The Cambridge Edition Of The Works Of Anne Finch Countess Of Winchilsea
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Author | : Anne Finch |
Publisher | : Cambridge University Press |
Total Pages | : 988 |
Release | : 2019-12-19 |
Genre | : Literary Criticism |
ISBN | : 1108578446 |
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and the United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This first volume provides established texts of Finch's early manuscript books, including Poems on Several Subjects and Miscellany Poems with Two Plays written under her pen name, Ardelia.
Author | : Anne Finch |
Publisher | : Cambridge University Press |
Total Pages | : 796 |
Release | : 2021-05-06 |
Genre | : Literary Criticism |
ISBN | : 1108578454 |
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661–1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This second volume provides established texts of Finch's later collections in print and manuscript form, Miscellany Poems, on Several Occasions (1713) and The Wellesley Manuscript, as well as uncollected poems and letters.
Author | : Alison Finch |
Publisher | : Cambridge University Press |
Total Pages | : 342 |
Release | : 2000-08-10 |
Genre | : Literary Criticism |
ISBN | : 9780521631860 |
This is the most complete critical survey to date of women's literature in nineteenth-century France. Alison Finch's wide-ranging analysis of some 60 writers reflects the rich diversity of a century that begins with Mme de Staël's cosmopolitanism and ends with Rachilde's perverse eroticism. Finch's study brings out the contribution not only of major figures like George Sand but also of many other talented and important writers who have been unjustly rejected, including Flora Tristan, Claire de Duras and Delphine de Girardin. Her account opens new perspectives on the interchange between male and female authors and on women's literary traditions during the period. She discusses popular and serious writing: fiction, verse, drama, memoirs, journalism, feminist polemic, historiography, travelogues, children's tales, religious and political thought - often brave, innovative texts linked to women's social and legal status in an oppressive society. Extensive reference features include bibliographical guides to texts and writers.
Author | : Anne Finch |
Publisher | : Cambridge University Press |
Total Pages | : 600 |
Release | : 2017-09-30 |
Genre | : Literary Criticism |
ISBN | : 9781107068650 |
This is the first ever complete critical edition of the writings of Anne Finch, Countess of Winchilsea (1661-1720), including work printed in her lifetime and material left in manuscript form at her death. Textual analysis, based on print and manuscript copies in repositories across the United Kingdom and United States, reveals her revision processes and uses of manuscript and print. Extensive commentary clarifies her techniques, sources, contexts, and diction. A detailed essay traces the history of her works' reception and transmission. The result is a complete view of her achievements that will promote more accurate assessments of her contributions to literary and cultural shifts, including perspectives on literary value, women's equality, religion, and affairs of state. This second volume provides established texts of Finch's later collections in print and manuscript form, Miscellany Poems, on Several Occasions (1713) and The Wellesley Manuscript, as well as uncollected poems and letters.
Author | : Christopher R. Miller |
Publisher | : Cambridge University Press |
Total Pages | : 12 |
Release | : 2006-09-21 |
Genre | : Art |
ISBN | : 0521863821 |
An exploration of the tradition of evening poetry that flourished with Coleridge, Shelley and Keats.
Author | : Virginia Woolf |
Publisher | : Modernista |
Total Pages | : 111 |
Release | : 2024-05-30 |
Genre | : Literary Collections |
ISBN | : 9180949509 |
Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.
Author | : Derek Hughes |
Publisher | : Cambridge University Press |
Total Pages | : 450 |
Release | : 2004-11-25 |
Genre | : Literary Criticism |
ISBN | : 1139826948 |
Traditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.
Author | : Anne Finch |
Publisher | : |
Total Pages | : 1400 |
Release | : 2017-09-30 |
Genre | : Literary Collections |
ISBN | : 9780521196222 |
Author | : Barbara Jean Harris |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Art patronage |
ISBN | : 9789462985988 |
This study uncovers the active role played by women in the evolution of religious art and architecture. Their preferred art, Barbara J. Harris shows, reveals their responses to the religious revolution and signifies their preferred identities.
Author | : Claudia T. Kairoff |
Publisher | : JHU Press |
Total Pages | : 502 |
Release | : 2011-11-30 |
Genre | : Literary Criticism |
ISBN | : 1421406632 |
A critical study of the prominent British poet’s work. Anna Seward and her career defy easy placement into the traditional periods of British literature. Raised to emulate the great poets John Milton and Alexander Pope, maturing in the Age of Sensibility, and publishing during the early Romantic era, Seward exemplifies the eighteenth-century transition from classical to Romantic. Claudia Thomas Kairoff’s excellent critical study offers fresh readings of Anna Seward's most important writings and firmly establishes the poet as a pivotal figure among late-century British writers. Reading Seward’s writing alongside recent scholarship on gendered conceptions of the poetic career, patriotism, provincial culture, sensibility, and the sonnet revival, Kairoff carefully reconsiders Seward's poetry and critical prose. Written as it was in the last decades of the eighteenth century, Seward’s work does not comfortably fit into the dominant models of Enlightenment-era verse or the tropes that characterize Romantic poetry. Rather than seeing this as an obstacle for understanding Seward’s writing within a particular literary style, Kairoff argues that this allows readers to see in Seward's works the eighteenth-century roots of Romantic-era poetry. Arguably the most prominent woman poet of her lifetime, Seward’s writings disappeared from popular and scholarly view shortly after her death. After nearly two hundred years of critical neglect, Seward is attracting renewed attention, and with this book Kairoff makes a strong and convincing case for including Anna Seward’s remarkable literary achievements among the most important of the late eighteenth century. “Professor Kairoff achieves her goal of providing “fresh readings, in a richer context,” which will go a long way toward reestablishing Seward’s importance. The book is a significant contribution to literary scholarship and will be widely read, cited, and admired.” —Paula R. Feldman “This lucid, stimulating study will challenge traditional notions not only of Seward but also of the interstice of Romanticism and late-century women authors.” —Choice “Kairoff effectively demonstrates the quality of Seward’s work, and articulates some of the ways in which a reappraisal of Seward might enrich our understanding of both eighteenth-century and Romantic-era literary cultures, and our conception of the writing practices of both male and female authors.” —Years Work in English Studies