The Belief in Immortality and the Worship of the Dead

The Belief in Immortality and the Worship of the Dead
Author: James George Frazer
Publisher: Good Press
Total Pages: 959
Release: 2023-12-15
Genre: Religion
ISBN:

In 'The Belief in Immortality and the Worship of the Dead' by James George Frazer, the renowned anthropologist explores the universal belief in an afterlife and the rituals associated with honoring deceased ancestors. Written in a scholarly and comprehensive style, Frazer delves into various cultures, traditions, and historical practices to examine the continuity and evolution of beliefs surrounding death. Drawing on a wide range of ethnographic data, this book provides a profound insight into the human psyche and the ways in which different societies navigate the concept of mortality. Frazer's meticulous research and comparative analysis offer valuable perspectives on the significance of ancestor worship in shaping cultural identities and religious practices. Through his interdisciplinary approach, Frazer sheds light on the complexities of human spirituality and the enduring relevance of ancestral veneration in contemporary societies. Readers interested in anthropology, religious studies, and the history of belief systems will find this book enlightening and thought-provoking.

Nature

Nature
Author: Sir Norman Lockyer
Publisher:
Total Pages: 782
Release: 1923
Genre: Science
ISBN:

Ishmael

Ishmael
Author: James Baird
Publisher: JHU Press
Total Pages: 434
Release: 2019-12-01
Genre: Literary Criticism
ISBN: 1421435640

Originally published in 1956. In Ishmael, Professor James Baird responds to the increasing secularization of Western civilization and the creation of what he calls "authentic primitivism." For Baird, the aesthetic austerity of Protestantism undermined the structure of symbols created by Catholicism. In the absence of a meaningful structure of cultural authority in Western civilization, "primary art" took on a quasi-religious role by connecting humans to a transcendent being. Ishmael describes a new system of art, beginning around 1850, that supplanted Christian symbolism. Baird examines writers who helped to create a modern authentic primitivism, with emphasis on Herman Melville, whom Baird sees as a locus of change for the cultural significance of primary art. Baird provides a social history and biography of writers who participated in the primary art movement from 1850 to 1950