The Archives Story
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| Author | : James L. W. West |
| Publisher | : Penn State Press |
| Total Pages | : 162 |
| Release | : 2011 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271050675 |
"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
| Author | : Antoinette Burton |
| Publisher | : Duke University Press |
| Total Pages | : 409 |
| Release | : 2006-01-25 |
| Genre | : History |
| ISBN | : 0822387042 |
Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles
| Author | : A. Gabriel Meléndez |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 249 |
| Release | : 2017-04-20 |
| Genre | : Fiction |
| ISBN | : 0806158638 |
In the shadow of the Sangre de Cristo Mountains, New Mexico’s Mora Valley harbors the ghosts of history: troubadours and soldiers, Plains Indians and settlers, families fleeing and finding home. There, more than a century ago, villagers collect scraps of paper documenting the valley’s history and their identity—military records, travelers’ diaries, newspaper articles, poetry, and more—and bind them into a leather portfolio known as “The Book of Archives.” When a bomb blast during the Mexican-American War scatters the book’s contents to the wind, the memory of the accounts lives on instead in the minds of Mora residents. Poets and storytellers pass down the valley’s traditions into the twentieth century, from one generation to the next. In this pathbreaking dual-language volume, author A. Gabriel Meléndez joins their ranks, continuing the retelling of Mora Valley’s tales for our time. A native of Mora with el don de la palabra, the divine gift of words, Meléndez mines historical sources and his own imagination to reconstruct the valley’s story, first in English and then in Spanish. He strings together humorous, tragic, and quotidian vignettes about historical events and unlikely occurrences, creating a vivid portrait of Mora, both in cultural memory and present reality. Local gossip and family legend intertwine with Spanish-language ballads and the poetry of New Mexico’s most famous dueling troubadours, Old Man Vilmas and the poet García. Drawing on New Mexican storytelling tradition, Meléndez weaves a colorful dual-language representation of a place whose irresistible characters and unforgettable events, and the inescapable truths they embody, still resonate today.
| Author | : Mike Sibbons |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 166 |
| Release | : 2016-10-20 |
| Genre | : Technology & Engineering |
| ISBN | : 1472822323 |
Published to coincide with the opening of the new Museum of The Corps of Royal Electrical and Mechanical Engineers in October, this is an edited collection of articles unearthed in the regimental archives. Modern soldiers depend on their equipment, from the weapons in their hands and the tanks that support them, to the communications equipment that connect them to their commanders. Formed in 1942, the Corps of Royal Electrical and Mechanical Engineers (REME) have maintained the British Army's equipment and kept their machines moving for nearly 75 years. REME have been involved in every single operation undertaken by the British Army since World War II, and the Corps has some fascinating stories to tell. This is a collection of some of the fascinating accounts unearthed in the archives and written about in the The Craftsman (the Corps Magazine) and The REME Journal (the publication of The REME Institution) – including the Birth of REME; Operation Grapple – UK Nuclear Testing on Christmas Island; and the Mystery of Mussolini's Boots. It provides unique insights into inspirational deeds and bravery and good-humoured fortitude that have characterised the British Army through the ages. All profits from the book's sale will go to the REME Benevolent Fund and SSAFA, the Armed Forces charity.
| Author | : Natalie Zemon Davis |
| Publisher | : Stanford University Press |
| Total Pages | : 244 |
| Release | : 1987 |
| Genre | : Literary Criticism |
| ISBN | : 9780804717991 |
To receive a royal pardon in sixteenth-century France for certain kinds of homicide--unpremeditated, unintended, in self-defense, or otherwise excusable--a supplicant had to tell the king a story. These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.
| Author | : Niels Brügger |
| Publisher | : MIT Press |
| Total Pages | : 199 |
| Release | : 2023-10-31 |
| Genre | : Computers |
| ISBN | : 0262549719 |
An original methodological framework for approaching the archived web, both as a source and as an object of study in its own right. As life continues to move online, the web becomes increasingly important as a source for understanding the past. But historians have yet to formulate a methodology for approaching the archived web as a source of study. How should the history of the present be written? In this book, Niels Brügger offers an original methodological framework for approaching the web of the past, both as a source and as an object of study in its own right. While many studies of the web focus solely on its use and users, Brügger approaches the archived web as a semiotic, textual system in order to offer the first book-length treatment of its scholarly use. While the various forms of the archived web can challenge researchers' interactions with it, they also present a range of possibilities for interpretation. The Archived Web identifies characteristics of the online web that are significant now for scholars, investigates how the online web became the archived web, and explores how the particular digitality of the archived web can affect a historian's research process. Brügger offers suggestions for how to translate traditional historiographic methods for the study of the archived web, focusing on provenance, creating an overview of the archived material, evaluating versions, and citing the material. The Archived Web lays the foundations for doing web history in the digital age, offering important and timely guidance for today's media scholars and tomorrow's historians.
| Author | : Aaron Frank |
| Publisher | : Motorbooks |
| Total Pages | : 232 |
| Release | : 2018-11-20 |
| Genre | : Transportation |
| ISBN | : 0760360715 |
The Harley-Davidson Story: Tales from the Archives is a fascinating, visually driven overview of the motor company's rich story, created in cooperation with the Harley-Davidson Museum. The story of Harley-Davidson is a classic American tale of spirit, invention, and the right idea at the right time. From its beginning in a small Milwaukee shed in 1903, William Harley and his cousins, the Davidson brothers, set in motion what would eventually become the world’s most iconic motorcycle company. While other motorcycle companies rose and fell through the teens and 1920s, Harley went from strength to strength, whether introducing its first V-twin motor or dominating race tracks across America. The Milwaukee Miracle even prospered during WWII, building war bikes for the armed forces. By the 1950s, they’d buried their last American-built competitor, Indian, and gained a hold over the US market that they maintain to this day. A remarkable story deserves a remarkable space to recount it. Such is the Harley-Davidson Museum in Milwaukee, which opened in 2009. Harley-Davidson partnered with Motorbooks to create this book relaying Harley-Davidson’s story, as told through the museum’s displays and archive assets.
| Author | : Maria Luisa Ambrosini |
| Publisher | : Barnes & Noble Publishing |
| Total Pages | : 420 |
| Release | : 1996 |
| Genre | : Archives |
| ISBN | : 9780760701256 |
| Author | : Jaimie Baron |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2013-12-13 |
| Genre | : Performing Arts |
| ISBN | : 1135077096 |
The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
| Author | : Arlette Farge |
| Publisher | : Yale University Press |
| Total Pages | : 96 |
| Release | : 2013-09-24 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300180217 |
DIVArlette Farge’s Le Goût de l’archive is widely regarded as a historiographical classic. While combing through two-hundred-year-old judicial records from the Archives of the Bastille, historian Farge was struck by the extraordinarily intimate portrayal they provided of the lives of the poor in pre-Revolutionary France, especially women. She was seduced by the sensuality of old manuscripts and by the revelatory power of voices otherwise lost. In The Allure of the Archives, she conveys the exhilaration of uncovering hidden secrets and the thrill of venturing into new dimensions of the past. Originally published in 1989, Farge’s classic work communicates the tactile, interpretive, and emotional experience of archival research while sharing astonishing details about life under the Old Regime in France. At once a practical guide to research methodology and an elegant literary reflection on the challenges of writing history, this uniquely rich volume demonstrates how surrendering to the archive’s allure can forever change how we understand the past./div
