The Cambridge History Of Literary Criticism Volume 6 The Nineteenth Century C1830 1914
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| Author | : M. A. R. Habib |
| Publisher | : Cambridge University Press |
| Total Pages | : 796 |
| Release | : 2013-02-07 |
| Genre | : Literary Criticism |
| ISBN | : 1316175170 |
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, and the major critical developments in diverse national traditions and in different genres, as well as the major movements of Realism, Naturalism, Symbolism and Decadence. The History offers a detailed focus on some of the era's great critical figures, such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold, and includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
| Author | : M. A. R. Habib |
| Publisher | : Cambridge University Press |
| Total Pages | : 709 |
| Release | : 2016-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 9781316606100 |
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, the major critical developments in diverse national traditions and in different genres, as well as the major movements of realism, naturalism, symbolism and decadence. The History offers a detailed focus on some of the era's great critical figures such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold; and it includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
| Author | : George Alexander Kennedy |
| Publisher | : Cambridge University Press |
| Total Pages | : 584 |
| Release | : 1989 |
| Genre | : Literary Criticism |
| ISBN | : 9780521300124 |
The history of the most hotly debated areas of literary theory, including structuralism and deconstruction.
| Author | : David McKitterick |
| Publisher | : Cambridge University Press |
| Total Pages | : 940 |
| Release | : 2009-03-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 131617588X |
The years 1830–1914 witnessed a revolution in the manufacture and use of books as great as that in the fifteenth century. Using new technology in printing, paper-making and binding, publishers worked with authors and illustrators to meet ever-growing and more varied demands from a population seeking books at all price levels. The essays by leading book historians in this volume show how books became cheap, how publishers used the magazine and newspaper markets to extend their influence, and how book ownership became universal for the first time. The fullest account ever published of the nineteenth-century revolution in printing, publishing and bookselling, this volume brings The Cambridge History of the Book in Britain up to a point when the world of books took on a recognisably modern form.
| Author | : Susan Schreibman |
| Publisher | : John Wiley & Sons |
| Total Pages | : 594 |
| Release | : 2016-01-26 |
| Genre | : Literary Criticism |
| ISBN | : 1118680642 |
This highly-anticipated volume has been extensively revised to reflect changes in technology, digital humanities methods and practices, and institutional culture surrounding the valuation and publication of digital scholarship. A fully revised edition of a celebrated reference work, offering the most comprehensive and up-to-date collection of research currently available in this rapidly evolving discipline Includes new articles addressing topical and provocative issues and ideas such as retro computing, desktop fabrication, gender dynamics, and globalization Brings together a global team of authors who are pioneers of innovative research in the digital humanities Accessibly structured into five sections exploring infrastructures, creation, analysis, dissemination, and the future of digital humanities Surveys the past, present, and future of the field, offering essential research for anyone interested in better understanding the theory, methods, and application of the digital humanities
| Author | : Joanne Shattock |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2010-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 0521882885 |
A volume of essays on Victorian themes, genres and authors, aimed at students and lecturers.
| Author | : Joanne Shattock |
| Publisher | : Routledge |
| Total Pages | : 479 |
| Release | : 2021-11-16 |
| Genre | : Literary Criticism |
| ISBN | : 1000438163 |
This collection of primary sources examines literary and cultural criticism over the long nineteenth century. Volume 3 of 4 explores the subject of Authorship, Journalism and the Nineteenth-Century Press. This volume will be of great interest to students of literary history.
| Author | : M. A. R. Habib |
| Publisher | : Cambridge University Press |
| Total Pages | : |
| Release | : 2013-02-05 |
| Genre | : Literary Criticism |
| ISBN | : 9781139018456 |
In the nineteenth century, literary criticism first developed into an autonomous, professional discipline in the universities. This volume provides a comprehensive and authoritative study of the vast field of literary criticism between 1830 and 1914. In over thirty essays written from a broad range of perspectives, international scholars examine the growth of literary criticism as an institution, the major critical developments in diverse national traditions and in different genres, as well as the major movements of realism, naturalism, symbolism and decadence. The History offers a detailed focus on some of the era's great critical figures such as Sainte-Beuve, Hippolyte Taine and Matthew Arnold; and it includes essays devoted to the connections of literary criticism with other disciplines in science, the arts and Biblical studies. The publication of this volume marks the completion of the monumental Cambridge History of Literary Criticism from antiquity to the present day.
| Author | : Isabella Alexander |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 344 |
| Release | : 2010-03-03 |
| Genre | : Law |
| ISBN | : 184731564X |
Copyright law is commonly described as carrying out a balancing act between the interests of authors or owners and those of the public. While much academic work, both historical and contemporary, has been done on the authorship side of the equation, this book examines the notion of public interest, and the way that concepts of public interest and the rhetoric surrounding it have been involved in shaping the law of copyright. While many histories of copyright focus on the eighteenth century, this book's main concern is with the period after 1774. The nineteenth century was the period during which the boundaries of copyright, as we know it today, were drawn and ideas of “public interest” were integral to this process, but in different, and complex, ways. The book engages with this complexity by moving beyond debates about the appropriate duration of copyright, and considers the development of other important features of copyright law, such as the requirement of legal deposit, the principle that some works will not be subject to copyright protection on the grounds of public interest, and the law of infringement. While the focus of the book is on literary copyright, it also traces the expansion of copyright to cover new subject matters, such as music, dramatic works and lectures. The book concludes by examining the making of the 1911 Imperial Copyright Act – the statute upon which the law of copyright in Britain, and in all former British colonies, is based. The history traced in this book has considerable relevance to debates over the scope of copyright law in the present day; it emphasises the contingency and complexity of copyright law's development and current shape, as well as encouraging a critical approach to the justifications for copyright law.
| Author | : Andrew King |
| Publisher | : Routledge |
| Total Pages | : 497 |
| Release | : 2016-09-01 |
| Genre | : Literary Criticism |
| ISBN | : 131704231X |
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
