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| Author | : Peter Murray |
| Publisher | : Schocken |
| Total Pages | : 264 |
| Release | : 1986 |
| Genre | : Architecture |
| ISBN | : |
Guides the reader from the earliest revivals of Roman style to the villas of Palladio and Vignola. Each of the great architects is clearly and sensitively discussed. 202 illustrations.
| Author | : Christoph Luitpold Frommel |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2007 |
| Genre | : Architecture |
| ISBN | : 9780500342206 |
Focusing on buildings of the period between 1418 and 1580 and 35 key architects. Examines social context, religious beliefs, political power-structures, technical innovation, aesthetic judgement . Includes over 300 photographs, drawings, plans and reconstructions. Sure to be the recognized textbook for the foreseeable future.
| Author | : Paula Kay Lazrus |
| Publisher | : UNC Press Books |
| Total Pages | : 147 |
| Release | : 2019-07-01 |
| Genre | : History |
| ISBN | : 1469653400 |
Building the Italian Renaissance focuses on the competition to select a team to execute the final architectural challenge of the cathedral of Santa Maria del Fiore--the erection of its dome. Although the model for the dome was widely known, the question of how this was to be accomplished was the great challenge of the age. This dome would be the largest ever built. This is foremost a technical challenge but it is also a philosophical one. The project takes place at an important time for Florence. The city is transitioning from a High Medieval world view into the new dynamics and ideas and will lead to the full flowering of what we know as the Renaissance. Thus the competition at the heart of this game plays out against the background of new ideas about citizenship, aesthetics, history (and its application to the present), and new technology. The central challenge is to expose players to complex and multifaceted situations and to individuals that animated life in Florence in the early 1400s. Humanism as a guiding philosophy is taking root and scholars are looking for ways to link the mercantile city to the glories of Rome and to the wisdom of the ancients across many fields. The aesthetics of the classical world (buildings, plastic arts and intellectual pursuits) inspired wonder, perhaps even envy, but the new approaches to the past by scholars such as Petrarch suggested that perhaps the creative classes are not simply crafts people, but men of ideas. Three teams compete for the honor to construct the dome, a project overseen by the Arte Della Lana (wool workers guild) and judged by them and a group of Florentine citizens who are merchants, aristocrats, learned men, and laborers. Their goal is to make the case for the building to live up to the ideals of Florence. The game gives students a chance to enter into the world of Florence in the early 1400s to develop an understanding of the challenges and complexity of such a major artistic and technical undertaking while providing an opportunity to grasp the interdisciplinary nature of major public works.
| Author | : David Karmon |
| Publisher | : Cambridge University Press |
| Total Pages | : 490 |
| Release | : 2021-05-27 |
| Genre | : Art |
| ISBN | : 1108808476 |
This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.
| Author | : Peter Murray |
| Publisher | : New York : Schocken Books |
| Total Pages | : 296 |
| Release | : 1963 |
| Genre | : Architecture |
| ISBN | : |
"Well-illustrated, undeniably useful, Murray's book is truly welcome." --Architectural Design "Informed in content and concise in style . . . a perfect introduction to the architecture of the Italian Renaissance." --Richard Stapleford, Cooper Union School of Architecture A classic guide to one of the most pivotal periods in art and architectural history, The Architecture of the Italian Renaissance remains the most lucid and comprehensive volume available. From Leonardo, Raphael, Michelangelo, Palladio, and Brunelleschi to St. Peter's in Rome, the palaces of Venice, and the Medici Chapel in Florence, Peter Murray's lavishly illustrated book tells readers everything they need to know about the architectural life of Italy from the thirteenth through the sixteenth centuries.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 479 |
| Release | : 2016-04-08 |
| Genre | : History |
| ISBN | : 9004315500 |
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
| Author | : Christiane L. Joost-Gaugier |
| Publisher | : John Wiley & Sons |
| Total Pages | : 288 |
| Release | : 2013-03-04 |
| Genre | : Art |
| ISBN | : 1118306112 |
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries. A smart, elegant, and jargon-free analysis of the Italian Renaissance – what it was, what it means, and why we should study it Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers’ understanding of the period Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily Situates the Italian Renaissance in the wider context of the history of art Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known
| Author | : Marco Bussagli |
| Publisher | : Magnus Edizioni |
| Total Pages | : 0 |
| Release | : 2013-06-16 |
| Genre | : Architecture, Renaissance |
| ISBN | : 9781566493819 |
The development of Italian Renaissance architecture was one of the most relevant cultural phenomena of the 15th and 16th centuries, not only for the environment that gave birth to it and for centuries followed its course, but also for the reverberations it caused outside of Italy and in the epochs that followed. In fact, it became the reference model for most European courts, which were inspired as much by the decorative elements (take for example France's palace at Fontainebleau or Scotland's Stirling Castle) as by the architectonic system and stylistic conventions. This extraordinary flowering, theorized and implemented by people of absolute genius such as Filippo Brunelleschi and Leon Battista Alberti (to limit ourselves to the most prominent figures), encompasses masterpieces such as the dome of Santa Maria del Fiore in Florence or that of Saint Peter's in Rome, as well as perfectly harmonious structures such as Maser's Villa Barbaro, Vicenza' Basilica and Venice's Biblioteca Marciana.This comprehensive compilation of Italian Renaissance architecture richly documented, illustrated and organized by type of construction, major architects and geographical location reveals and celebrates a unique artistic period that lasted for almost two centuries, from the early 1400s through the end of the 1500s, two points in time perfectly reflected in the figures of Brunelleschi and Buontalenti.
| Author | : Alina A. Payne |
| Publisher | : Cambridge University Press |
| Total Pages | : 364 |
| Release | : 1999-02-13 |
| Genre | : Architecture |
| ISBN | : 9780521622660 |
Vitruvius' Ten Books of Architecture was the fountainhead of architectural theory in the Italian Renaissance. Offering theoretical and practical solutions to a wide variety of architectural issues, this treatise did not, however, address all of the questions that were of concern to early modern architects. This study examines the Italian Renaissance architect's efforts to negotiate between imitation and reinvention of classicism. Through a close reading of Vitruvius and texts written during the period 1400-1600, Alina Payne identifies ornament as the central issue around which much of this debate focused.
| Author | : Andrew Hopkins |
| Publisher | : |
| Total Pages | : 222 |
| Release | : 2002 |
| Genre | : Architecture |
| ISBN | : 9780500203613 |
The years from 1520 to 1630 were crucial in the development of Western architecture, but to label as Mannerist the transition from Michelangelo's "licentious" New Sacristy in Florence to Borromini's innovative S. Carlo alle Quattro Fontane is coming to seem unduly simplistic. In this carefully researched and original study, Andrew Hopkins examines the century's changing functional demands, the political forces, the patronage system, and local traditions. Exploring a wide range of Italian buildings (including those outside the major urban centers), he introduces us to dozens of neglected architects whose works will come as a revelation. By 1630, architecture had taken on a new dynamism that would soon conquer Italy, Europe, and the New World: the baroque. 209 b/w illustrations.
