The BBC and Ultra-Modern Music, 1922-1936

The BBC and Ultra-Modern Music, 1922-1936
Author: Jennifer Ruth Doctor
Publisher: Cambridge University Press
Total Pages: 530
Release: 1999
Genre: Business & Economics
ISBN: 9780521661171

This book, first published in 2000, examines the BBC's attempts to manipulate critical and public responses to contemporary music between 1922 and 1936.

The BBC and national identity in Britain, 1922–53

The BBC and national identity in Britain, 1922–53
Author: Thomas Hajkowski
Publisher: Manchester University Press
Total Pages: 411
Release: 2013-07-19
Genre: History
ISBN: 1847797415

Examining the ways in which the BBC constructed and disseminated British national identity during the second quarter of the twentieth century, this book is the first study that focuses in a comprehensive way on how the BBC, through its radio programs, tried to represent what it meant to be British. The BBC and national identity in Britain offers a revision of histories of regional broadcasting in Britain that interpret it as a form of cultural imperialism. The regional organization of the BBC, and the news and creative programming designed specifically for regional listeners, reinforced the cultural and historical distinctiveness of Scotland, Wales, and Northern Ireland. The BBC anticipated, and perhaps encouraged, the development of the hybrid “dual identities” characteristic of contemporary Britain. This book will be of interest to scholars and students of nationalism and national identity, British imperialism, mass media and media history, and the “four nations” approach to British history.

Radiophilia

Radiophilia
Author: Carolyn Birdsall
Publisher: Bloomsbury Publishing USA
Total Pages: 297
Release: 2023-08-24
Genre: Music
ISBN: 1501374982

A century ago, the emergence of radio, along with organized systems of broadcasting, sparked a global fascination with the 'wonder' of sound transmission and reception. The thrilling experience of tuning in to the live sounds of this new medium prompted strong affective responses in its listeners. This book introduces a new concept of radiophilia, defined as the attachment to, or even a love of radio. Treating radiophilia as a dynamic cultural phenomenon, it unpacks the various pleasures associated with radio and its sounds, the desire to discover and learn new things via radio, and efforts to record, re-experience, and share radio. Surveying 100 years of radio from early wireless through to digital audio formats like podcasting, the book engages in debates about fandom, audience participation, listening experience, material culture, and how media relate to affect and emotions.

The Force of Culture

The Force of Culture
Author: Gillian McIntosh
Publisher:
Total Pages: 264
Release: 1999
Genre: History
ISBN:

Gillian McIntosh examines the complexity of meanings and values associated with Northern Irish State since 1920 in this study that begins during the decade after World War 1 and concludes with the elaborate civic ritual of the Queen's visit in 1953.

Evolution on British Television and Radio

Evolution on British Television and Radio
Author: Alexander Hall
Publisher: Springer Nature
Total Pages: 292
Release: 2021-09-30
Genre: Performing Arts
ISBN: 3030830438

This book charts the history of how biological evolution has been depicted on British television and radio, from the first radio broadcast on evolution in 1925 through to the 150th anniversary of Charles Darwin’s Origin of the Species in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like Doctor Who. The book makes the case that the dominant use in science broadcasting of the ‘evolutionary epic’, a narrative based on a progressive vision of scientific endeavour, is part of the wider development of a standardised way of speaking about science in society during the 20th century. In covering the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today.

Crossing the Ether

Crossing the Ether
Author: Sean Street
Publisher: Indiana University Press
Total Pages: 308
Release: 2006
Genre: Business & Economics
ISBN: 9780861966684

Histories of British broadcasting suggest that the BBC monopoly was never seriously challenged until the coming of ITV in 1955. Crossing the Ether counters this view, telling the story of commercial radio's first challenge to the Public Service monopoly between 1930 and 1939. In the telling, this account provides substantial primary evidence that radio in Britain during the 1930s was a battleground between continental-based stations, run by British and American commercial interests, and the BBC, beset by paternalistic and sabbatarian principles.

BBC World Service

BBC World Service
Author: Gordon Johnston
Publisher: Springer Nature
Total Pages: 338
Release: 2019-11-14
Genre: History
ISBN: 1137318554

This book is the first full-length history of the BBC World Service: from its interwar launch as short-wave radio broadcasts for the British Empire, to its twenty-first-century incarnation as the multi-media global platform of the British Broadcasting Corporation. The book provides insights into the BBC’s working relationship with the Foreign Office, the early years of the Empire Service, and the role of the BBC during the Second World War. In following the voice of the BBC through the Cold War and the contraction of the British empire, the book argues that debates about the work and purposes of the World Service have always involved deliberations about the future of the UK and its place in the world. In current times, these debates have been shaped by the British government’s commitment to leave the European Union and the centrifugal currents in British politics which in the longer term threaten the integrity of the United Kingdom. Through a detailed exploration of its past, the book poses questions about the World Service’s possible future and argues that, for the BBC, the question is not only what it means to be a global broadcaster as we enter the third decade of the twenty-first century, but what it means to be a national broadcaster in a divided kingdom.