The American Novel 1870-1940

The American Novel 1870-1940
Author: Priscilla Wald
Publisher: Oxford University Press
Total Pages: 656
Release: 2014-02
Genre: Fiction
ISBN: 0195385349

This series presents a comprehensive, global and up-to-date history of English-language prose fiction and written ... by a international team of scholars ... -- dust jacket.

The American Novel to 1870

The American Novel to 1870
Author: J. Gerald Kennedy
Publisher: Oxford University Press, USA
Total Pages: 655
Release: 2014
Genre: Fiction
ISBN: 0195385357

The American Revolution and the Civil War bracket roughly eight decades of formative change in a republic created in 1776 by a gesture that was both rhetorical and performative. The subsequent construction of U.S. national identity influenced virtually all art forms, especially prose fiction, until internal conflict disrupted the project of nation-building. This volume reassesses, in an authoritative way, the principal forms and features of the emerging American novel. It will include chapters on: the beginnings of the novel in the US; the novel and nation-building; the publishing industry; leading novelists of Antebellum America; eminent early American novels; cultural influences on the novel; and subgenres within the novel form during this period. This book is the first of the three proposed US volumes that will make up Oxford's ambitious new twelve-volume literary resource, The Oxford History of the Novel in English (OHONE), a venture being commissioned and administered on both sides of the Atlantic.

The Classic Short Story, 1870-1925

The Classic Short Story, 1870-1925
Author: Florence Goyet
Publisher: Open Book Publishers
Total Pages: 199
Release: 2014-01-13
Genre: Fiction
ISBN: 1909254754

The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.

The Development of American Citizenship, 1608-1870

The Development of American Citizenship, 1608-1870
Author: James H. Kettner
Publisher: UNC Press Books
Total Pages: 404
Release: 2014-01-01
Genre: History
ISBN: 0807839760

he concept of citizenship that achieved full legal form and force in mid-nineteenth-century America had English roots in the sense that it was the product of a theoretical and legal development that extended over three hundred years. This prize-winning volume describes and explains the process by which the cirumstances of life in the New World transformed the quasi-medieval ideas of seventeenth-century English jurists about subjectship, community, sovereignty, and allegiance into a wholly new doctrine of "volitional allegiance." The central British idea was that subjectship involved a personal relationship with the king, a relationship based upon the laws of nature and hence perpetual and immutable. The conceptual analogue of the subject-king relationship was the natural bond between parent and child. Across the Atlantic divergent ideas were taking hold. Colonial societies adopted naturalization policies that were suited to practical needs, regardless of doctrinal consistency. Americans continued to value their status as subjects and to affirm their allegiance to the king, but they also moved toward a new understanding of the ties that bind individuals to the community. English judges of the seventeenth and eighteenth centuries assumed that the essential purpose of naturalization was to make the alien legally the same as a native, that is, to make his allegiance natural, personal, and perpetual. In the colonies this reasoning was being reversed. Americans took the model of naturalization as their starting point for defining all political allegiance as the result of a legal contract resting on consent. This as yet barely articulated difference between the American and English definition of citizenship was formulated with precision in the course of the American Revolution. Amidst the conflict and confusion of that time Americans sought to define principles of membership that adequately encompassed their ideals of individual liberty and community security. The idea that all obligation rested on individual volition and consent shaped their response to the claims of Parliament and king, legitimized their withdrawal from the British empire, controlled their reaction to the loyalists, and underwrote their creation of independent governments. This new concept of citizenship left many questions unanswered, however. The newly emergent principles clashed with deep-seated prejudices, including the traditional exclusion of Indians and Negroes from membership in the sovereign community. It was only the triumph of the Union in the Civil War that allowed Congress to affirm the quality of native and naturalized citizens, to state unequivocally the primacy of the national over state citizenship, to write black citizenship into the Constitution, and to recognize the volitional character of, the status of citizen by formally adopting the principle of expatriation.-->

Joseph and His Friend

Joseph and His Friend
Author: Bayard Taylor
Publisher: e-artnow
Total Pages: 283
Release: 2022-01-04
Genre: Fiction
ISBN:

"Joseph and His Friend: A Story of Pennsylvania" is an novel by American author Bayard Taylor, a prolific writer in many genres. It presented a special attachment between two men and discussed the nature and significance of such a relationship, romantic but not sexual. Critics are divided in interpreting Taylor's novel as a political argument for gay relationships or an idealization of male spirituality. The book was not well received and became the author's least successful and most disliked novel. However, in recent years it has regained popularity as America's first gay novel.

Making America Corporate, 1870-1920

Making America Corporate, 1870-1920
Author: Olivier Zunz
Publisher: University of Chicago Press
Total Pages: 301
Release: 1990
Genre: Business & Economics
ISBN: 0226994600

A study of the impact of corporate middle-level managers and white collar workers on American society and culture. An extended essay on social change based on case studies of a wide range of participants in the emerging corporate culture of the early 1900s. Zunz is in the history department at the U. of Virginia. Annotation copyrighted by Book News, Inc., Portland, OR

The Genesis of Industrial America, 1870-1920

The Genesis of Industrial America, 1870-1920
Author: Maury Klein
Publisher: Cambridge University Press
Total Pages: 236
Release: 2007-09-03
Genre: History
ISBN: 9780521859783

This book, first published in 2007, offers a bold new interpretation of American business history during the formative years 1870-1920, which mark the dawn of modern big business. It focuses on four major revolutions that ushered in this new era: those in power, transportation, communication, and organization. Using the metaphor of America as an economic hothouse uniquely suited to rapid economic growth during these years, it analyzes the interplay of key factors such as entrepreneurial talent, technology, land, natural resources, law, mass markets, and the rise of cities. It also delineates the process that laid the foundation for the modern era, in which virtually every human activity became a business, and, in most cases, a big business. The book also profiles numerous major entrepreneurs whose careers and activities illustrate broader trends and themes. It utilizes a wide variety of sources, including novels from the period, to produce a lively narrative.

Critical Fictions

Critical Fictions
Author: Joseph Fichtelberg
Publisher: University of Georgia Press
Total Pages: 300
Release: 2003
Genre: Literary Criticism
ISBN: 9780820324340

Past studies have discussed antebellum and early national sentimental literature by and about women as a retreat from, or criticism of, the burgeoning market. In this landmark study, Joseph Fichtelberg examines how this literature actually helped to bring market behaviors into maturity. Between 1780 and 1870, Americans endured no fewer than seventeen economic depressions. Each one generated sentimental outpourings in which women came to personify the travails of the marketplace. In the early national period, novels like Martha Meredith Read's Margaretta and Isaac Mitchell's The Asylum depicted resolute heroines who soothed national ills with virtuous vulnerability. While men often languished in such novels, women thrived. Antebellum fictions extend the argument: bankrupt husbands dissolved in sentimental despair, while their wives used a different sensibility to understand, and adapt to, the market itself. These fictions used women characters to think through the problems of economic crisis and growth--a process completed by the Civil War, when popular fictions began to depict merchants and clerks as feminine. To master the market was to act like a woman--virtuous, immune to commercial temptation, and thus pure. This notion, Fichtelberg argues, was crucial to the onset of liberalism and the emergence of the American middle class. In addition to his discussions of popular, though noncanonical, writers such as Read and Mitchell, Fichtelberg also covers well-known authors such as Hector St. John de Crèvecoeur, Olaudah Equiano, and Walt Whitman. He brings to bear neglected sources (including the ledgers of Ralph Waldo Emerson) and interweaves best-selling novels and pamphlets with political debates and contemporary economic analyses to create rich descriptions of the era. A crucial addition to American literary criticism on sentimental literature, Critical Fictions is a groundbreaking analysis of the relations between commercial and sentimental discourses in early American literature as well as a history of early American economics. It will appeal to specialists as well as to the general reader interested in how American culture has portrayed women in ways that express its deepest needs.