The Anatomy Of Tudor Literature
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| Author | : Mike Pincombe |
| Publisher | : Routledge |
| Total Pages | : 233 |
| Release | : 2018-02-06 |
| Genre | : Social Science |
| ISBN | : 1351785575 |
This title was first published in 2001. Is there such a thing as "Tudor literature"? The question is the theme that binds the essays in this collection. Scholars from around the world address the question of whether there is a sense of continuity in the literature of the Tudor century. The volume begins by looking at early Tudor writers, such as Thomas More, and then moves on to look at Elizabethan poetry and prose, ending by covering the late Tudor dramas, and Shakespeare.
| Author | : Mike Pincombe |
| Publisher | : OUP Oxford |
| Total Pages | : 864 |
| Release | : 2009-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 0191548391 |
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
| Author | : Mike Pincombe |
| Publisher | : OUP Oxford |
| Total Pages | : 864 |
| Release | : 2009-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 0191607177 |
This is the first major collection of essays to look at the literature of the entire Tudor period, from the reign of Henry VII to death of Elizabeth I. It pays particularly attention to the years before 1580. Those decades saw, amongst other things, the establishment of print culture and growth of a reading public; the various phases of the English Reformation and process of political centralization that enabled and accompanied them; the increasing emulation of Continental and classical literatures under the influence of humanism; the self-conscious emergence of English as a literary language and determined creation of a native literary canon; the beginnings of English empire and the consolidation of a sense of nationhood. However, study of Tudor literature prior to 1580 is not only of worth as a context, or foundation, for an Elizabethan 'golden age'. As this much-needed volume will show, it is also of artistic, intellectual, and cultural merit in its own right. Written by experts from Europe, North America, and the United Kingdom, the forty-five chapters in The Oxford Handbook to Tudor Literature recover some of the distinctive voices of sixteenth-century writing, its energy, variety, and inventiveness. As well as essays on well-known writers, such as Philip Sidney or Thomas Wyatt, the volume contains the first extensive treatment in print of some of the Tudor era's most original voices.
| Author | : Warren E. Edminster |
| Publisher | : Routledge |
| Total Pages | : 245 |
| Release | : 2005-01-07 |
| Genre | : Literary Criticism |
| ISBN | : 1135873135 |
First published in 2005. Volumes in the Medieval History and Culture series include studies on individual works and authors of Latin and vernacular literatures, historical personalities and events, theological and philosophical issues, and new critical approaches to medieval literature and culture. Momentous changes have occurred in Medieval Studies in the past thirty years, in teaching as well as in scholarship. The Medieval History and Culture series enhances research in the held by providing an outlet for monographs by scholars in the early stages of their careers on all topics related to the broad scope of Medieval Studies, while at the same time pointing to and highlighting new directions that will shape and define scholarly discourse in the future. This volume is a collection of Wakefield Master’s festive plays. Characters threaten the audience with comic bravado, engage in mocking tomfoolery, and parody any number of sacred forms; it is behavior unexpected by modern students of the drama, especially from what we assume was a serious and religious medieval past, and it is unlike what we find in the other mystery cycles.
| Author | : Selene Scarsi |
| Publisher | : Routledge |
| Total Pages | : 243 |
| Release | : 2016-02-17 |
| Genre | : Literary Criticism |
| ISBN | : 131700714X |
Situating itself in a long tradition of studies of Anglo-Italian literary relations in the Renaissance, this book consists of an analysis of the representation of women in the extant Elizabethan translations of the three major Italian Renaissance epic poems (Matteo Maria Boiardo's Orlando Innamorato, Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Gerusalemme Liberata), as well as of the influence of these works on Elizabethan Literature in general, in the form of creative imitation on the part of poets such as Edmund Spenser, Peter Beverley, William Shakespeare and Samuel Daniel, and of prose writers such as George Whetstone and George Gascoigne. The study emphasises the importance of European writers' influence on English Renaissance Literature and raises questions pertaining to the true essence of translation, adaptation and creative imitation, with a specific emphasis on gender issues. Its originality lies in its exhaustiveness, as well as in its focus on the epics' female figures, both as a source of major modifications and as an evident point of interest for the Italian works' 'translatorship'.
| Author | : Dermot Cavanagh |
| Publisher | : Manchester University Press |
| Total Pages | : 254 |
| Release | : 2018-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1526135086 |
Shakespeare's history plays have always been pivotal to our understanding of his works. This collection renews attention to these crucial plays by exploring official and unofficial versions of the past, histories and counter-histories in the plays of Shakespeare and his contemporaries. By exploring the diversity of Shakespeare’s engagement with history in all its forms, these contributors open up a range of new interpretive possibilities for understanding the way history ‘plays’ with the past. The book is divided into three sections: Memory and mourning, Counter-histories, Identity and performance. In each section, leading theorists, historicists and performance critics offer fresh perspectives on the key issues that are transforming our understanding of Shakespeare. These include: gender and violence, the mapping of Britain, cultural memory and religion. This collection will appeal to all critically engaged readers of Shakespeare. In particular it will command wide-ranging interest from undergraduates, postgraduates, academic researchers and students of early modern theatre, history and culture.
| Author | : Igor Djordjevic |
| Publisher | : Taylor & Francis |
| Total Pages | : 211 |
| Release | : 2024-11-21 |
| Genre | : Literary Criticism |
| ISBN | : 1040259901 |
This book begins by asking about the memorial issues involved in the replaying of an old history play, Shakespeare and Fletcher’s Henry VIII, at the Globe on 29 July 1628, but it is not primarily concerned with the memory of a single individual, George Villiers, 1st Duke of Buckingham who paid for the production, nor even of a single day, when he seemed to try to evoke the memories of a small group of people gathered at the theatre for a singular purpose. In order to resolve the mystery of what a group of people thought about the past in a single moment in time, this book studies Elizabethan, Jacobean, and Caroline textual recollections that inform the moment in 1628. Tracing the ways in which Henry VIII was remembered across these years reveals a dominant approach to reading history in the early modern period, and the varied purposes of memorial activity itself.
| Author | : Lisa Hopkins |
| Publisher | : Medieval Institute Publications |
| Total Pages | : 225 |
| Release | : 2017-11-30 |
| Genre | : History |
| ISBN | : 1580442803 |
This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.
| Author | : Andrew Hadfield |
| Publisher | : OUP Oxford |
| Total Pages | : 768 |
| Release | : 2013-07-04 |
| Genre | : Literary Criticism |
| ISBN | : 0191655074 |
The Oxford Handbook of English Prose 1500-1640 is the only current overview of early modern English prose writing. The aim of the volume is to make prose more visible as a subject and as a mode of writing. It covers a vast range of material vital for the understanding of the period: from jestbooks, newsbooks, and popular romance to the translation of the classics and the pioneering collections of scientific writing and travel writing; from diaries, tracts on witchcraft, and domestic conduct books to rhetorical treatises designed for a courtly audience; from little known works such as William Baldwin's Beware the Cat, probably the first novel in English, to The Bible, The Book of Common Prayer and Richard Hooker's eloquent statement of Anglican belief, The Laws of Ecclesiastical Polity. The work not only deals with the range and variety of the substance and types of English prose, but also analyses the forms and styles of writing adopted in the early modern period, ranging from the Euphuistic nature of prose fiction inaugurated by John Lyly's mannered novel, to the aggressive polemic of the Marprelate controversy; from the scatological humour of comic writing to the careful modulations of the most significant sermons of the age; and from the pithy and concise English essays of Francis Bacon to the ornate and meandering style of John Florio's translation of Montaigne's famous collection. Each essay provides an overview as well as comment on key passages, and a select guide to further reading.
| Author | : Stephen Hamrick |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351893327 |
Stephen Hamrick demonstrates how poets writing in the first part of Elizabeth I's reign proved instrumental in transferring Catholic worldviews and paradigms to the cults and early anti-cults of Elizabeth. Stephen Hamrick provides a detailed analysis of poets who used Petrarchan poetry to transform many forms of Catholic piety, ranging from confession and transubstantiation to sacred scriptures and liturgical singing, into a multivocal discourse used to fashion, refashion, and contest strategic political, religious, and courtly identities for the Queen and for other Court patrons. These poets, writers previously overlooked in many studies of Tudor culture, include Barnabe Googe, George Gascoigne, and Thomas Watson. Stephen Hamrick here shows that the nature of the religious reformations in Tudor England provided the necessary contexts required for Petrarchanism to achieve its cultural centrality and artistic complexity. This study makes a strong contribution to our understanding of the complex interaction among Catholicism, Petrachanism, and the second English Reformation.
