The Bankimchandra Omnibus
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Author | : Bankimchandra Chattopadhyay |
Publisher | : Penguin UK |
Total Pages | : 669 |
Release | : 2005-11-29 |
Genre | : Literary Collections |
ISBN | : 8184751001 |
The First Volume Of This Collector S Edition Brings Together Five Of Bankimchandra S Best-Known Works In English Translation. Set In The Bengal Of Emperor Jehangir S Time, Kapalkundala Tells The Story Of Nabakumar, A Young Woman Named Kapalkundala Whom He Rescues From A Tantric Intent On Human Sacrifice, And The Beautiful Lutfunnisa Who Has Sold Her Heart On Marrying Him. In Bishabriksha (The Poison Tree), Set In Bankimchandra S Own Time, Nagendra Is Torn Between His Devoted Wife Suryamukhi And The Bewitching Young Widow Kundanandini. Unable To Prioritize Either Of The Women He Cares For, Nagendra Ends Up Losing Both. Indira Is A Lighthearted Tale Of Playful Intrigues: Upendra Does Not Realize That His Wife Indira Is Now Working As A Cook In His Friend S House, And Is Given A Royal Run-Around By Indira And Subhasini, Her Employer. Krishnakanta S Will Is A Tragedy Of Lust, Infidelity, Greed And Death Revolving Around Govindalal, His Wife Bhramar, The Attractive Widow Rohini, And A Stolen Will. Rajani, The Story Of A Blind Girl And Two Men, Sachindra And Amarnath, Is A Psychologically Taut Tale; It Is The First Indian Novel Where Characters Narrate Their Stories In The First Person. Evoking The Bengal Of Yore In All Its Hues, Bankimchandra S Novels Explore Love And Relationships And The Manner In Which Society Shapes Them. Translated Exclusively For Penguin, These Superbly Crafted Novels Are Sure To Hold Readers In Thrall Today Just As They Did Over A Century Ago.
Author | : Bankim Chandra Chatterji |
Publisher | : |
Total Pages | : 560 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : |
The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.
Author | : Bankim Chandra Chatterji |
Publisher | : |
Total Pages | : 562 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : |
The first volume of this collector's edition brings together five of Bankimchandra's best-known works in English translation. Set in the Bengal of Emperor Jehangir's time, Kapalkundala tells the story of Nabakumar, a young woman named Kapalkundala whom he rescues from a tantric intent on human sacrifice, and the beautiful Lutfunnisa who has sold her heart on marrying him. In Bishabriksha (The Poison Tree), set in Bankimchandra's own time, Nagendra is torn between his devoted wife Suryamukhi and the bewitching young widow Kundanandini. Unable to prioritize either of the women he cares for, Nagendra ends up losing both. Indira is a lighthearted tale of playful intrigues: Upendra does not realize that his wife Indira is now working as a cook in his friend's house, and is given a royal run-around by Indira and Subhasini, her employer. Krishnakanta's Will is a tragedy of lust, infidelity, greed and death revolving around Govindalal, his wife Bhramar, the attractive widow Rohini, and a stolen will. psychologically taut tale; it is the first Indian novel where characters narrate their stories in the first person.
Author | : Priyamvada Gopal |
Publisher | : Oxford University Press |
Total Pages | : 232 |
Release | : 2009-01-29 |
Genre | : Language Arts & Disciplines |
ISBN | : 0199544387 |
This book provides an informed and lively introduction to the Indian novel in English which is now a fixture on the international literary scene. It discusses the work of major writers including Rabindranath Tagore, Mulk Raj Anand, RK Narayan, Salman Rushdie, Nayantara Sahgal, Amitav Ghosh, Arundhati Roy, and Vikram Seth.
Author | : Nirad C. Chaudhuri |
Publisher | : |
Total Pages | : 966 |
Release | : 2003 |
Genre | : Religion |
ISBN | : |
This Omnibus edition brings together four classic works on Hinduism by renowned scholars, providing the liturgical, historical, anthropological, and individualist's interpretation of the religion. With an introduction by T.N. Madan, this volume will make an excellent and very comprehensive collector's item on the subject of Hinduism.
Author | : Ritika Prasad |
Publisher | : Cambridge University Press |
Total Pages | : 328 |
Release | : 2016-05-12 |
Genre | : History |
ISBN | : 1316033619 |
From the mid-nineteenth century onwards, railways became increasingly important in the lives of a growing number of Indians. While allowing millions to collectively experience the endemic discomforts of third-class travel, the public opportunities for proximity and contact created by railways simultaneously compelled colonial society to confront questions about exclusion, difference, and community. It was not only passengers, however, who were affected by the transformations that railways wrought. Even without boarding a train, one could see railway tracks and embankments reshaping familiar landscapes, realise that train schedules represented new temporal structures, fear that spreading railway links increased the reach of contagion, and participate in new forms of popular politics focused around railway spaces. Tracks of Change explores how railway technology, travel, and infrastructure became increasingly woven into everyday life in colonial India, how people negotiated with the growing presence of railways, and how this process has shaped India's history.
Author | : Bankim Chandra Chattopadhyay |
Publisher | : Library of Alexandria |
Total Pages | : 205 |
Release | : 2020-09-28 |
Genre | : Fiction |
ISBN | : 1465615512 |
It was hot at Padachina even for a summer day. In this village were many houses, but not a soul could be seen anywhere. The bazaar was full of shops and the lanes were lined with houses built either of brick or of mud. Every house was quiet. The shops were closed, and no one knew where the shopkeepers had gone. Even the street beggars were absent. The weavers wove no more. The merchants had no business. Philanthropic persons had nothing to give. Teachers closed their schools. Things had come to such a pass that children were even afraid to cry. The streets were empty. There were no bathers in the river. There were no human beings about the houses, no birds in the trees, no cattle in the pastures. Jackals and dogs morosely prowled in the graveyards and in the cremation grounds. One great house stood in this village. Its colossal pillars could be seen from a distance. But its doors were closed so tight that it was almost impossible for even a breath of air to enter. Within the house a man and his wife sat deeply absorbed in thought. Mahendra Singh and his wife were face to face with famine. The year before the harvests had been below normal. So rice was expensive this year and people began to suffer. Then during the rainy season it rained plentifully. The villagers at first looked upon this as a special mercy of God. Cowherds sang in joy, and the wives of the peasants began to pester their husbands for silver ornaments. All of a sudden, God frowned again. Not a drop of rain fell during the remaining months of the season. The rice fields dried into heaps of straw. Here and there a few fields yielded poor crops, but government agents bought these up for the army. So people began to starve again. At first they lived on one meal a day. Soon, even that became scarce, and they began to go without any food at all. The crop was too scanty, but the government revenue collector sought to advance his personal prestige by increasing the land revenue by ten per cent. And in dire misery Bengal shed bitter tears. Beggars increased in such numbers that charity soon became the most difficult thing to practise. Then disease began to spread. Farmers sold their cattle and their ploughs and ate up the seed grain. Then they sold their homes and farms. For lack of food they soon took to eating leaves of trees, then grass and when the grass was gone they ate weeds. People of certain castes began to eat cats, dogs and rats.
Author | : Alan Johnson |
Publisher | : Bloomsbury Publishing |
Total Pages | : 281 |
Release | : 2022-12-29 |
Genre | : Literary Criticism |
ISBN | : 075563411X |
As they seek to explore evolving and conflicting ideas of nationhood and modernity, India's writers have often chosen forests as the dramatic setting for stories of national identity. India's Forests, Real and Imagined explores how these settings have been integral to India's sense of national consciousness. Alan Johnson demonstrates that modern writers have drawn on older Indian literary traditions of the forest as a place of exile, trial and danger to shape new ideas of India as a modern nation. The book casts new light on a wide range of modern writers, from Bankim Chandra Chattopadhyay – widely regarded as the first Indian novelist – to contemporary authors such as Amitav Ghosh, Arundhati Roy, and Salman Rushdie as well as local attitudes to nationhood and the environment across the country.
Author | : Didier Coste |
Publisher | : Taylor & Francis |
Total Pages | : 303 |
Release | : 2024-10-09 |
Genre | : Literary Criticism |
ISBN | : 1040130429 |
This book redefines modern Indian literature from a cosmopolitan comparative perspective inclusive of literature in English from India and the diaspora, in native languages, and works by non-Indians. It shows how, since the mid-19th century, Indian literary modernity pursued the conjunction of the sensuous and ethical/spiritual that characterized its three traditions (Sanskritik, Persian, and folk culture) while the encounter, both receptive and oppositional, with “the West” vastly expanded the Indian literary sphere. Aesthetics and ethics are not antithetical in the Indian cultural space, but the quest for an exclusive Indian identity versus universalist approaches offsets concerns for social justice as well as enjoyable embodied communication. The literary constellation, in many languages, now formed in and around India can be better apprehended as a virtual Cosmopolis, a commonwealth of elaborate emotions. The versatile figure of Hanuman metaphorically flies across this Ocean of Stories to make us discover new worlds of experience.
Author | : Nagappa Gowda K. |
Publisher | : Oxford University Press |
Total Pages | : 253 |
Release | : 2011-05-30 |
Genre | : Philosophy |
ISBN | : 0199088470 |
The Bhagavadgita has lent itself to several readings to defend or contest various views on life, morality, and metaphysics. This book explores the the role of the Bhagavadgita in the formation of nationalist discourse. It examines the ways in which the Gita became the central terrain of nationalist contestation, and the diverse ethico-moral mappings of the Indian nation. Focusing on Bankimchandra Chatterjee, Balgangadhar Tilak, Swami Vivekananda, Aurobindo Ghose, Mahatma Gandhi, Vinoba Bhave, and B.R. Ambedkar as the representatives of different strands of nationalist discourse, this volume probes their reflections on the Gita. The author also discusses with issues such as the relation between the nation and the masses, renunciation and engagement with the world, the ideas of equality, freedom, and common good, in the context of a nationalist discourse. He argues that the commentaries on this 'timeless' text opened up several possible understandings without necessarily eliminating one another.