The Architecture Of The Indian Sultanates
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Author | : Abha Narain Lambah |
Publisher | : Marg Publications |
Total Pages | : 1 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : 8185026750 |
The period of the Sultanates is typically defined as beginning with the Ghurid incursions into north India in the 1190s, and ending with the coming of the Mughals in 1526. However, regional architectural traditions did continue after that, fading out only many decades later. Thirty-five sultans ruled from Delhi, and many more in the provinces, effecting the maturation of a style that progressed from an architecture of demolition and recycling to a synthesis of East and West, creating one of the finest moments of Islamic architectural history. This volume includes in-depth analyses of the architecture of the Suri dynasty, Delhi under the Tughluqs, Sindh, Narnaul, Jaunpur, Gujarat, Malwa, Bengal, and the Charminar in Hyderabad
Author | : Abha Narain Lambah |
Publisher | : |
Total Pages | : 124 |
Release | : 2006 |
Genre | : Architecture |
ISBN | : |
The period of the Sultanates is typically defined as beginning with the Ghurid incursions into north India in the 1190s, and ending with the coming of the Mughals in 1526. However, regional architectural traditions did continue after that, fading out only many decades later. Thirty-five sultans ruled from Delhi, and many more in the provinces, effecting the maturation of a style that progressed from an architecture of demolition and recycling to a synthesis of East and West, creating one of the finest moments of Islamic architectural history. This volume includes in-depth analyses of the architecture of the Suri dynasty, Delhi under the Tughluqs, Sindh, Narnaul, Jaunpur, Gujarat, Malwa, Bengal, and the Charminar in Hyderabad
Author | : Mehrdad Shokoohy |
Publisher | : Routledge |
Total Pages | : 360 |
Release | : 2013-06-17 |
Genre | : Architecture |
ISBN | : 1136499849 |
This book reinterprets the Muslim architecture and urban planning of South India, looking beyond the Deccan to the regions of Tamil Nadu and Kerala - the historic coasts of Coromandel and Malabar. For the first time a detailed survey of the Muslim monuments of the historic ports and towns demonstrates a rich and diverse architectural tradition entirely independent from the better known architecture of North India and the Deccan sultanates. The book, extensively illustrated with photographs and architectural drawings, widens the horizons of our understanding of Muslim India and will no doubt pave new paths for future studies in the field.
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Publisher | : |
Total Pages | : |
Release | : 1994 |
Genre | : |
ISBN | : |
Author | : Pushkar Sohoni |
Publisher | : Bloomsbury Publishing |
Total Pages | : 418 |
Release | : 2018-08-30 |
Genre | : Architecture |
ISBN | : 183860927X |
The Deccan sultans left a grand architectural and artistic legacy. They commissioned palaces, mosques, gardens and tombs as well as decorative paintings and coins. Of these sultanates, the Nizam Shahs (r. 1490-1636) were particularly significant, being one of the first to emerge from the crumbling edifice of the Bahmani Empire (c. 1347-1527). Yet their rich material record remains largely unstudied in the scholarly literature, obscuring their cultural and historical importance. This book provides the first analysis of the architecture of the Nizam Shahs. Pushkar Sohoni examines the critical relationship between architectural production, courtly practice and royal authority in a period when the aspirations and politics of the kingdom were articulated through architectural expression. Based on new primary research from key sites including the urban settlements of Ahmadnagar, Daulatabad, Aurangabad, Junnar and the port city of Chaul, Sohoni sheds light on broader Islamicate ideas of kingship and shows how this was embodied by material artefacts such as buildings and sites, paintings, gardens, guns and coins. As well as offering a vivid depiction of sixteenth-century South Asia, this book revises understanding of the cultural importance of the Nizam Shahs and their place in the Indian Ocean world. It will be a vital primary resource for scholars researching the history of the medieval and early modern Deccan and relevant for those working in Art History, Islamic Studies, South Asian Studies and Archaeology.
Author | : Finbarr Barry Flood |
Publisher | : John Wiley & Sons |
Total Pages | : 1442 |
Release | : 2017-06-16 |
Genre | : Art |
ISBN | : 1119068576 |
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author | : Navina Najat Haidar |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 386 |
Release | : 2015-04-13 |
Genre | : Architecture |
ISBN | : 0300211104 |
The vast Deccan plateau of south-central India stretches from the Arabian Sea to the Bay of Bengal. In the sixteenth and seventeenth centuries, the region was home to several major Muslim kingdoms and became a nexus of international trade — most notably in diamonds and textiles, through which the sultanates attained remarkable wealth. The opulent art of the Deccan courts, invigorated by cultural connections to the Middle East, Africa, and Europe, developed an otherworldly character distinct from that of the contemporary Mughal north: in painting, a poetic lyricism and audacious use of color; in the decorative arts, lively creations of inlaid metalware and painted and dyed textiles; and in architecture, a somber grandeur still visible today in breathtaking monuments throughout the plateau. The first book to fully explore the history and legacy of these kingdoms, Sultans of Deccan India elucidates the predominant themes in Deccani art—the region’s diverse spiritual traditions, its exchanges with the outside world, and the powerful styles of expression that evolved under court patronage—with fresh insights and new scholarship. Alongside the discussion of the art, lively, engaging essays by some of the field’s leading scholars offer perspectives on the cycles of victory and conquest as dynasties competed with one another, vied with Vijayanagara, a great empire to the south, and finally succumbed to the Mughals from the north. Featuring some 200 of the finest works from the Deccan sultanates, as well as spectacular site photographs and informative maps, this magnificently illustrated catalogue provides the most comprehensive examination of this world to date and constitutes a pioneering resource for specialists and general readers alike.
Author | : John Burton-Page |
Publisher | : BRILL |
Total Pages | : 283 |
Release | : 2008 |
Genre | : Architecture |
ISBN | : 9004163395 |
The articles by John Burton-Page on Indian Islamic architecture assembled in this volume give an historical overview of the subject, ranging from the mosques and tombs erected by the Delhi sultans in the 13th, 14th and 15th centuries, to the great monuments of the Mughals in the 16th and 17th centuries.
Author | : Navina Najat Haidar |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 338 |
Release | : 2011 |
Genre | : Art, Indic |
ISBN | : 1588394387 |
Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
Author | : Elizabeth Schotten Merklinger |
Publisher | : New Delhi : Munshiram Manoharlal Publishers |
Total Pages | : 292 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : |
Illustrations: Numerous B/w Illustrations Description: The Mughals ruled a united north India for over three centuries, but the roots of the glorious monuments they built are found in earlier provincial styles of architecture. In this richly illustrated work, Dr. Elizabeth Schotten Merklinger presents the first comprehensive study of the architecture of the Sultanate period. During the pre-Mughal centuries provincial Islamic styles of architecture developed, some of great importance and originality, each a spontaneous movement arising from its respective rulers and the desire to express particular aesthetic ideals. Many factors influenced these regional styles, the most important being the indigenous arts prevailing in the region prior to Islam, the technical ability of the craftsmen, the climatic conditions and the strength of the bond each province had with the capital, Delhi. In Sultanate Architecture of Pre-Mughal India Elizabeth Schotten Merklinger traces the architectural development of each Sultanate. She shows that each provincial style is a synthesis between opposing spiritual and aesthetic concepts faced by the early Muslims in India. Nowhere else in the Islamic world was the clash of values more pronounced. But it is precisely these counteracting forces which released the enormous energy that resulted in the construction of the splendid monuments of the Mughal age. This book evolved out of a series of lectures on Indian Islamic architecture given at the Oriental Institute, Oxford, in 1991. There has been no update on Indo-Islamic architecture since the definitive work, Percy Brown, Indian Architecture: Islamic Period, Bombay, 1956, reprint, 1968.