Decentring the Avant-Garde

Decentring the Avant-Garde
Author: Per Bäckström
Publisher: Rodopi
Total Pages: 328
Release: 2014-01-15
Genre: History
ISBN: 9401210373

Decentring the Avant-Garde presents a collection of articles dealing with the topography of the avant-garde. The focus is on different responses to avant-garde aesthetics in regions traditionally depicted as cultural, geographical and linguistic peripheries. Avant-garde activities in the periphery have to date mostly been described in terms of a passive reception of new artistic trends and currents originating in cultural centres such as Paris or Berlin. Contesting this traditional view, Decentring the Avant-Garde highlights the importance of analysing the avant-garde in the periphery in terms of an active appropriation of avant-garde aesthetics within different cultural, ideological and historical settings. A broad collection of case studies discusses the activities of movements and artists in various regions in Europe and beyond. The result is a new topographical model of the international avant-garde and its cultural practices.

Cultural Mobility in the Interwar Avant-Garde Art Network

Cultural Mobility in the Interwar Avant-Garde Art Network
Author: Michał Wenderski
Publisher: Routledge
Total Pages: 236
Release: 2018-07-27
Genre: Art
ISBN: 1351027883

This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and Netherlands. Regardless of their apparent linguistic, cultural and geographical remoteness, their mutual exchange and relationships were both deep and broad, and of great importance for the wider development of interwar avant-garde literature, art and architecture. This analysis is based on a vast research corpus encompassing original, often previously overlooked periodicals, publications and correspondence gathered from archives around the world.

Exile and Social Thought

Exile and Social Thought
Author: Lee Congdon
Publisher: Princeton University Press
Total Pages: 393
Release: 2014-07-14
Genre: History
ISBN: 1400852900

Embroiled in the political events surrounding World War I and the failed Hungarian revolutions of 1918-19, a number of intellectuals fled Hungary for Germany and Austria, where they essentially created Weimar culture. Among them were Georg Lukács, whose History and Class Consciousness recast Marxism and challenged even those who repudiated its politics; Bela Balázs, who pioneered film theory and collaborated with film-makers G. W. Pabst, Leni Riefenstahl, and Alexander Korda; László Moholy-Nagy, who codirected the Bauhaus during its heyday in the mid-1920s; and Karl Mannheim, whose Ideology and Utopia was the most widely discussed work of noncommunist social theory during the Weimar years. In this collective portrait combining intellectual history with biographical detail, Lee Congdon describes how Hungarian thinkers, each in a different way, passionately advocated the need for community in a Europe torn by war and revolution. Whether communist, avant-gardist, or Catholic convert, each thinker is examined within the vast tapestry of his works, his cultural and intellectual milieu, and his experience as an exile. Despite the ideological differences of these men, Congdon reveals how their personal destinies and social goals often merged. Since many were assimilated Jews, he argues that their thinking on society was inextricably intertwined with their youthful sensitivity to anti-Semitism in Hungary and with the isolating limitations of their lives in Germany and Austria. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Art of the Avant-gardes

Art of the Avant-gardes
Author: Professor and Head of Art History Steve Edwards
Publisher: Yale University Press
Total Pages: 476
Release: 2004-01-01
Genre: Art
ISBN: 9780300102307

02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.

The Oxford Critical and Cultural History of Modernist Magazines

The Oxford Critical and Cultural History of Modernist Magazines
Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
Total Pages: 1527
Release: 2009
Genre: Art
ISBN: 0199659583

A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.

Foto

Foto
Author: Matthew S Witkovsky
Publisher: Thames and Hudson
Total Pages: 322
Release: 2007-05-29
Genre: Art
ISBN:

A brilliantly illustrated survey of modernist photography in Central Europe, published in association with the National Gallery of Art. In the 1920s and 1930s, photography became an immense phenomenon across Germany, Czechoslovakia, Hungary, Austria, and Poland. Through magazines and books, in advertisements and at exhibitions, from amateur clubs to avant-garde schools, photographs emerged as a key vehicle of modern consciousness. This book presents the work of approximately one hundred individuals whose creations exemplify the potential of photography in Central Europe between the two World Wars. Foto brings together for the first time works by recognized masters such as the Russian El Lissitzky, the Hungarian László Moholy-Nagy, and the German Hannah Hóch—all of whom developed their photographic ideas in Germany—with contemporaries like Karel Teige and Jaromír Funke (Czechoslovakia), Kazimierz Podsadecki (Poland), Károly Escher (Hungary), and Trude Fleischmann (Austria), who are less well known today. Organized thematically, the book explores topics from photomontage and war to gender identity, modern living, and the spread of Surrealism. It shows the shared experience of modernity in the region, whereby recently founded nations and dismantled empires alike sought their place within the new world order established in the aftermath of World War I. The illustrations, drawn from more than seventy collections in America and abroad, include several previously unpublished works as well as many others never before available in high-quality reproductions.