General Catalogue of Printed Books
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 592 |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
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Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 592 |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
Author | : British museum. Dept. of printed books |
Publisher | : |
Total Pages | : 592 |
Release | : 1931 |
Genre | : |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 1424 |
Release | : 1930 |
Genre | : Bibliography |
ISBN | : |
Official organ of the book trade of the United Kingdom.
Author | : Lassiter Wren |
Publisher | : |
Total Pages | : 304 |
Release | : 1928 |
Genre | : Detective and mystery stories |
ISBN | : |
Author | : John William Edward Conybeare |
Publisher | : London : Macmillan |
Total Pages | : 476 |
Release | : 1910 |
Genre | : Cambride (England) |
ISBN | : |
Author | : Dennis Tredy |
Publisher | : Open Book Publishers |
Total Pages | : 320 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 1906924368 |
As an American author who chose to live in Europe, Henry James frequentlywrote about cultural differences between the Old and New World. Theplight of bewildered Americans adrift on a sea of European sophisticationbecame a regular theme in his fiction.This collection of twenty-four papers from some of the world's leadingJames scholars offers a comprehensive picture of the author's crossculturalaesthetics. It provides detailed analyses of James's perception ofEurope - of its people and places, its history and culture, its artists andthinkers, its aesthetics and its ethics - which ultimately lead to a profoundreevaluation of his writing.With in-depth analysis of his works of fiction, his autobiographical andpersonal writings, and his critical works, the collection is a major contribution to current thinking about James, transtextuality and cultural appropriation.
Author | : Anna Snaith |
Publisher | : Cambridge University Press |
Total Pages | : 752 |
Release | : 2020-06-18 |
Genre | : Literary Criticism |
ISBN | : 1108809200 |
What does it mean to write in and about sound? How can literature, seemingly a silent, visual medium, be sound-bearing? This volume considers these questions by attending to the energy generated by the sonic in literary studies from the late nineteenth century to the present. Sound, whether understood as noise, music, rhythm, voice or vibration, has long shaped literary cultures and their scholarship. In original chapters written by leading scholars in the field, this book tunes in to the literary text as a site of vocalisation, rhythmics and dissonance, as well as an archive of soundscapes, modes of listening, and sound technologies. Sound and Literature is unique for the breadth and plurality of its approach, and for its interrogation and methodological mapping of the field of literary sound studies.