The Art of Life in South Africa

The Art of Life in South Africa
Author: Daniel Magaziner
Publisher: Ohio University Press
Total Pages: 494
Release: 2016-11-09
Genre: History
ISBN: 0821445901

From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.

Art and the End of Apartheid

Art and the End of Apartheid
Author: John Peffer
Publisher: U of Minnesota Press
Total Pages: 374
Release: 2009
Genre: Art
ISBN: 0816650012

Black South African artists have typically had their work labeled "African art" or "township art," qualifiers that, when contrasted with simply "modernist art," have been used to marginalize their work both in South Africa and internationally. This is the The first book to fully explore cosmopolitan modern art by black South Africans under apartheid.

The Law and the Prophets

The Law and the Prophets
Author: Daniel R. Magaziner
Publisher: Jacana Media
Total Pages: 297
Release: 2010
Genre: Anti-apartheid movements
ISBN: 1770099107

""No nation can win a battle without faith," Steve Biko wrote, and as Daniel R. Magaziner demonstrates in The Law and the Prophets, the combination of ideological and theological exploration proved a potent force. The 1970s are a decade virtually lost to South African historiography. This span of years bridged the banning and exile of the country's best-known antiapartheid leaders in the early 1960s and the furious protests that erupted after the Soweto uprisings of June 16, 1976. Scholars thus know that something happened--yet they have only recently begun to explore how and why. The Law and the Prophets is an intellectual history of the resistance movement between 1968 and 1977; it follows the formation, early trials, and ultimate dissolution of the Black Consciousness movement. It differs from previous antiapartheid historiography, however, in that it focuses more on ideas than on people and organizations. Its singular contribution is an exploration of the theological turn that South African politics took during this time. Magaziner argues that only by understanding how ideas about race, faith, and selfhood developed and were transformed in this period might we begin to understand the dramatic changes that took place."--Publisher description.

Native Life in South Africa

Native Life in South Africa
Author: Solomon T. Plaatje
Publisher: Graphic Arts Books
Total Pages: 267
Release: 2021-11-16
Genre: History
ISBN: 1513217240

Native Life in South Africa (1916) is a book by Solomon T. Plaatje. Written while Plaatje was serving as General Secretary of the South African Native National Congress, the work shows the influence of American activist and socialist historian W. E. B. Du Bois, whom Plaatje met and befriended. Using historical analysis and firsthand accounts from native South Africans, Plaatje exposes the cruelty of colonialism and analyzes the significance of the 1913 Natives’ Land Act. “Awaking on Friday morning, June 20, 1913, the South African Native found himself, not actually a slave, but a pariah in the land of his birth.” Native Life in South Africa begins with the passage of the 1913 Natives’ Land Act, which made it illegal for Black South Africans to lease and purchase land outside of government designated reserves. The act, which was the first of many segregation laws passed by the Union Parliament, was devastating to millions of poor South African natives, most of whom relied on leasing land from white farmers to survive.Native Life in South Africa is a classic of South African literature reimagined for modern readers.

Women and Art in South Africa

Women and Art in South Africa
Author: Marion Arnold
Publisher: Palgrave Macmillan
Total Pages: 232
Release: 1997-02-15
Genre: Art
ISBN: 9780312165864

In this pioneering study, Marion Arnold explores the connections, hitherto hidden or neglected, between women and art in South Africa. By doing so, she recovers the rich histories of South African women artists and celebrates their creativity in the visual arts. In a series of related essays teeming with fresh insights, Marion Arnold asks new questions about the ways women have portrayed themselves, depicted landscapes, painted images of plants and sculpted the body. She examines, too, portraits of women (both black and white) in service and the long history of representations (usually by men) of the female 'other'. Throughout the book, the connections Marion Arnold makes between ideas, artists and their works are always illuminating and often unexpected. Here are not only familiar names viewed afresh - such as Maggie Laubser, Irma Stern, Helen Sebidi and Jane Alexander - but lesser-known artists who are rediscovered and brought to life.

The Jack Bank

The Jack Bank
Author: Glen Retief
Publisher: St. Martin's Press
Total Pages: 288
Release: 2011-04-12
Genre: Biography & Autobiography
ISBN: 1429960086

An extraordinary, literary memoir from a gay white South African, coming of age at the end of apartheid in the late 1970s. Glen Retief's childhood was at once recognizably ordinary--and brutally unusual. Raised in the middle of a game preserve where his father worked, Retief's warm nuclear family was a preserve of its own, against chaotic forces just outside its borders: a childhood friend whose uncle led a death squad, while his cultured grandfather quoted Shakespeare at barbecues and abused Glen's sister in an antique-filled, tobacco-scented living room. But it was when Retief was sent to boarding school that he was truly exposed to human cruelty and frailty. When the prefects were caught torturing younger boys, they invented "the jack bank," where underclassmen could save beatings, earn interest on their deposits, and draw on them later to atone for their supposed infractions. Retief writes movingly of the complicated emotions and politics in this punitive all-male world, and of how he navigated them, even as he began to realize that his sexuality was different than his peers'.

The Arts and Indigenous Knowledge Systems in a Modernized Africa

The Arts and Indigenous Knowledge Systems in a Modernized Africa
Author: Runette Kruger
Publisher: Cambridge Scholars Publishing
Total Pages: 370
Release: 2018-12-17
Genre: Social Science
ISBN: 1527523624

This collection derives from a conference held in Pretoria, South Africa, and discusses issues of indigenous knowledge systems (IKS) and the arts. It presents ideas about how to promote a deeper understanding of IKS within the arts, the development of IKS-arts research methodologies, and the protection and promotion of IKS in the arts. Knowledge, embedded in song, dance, folklore, design, architecture, theatre, and attire, and the visual arts can promote innovation and entrepreneurship, and it can improve communication. IKS, however, exists in a post-millennium, modernizing Africa. It is then the concept of post-Africanism that would induce one to think along the lines of a globalized, cosmopolitan and essentially modernized Africa. The book captures leading trends and ideas that could help to protect, promote, develop and affirm indigenous knowledge and systems, whilst also making room for ideas that do not necessarily oppose IKS, but encourage the modernization (not Westernization) of Africa.

Born a Crime

Born a Crime
Author: Trevor Noah
Publisher: One World
Total Pages: 279
Release: 2016-11-15
Genre: Biography & Autobiography
ISBN: 0399588183

#1 NEW YORK TIMES BESTSELLER • More than one million copies sold! A “brilliant” (Lupita Nyong’o, Time), “poignant” (Entertainment Weekly), “soul-nourishing” (USA Today) memoir about coming of age during the twilight of apartheid “Noah’s childhood stories are told with all the hilarity and intellect that characterizes his comedy, while illuminating a dark and brutal period in South Africa’s history that must never be forgotten.”—Esquire Winner of the Thurber Prize for American Humor and an NAACP Image Award • Named one of the best books of the year by The New York Time, USA Today, San Francisco Chronicle, NPR, Esquire, Newsday, and Booklist Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle. Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life. The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.

African Painted Houses

African Painted Houses
Author: Gary Van Wyk
Publisher: Abrams
Total Pages: 196
Release: 1998-03-30
Genre: Architecture
ISBN:

Explores the early history of the Basotho people of Lesotho in the high veldt of southern Africa and describes their ceremonies that persist in the modern world. Focuses on male and female initiation rituals, the practices of female diviners and healers, and the sacred landscape that the people revere, as well as their colorful painted houses, which are a form of prayer. Includes many color photos. Oversize: 9x10.5". Annotation copyrighted by Book News, Inc., Portland, OR

Media in Postapartheid South Africa

Media in Postapartheid South Africa
Author: Sean Jacobs
Publisher: Indiana University Press
Total Pages: 206
Release: 2019-03-11
Genre: Performing Arts
ISBN: 0253040574

In Media in Postapartheid South Africa, author Sean Jacobs turns to media politics and the consumption of media as a way to understand recent political developments in South Africa and their relations with the African continent and the world. Jacobs looks at how mass media define the physical and human geography of the society and what it means for comprehending changing notions of citizenship in postapartheid South Africa. Jacobs claims that the media have unprecedented control over the distribution of public goods, rights claims, and South Africa's integration into the global political economy in ways that were impossible under the state-controlled media that dominated the apartheid years. Jacobs takes a probing look at television commercials and the representation of South Africans, reality television shows and South African continental expansion, soap operas and postapartheid identity politics, and the internet as a space for reassertions and reconfigurations of identity. As South Africa becomes more integrated into the global economy, Jacobs argues that local media have more weight in shaping how consumers view these products in unexpected and consequential ways.