The Autopoiesis Of Architecture Volume Ii
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| Author | : Patrik Schumacher |
| Publisher | : John Wiley & Sons |
| Total Pages | : 786 |
| Release | : 2012-04-24 |
| Genre | : Architecture |
| ISBN | : 1119940478 |
This is the second part of a major theoretical work by Patrik Schumacher, which outlines how the discipline of architecture should be understood as its own distinct system of communication. Autopoeisis comes from the Greek and means literally self-production; it was first adopted in biology in the 1970s to describe the essential characteristics of life as a circular self-organizing system and has since been transposed into a theory of social systems. This new approach offers architecture an arsenal of general comparative concepts. It allows architecture to be understood as a distinct discipline, which can be analyzed in elaborate detail while at the same time offering insightful comparisons with other subject areas, such as art, science and political discourse. On the basis of such comparisons the book insists on the necessity of disciplinary autonomy and argues for a sharp demarcation of design from both art and engineering. Schumacher accordingly argues controversially that design as a discipline has its own sui generis intelligence – with its own internal logic, reach and limitations. Whereas the first volume provides the theoretical groundwork for Schumacher’s ideas – focusing on architecture as an autopoeitic system, with its own theory, history, medium and its unique societal function – the second volume addresses the specific, contemporary challenges and tasks that architecture faces. It formulates these tasks, looking specifically at how architecture is seeking to organize and articulate the complexity of post-fordist network society. The volume explicitly addresses how current architecture can upgrade its design methodology in the face of an increasingly demanding task environment, characterized by both complexity and novelty. Architecture’s specific role within contemporary society is explained and its relationship to politics is clarified. Finally, the new, global style of Parametricism is introduced and theoretically grounded.
| Author | : Patrik Schumacher |
| Publisher | : John Wiley & Sons |
| Total Pages | : 487 |
| Release | : 2011-04-20 |
| Genre | : Architecture |
| ISBN | : 1119990491 |
Take a theoretical approach to architecture with The Autopoiesis of Architecture, which presents the topic as a discipline with its own unique logic. Architecture's conception of itself is addressed as well as its development within wider contemporary society. Author Patrik Schumacher offers innovative treatment that enriches architectural theory with a coordinated arsenal of concepts facilitating both detailed analysis and insightful comparisons with other domains, such as art, science and politics. He explores how the various modes of communication comprising architecture depend upon each other, combine, and form a unique subsystem of society that co-evolves with other important autopoietic subsystems like art, science, politics and the economy. The first of two volumes that together present a comprehensive account of architecture's autopoiesis, this book elaborates the theory of architecture?s autopoeisis in 8 parts, 50 sections and 200 chapters. Each of the 50 sections poses a thesis drawing a central message from the insights articulated within the respective section. The 200 chapters are gathering and sorting the accumulated intelligence of the discipline according to the new conceptual framework adopted, in order to catalyze and elaborate the new formulations and insights that are then encapsulated in the theses. However, while the theoretical work in the text of the chapters relies on the rigorous build up of a new theoretical language, the theses are written in ordinary language ? with the theoretical concepts placed in brackets. The full list of the 50 theses affords a convenient summary printed as appendix at the end of the book. The second volume completes the analysis of the discourse and further proposes a new agenda for contemporary architecture in response to the challenges and opportunities that confront architectural design within the context of current societal and technological developments.
| Author | : Patrik Schumacher |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 100 |
| Release | : 2004 |
| Genre | : Architecture |
| ISBN | : 9783764301729 |
Even in her very early work, Zaha Hadid made innovative use of graphic techniques such as penetration, distortion, curvature, strongly reduced perspectives, to portray her architectural designs from a refreshing new angle. In this way her unmistakeable concepts of architectural space originated, and it is no surprise that the London architect makes full use of the full range of possibilities afforded by today's electronic design tools to create her inimitable forms. This present publication documents the most important of her recent projects, revealing how Zaha Hadid has risen to the digital challenge. Patrik Schumacher teaches at the Architectural Association in London.
| Author | : H.R. Maturana |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 172 |
| Release | : 2012-12-06 |
| Genre | : Science |
| ISBN | : 9400989474 |
This is a bold, brilliant, provocative and puzzling work. It demands a radical shift in standpoint, an almost paradoxical posture in which living systems are described in terms of what lies outside the domain of descriptions. Professor Humberto Maturana, with his colleague Francisco Varela, have undertaken the construction of a systematic theoretical biology which attempts to define living systems not as they are objects of observation and description, nor even as in teracting systems, but as self-contained unities whose only reference is to them selves. Thus, the standpoint of description of such unities from the 'outside', i. e. , by an observer, already seems to violate the fundamental requirement which Maturana and Varela posit for the characterization of such system- namely, that they are autonomous, self-referring and self-constructing closed systems - in short, autopoietic systems in their terms. Yet, on the basis of such a conceptual method, and such a theory of living systems, Maturana goes on to define cognition as a biological phenomenon; as, in effect, the very nature of all living systems. And on this basis, to generate the very domains of interac tion among such systems which constitute language, description and thinking.
| Author | : Patrik Schumacher |
| Publisher | : John Wiley & Sons |
| Total Pages | : 136 |
| Release | : 2016-04-25 |
| Genre | : Architecture |
| ISBN | : 1118736168 |
Parametricism is an avant-garde architecture and design movement that has been growing and maturing over the last 15 years, emerging as a remarkable global force. The tendency started in architecture but now encompasses all design disciplines, from urban design to fashion. In architecture, the style has an international following and is currently progressing beyond its experimental roots to make an impact on a broader scale, with practices like Zaha Hadid Architects (ZHA) winning and completing large-scale architectural projects worldwide. Parametricism implies that all elements and aspects of an architectural composition or product are parametrically malleable; and the style owes its original, unmistakable physiognomy to its unprecedented use of computational design tools and fabrication methods. All design parameters are conceived as variables that allow the design to vary and adapt to the diverse, complex and dynamic requirements of contemporary society. Although Parametricism has been talked about and hotly debated for a number of years, so far there has been no publication dedicated to Parametricism. The issue is guest-edited by Patrik Schumacher, partner at ZHA, and one of the world's most highly renowned advocates of Parametricism. Contributors: Philippe Block, Shajay Bhooshan, Mark Burry, Mario Carpo, Manuel DeLanda, John Frazer, Mark Foster Gage, Enriqueta Llabres and Eduardo Rico, Achim Menges, Theo Spyropoulos, Robert Stuart-Smith, Philip F Yuan. Featured architects and designers: Arup, Mark Fornes/THEVERYMANY, Zaha Hadid Architects (ZHA) and Ross Lovegrove.
| Author | : Gunther Teubner |
| Publisher | : Walter de Gruyter |
| Total Pages | : 389 |
| Release | : 2011-07-13 |
| Genre | : Law |
| ISBN | : 3110876450 |
| Author | : Patrik Schumacher |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2023-03-13 |
| Genre | : Architecture, Modern |
| ISBN | : 9781864708967 |
- A leader in the discourse on the latest architectural movements, Schumacher comments on parametricism and computational engineering leading to a malleable network of interdependencies that evolved into tectonism as an architectural style- A comprehensively illustrated text with full-color photography and detailed plans, knitted together with incisive and critical analysis and appraisal of architectural history and precedents- A must-have text that shines a light on a progressive architectural culture and the most innovative methodologiesTectonism is the most advanced and most sophisticated contemporary architectural style. There are, to date, only relatively a few fully satisfactory built examples, and most of them are still of a relatively modest scale. It is the thesis of this book that tectonism, as defined and illustrated here, represents the future of 21st century architecture. This thesis is optimistic with respect to the long-term rationality of the discipline of architecture, i.e. with respect to its capacity to discern and ascertain, via its internal discourse, the superiority of tectonism, and to spread its influence and impact as global best practice accordingly. This optimism also extends to the rationality of the wider society, as represented through private clients, public clients, and through end-user acceptance, to be susceptible to the guidance it will receive from its architectural expert discourse. This optimism is based on a critical analysis and appraisal of architectural history. The avant-garde intuitions of the early modernists in the 1920s, backed up by sound theoretical arguments, did win over the discipline in the 1930s and 1940s, and spread its real impact on the global built environment throughout the 1950s, 1960s and 1970s. The current avant-garde intuitions within the movement of tectonism, although very different from modernism, are equally well thought through as the arguments in this book will attempt to demonstrate. -- From the Introduction, by Patrik Schumacher
| Author | : Antoine Picon |
| Publisher | : John Wiley & Sons |
| Total Pages | : 306 |
| Release | : 2014-05-29 |
| Genre | : Architecture |
| ISBN | : 111858824X |
Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
| Author | : Chris Luebkeman |
| Publisher | : John Wiley & Sons |
| Total Pages | : 141 |
| Release | : 2015-08-28 |
| Genre | : Architecture |
| ISBN | : 1118914848 |
Envisioning a positive future through design 2050: Designing Our Tomorrow describes the ways in which architecture and design can engage with the key drivers of change and provide affirmative aspirations for a not-so distant future. With a focal date of 2050, this issue of AD asks when and how the design community can, should, and must be taking action. The discussion centres on shifts in the urban environment and an established way of life in a world of depleted natural resources and climate change. Featuring interviews with Paola Antonelli of MoMA and Tim Brown of IDEO, it includes contributions from thought leaders, such as Janine Benyus, Thomas Fisher, Daniel Kraft, Alex McDowell, Franz Oswold, and Mark Watts. High-profile designers like FutureCitiesLab, SHoP, and UrbanThinkTank, are featured as examples of forward thinking and innovation in the field, highlighting the need for — and possibility of — a shift in the global perspective. The discussion includes the challenges we face in creating a positive tomorrow, and the solutions that architecture and design can bring to the table. Despite the proliferation of global crises possibly threatening human survival, our current moment provides the opportunity to write a new, positive story about our future. 2050: Designing Our Tomorrow describes how the design community can contribute to that vision by asserting positive aspirations for the worlds we create ourselves. See how architects and designers inspire global positive change Consider architecture's role in shaping cultural outlook Learn the key drivers of change for the built environment Explore the perspectives of leading experts and designers Architects and planners over the centuries have put a stamp upon the planet through the physical manifestations of their belief structures. Today's design community faces a rising wealth gap, climate change, shifting paradigms of nationalism, and myriad other challenges. 2050: Designing Our Tomorrow phrases global issues as a design problem, and describes how architects and designers can rise to the challenge of creating a more positive future.
| Author | : Jose Sanchez |
| Publisher | : Routledge |
| Total Pages | : 154 |
| Release | : 2020-08-04 |
| Genre | : Architecture |
| ISBN | : 0429778015 |
Architecture for the Commons dives into an analysis of how the tectonics of a building is fundamentally linked to the economic organizations that allow them to exist. By tracing the origins and promises of current technological practices in design, the book provides an alternative path, one that reconsiders the means of achieving complexity through combinatorial strategies. This move requires reconsidering serial production with crowdsourcing and user content in mind. The ideas presented will be explored through the design research developed within Plethora Project, a design practice that explores the use of video game interfaces as a mechanism for participation and user design. The research work presented throughout the book seeks to align with a larger project that is currently taking place in many different fields: The Construction of the Commons. By developing both the ideological and physical infrastructure, the project of the Commons has become an antidote to current economic practices that perpetuate inequality. The mechanisms of the production and governance of the Commons are discussed, inviting the reader to get involved and participate in the discussion. The current political and economic landscape calls for a reformulation of our current economic practices and alternative value systems that challenge the current market monopolies. This book will be of great interest not only to architects and designers studying the impact of digital technologies in the field of design but also to researchers studying novel techniques for social participation and cooperating of communities through digital networks. The book connects principles of architecture, economics and social sciences to provide alternatives to the current production trends.
