, The Bible tells the story of this sacred book through the stories of its many and diverse human encounters, revealing not a static text but a living, dynamic cultural force.
| Author | : Mindele Anne Treip |
| Publisher | : University Press of Kentucky |
| Total Pages | : 604 |
| Release | : 2021-10-21 |
| Genre | : Poetry |
| ISBN | : 0813185661 |
Literary allegory has deep roots in early reading and interpretation of Scripture and classical epic and myth. In this substantial study, Mindele Treip presents an overview of the history and theory of allegorical exegesis upon Scripture, poetry, and especially the epic from antiquity to the seventeenth and early eighteenth centuries, with close focus on the Renaissance and on the triangular literary relationship of Tasso, Spenser, and Milton. Exploring the different ways in which the term allegory has been understood, Treip finds significant continuities-within-differences in a wide range of critical writings, including texts of postclassical, patristic and rabbinical writers, medieval writers, notably Dante, Renaissance theorists such as Coluccio Salutati, Bacon, Sidney, John Harrington and rhetoricians and mythographers, and the neoclassical critics of Italy, England and France, including Le Bossu. In particular, she traces the evolving theories on allegory and the epic of Torquato Tasso through a wide spectrum of his major discourses, shorter tracts and letters, giving full translations. Treip argues that Milton wrote, as in part did Spenser, within the definitive framework of the mixed historical-allegorical epic erected by Tasso, and she shows Spenser's and Milton's epics as significantly shaped by Tasso's formulations, as well as by his allegorical structures and images in the Gerusalemme liberata. In the last part of her study Treip addresses the complex problematics of reading Paradise Lost as both a consciously Reformation poem and one written within the older epic allegorical tradition, and she also illustrates Milton's innovative use of biblical "Accommodation" theory so as to create a variety of radical allegorical metaphors in his poem. This study brings together a wide range of critical issues—the Homeric-Virgilian tradition of allegorical reading of epic; early Renaissance theory of all poetry as "translation" or allegorical metaphor; midrashic linguistic techniques in the representation of the Word; Milton's God; neoclassical strictures on Milton's allegory and allegory in general—all of these are brought together in new and comprehensive perspective.
| Author | : William M. Barton |
| Publisher | : Taylor & Francis |
| Total Pages | : 268 |
| Release | : 2016-10-26 |
| Genre | : Literary Criticism |
| ISBN | : 1315391732 |
In the late Renaissance and early modern period, man's relationship to nature changed dramatically. An important part of this change occurred in the way that beauty was perceived in the natural world and in the particular features which became privileged objects of aesthetic gratification. This study explores the shift in aesthetic attitude towards the mountain that took place between 1450 and 1750. Based on previously unknown and unstudied material, this volume now contends that it took place earlier in the Latin literature of the late Renaissance and early modern period.
| Author | : Karen Newman |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 365 |
| Release | : 2015-07-23 |
| Genre | : Literary Criticism |
| ISBN | : 0812291808 |
"Would there have been a Renaissance without translation?" Karen Newman and Jane Tylus ask in their Introduction to this wide-ranging group of essays on the uses of translation in an era formative for the modern age. The early modern period saw cross-cultural translation on a massive scale. Humanists negotiated status by means of their literary skills as translators of culturally prestigious Greek and Latin texts, as teachers of those same languages, and as purveyors of the new technologies for the dissemination of writing. Indeed, with the emergence of new vernaculars and new literatures came a sense of the necessary interactions of languages in a moment that can truly be defined as "after Babel." As they take their starting point from a wide range of primary sources—the poems of Louise Labé, the first Catalan dictionary, early printed versions of the Ptolemy world map, the King James Bible, and Roger Williams's Key to the Language of America—the contributors to this volume provide a sense of the political, religious, and cultural stakes for translators, their patrons, and their readers. They also vividly show how the very instabilities engendered by unprecedented linguistic and technological change resulted in a far more capacious understanding of translation than what we have today. A genuinely interdisciplinary volume, Early Modern Cultures of Translation looks both east and west while at the same time telling a story that continues to the present about the slow, uncertain rise of English as a major European and, eventually, world language. Contributors: Gordon Braden, Peter Burke, Anne Coldiron, Line Cottegnies, Margaret Ferguson, Edith Grossman, Ann Rosalind Jones, Lázló Kontler, Jacques Lezra, Carla Nappi, Karen Newman, Katharina N. Piechocki, Sarah Rivett, Naomi Tadmor, Jane Tylus.
| Author | : N. Scott Amos |
| Publisher | : InterVarsity Press |
| Total Pages | : 699 |
| Release | : 2020-04-21 |
| Genre | : Religion |
| ISBN | : 083082491X |
The Reformers of the sixteenth century found theological significance in Old Testament narratives such as Ruth's response to her mother-in-law Naomi. In this volume of the Reformation Commentary on Scripture, N. Scott Amos guides readers through a wealth of early modern commentary on the Old Testament books of Joshua, Judges, and Ruth.
