The American Newsroom
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| Author | : Will Mari |
| Publisher | : University of Missouri Press |
| Total Pages | : 369 |
| Release | : 2021-07-09 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0826274595 |
The story of the American newsroom is that of modern American journalism. In this holistic history, Will Mari tells that story from the 1920s through the 1960s, a time of great change and controversy in the field, one in which journalism was produced in “news factories” by news workers with dozens of different roles, and not just once a day, but hourly, using the latest technology and setting the stage for the emergence later in the century of the information economy. During this time, the newsroom was more than a physical place—it symbolically represented all that was good and bad in journalism, from the shift from blue- to white-collar work to the flexing of journalism’s power as a watchdog on government and an advocate for social reform. Told from an empathetic, omnivorous, ground-up point of view, The American Newsroom: A History, 1920–1960 uses memoirs, trade journals, textbooks, and archival material to show how the newsroom expanded our ideas of what journalism could and should be.
| Author | : Will T. Mari |
| Publisher | : |
| Total Pages | : 438 |
| Release | : 2016 |
| Genre | : Journalists |
| ISBN | : |
One of the most important centering places in American journalism remains the newsroom, the heart of the occupation’s vocational community since the middle of the nineteenth century. It is where journalists have engaged with their work practices, been changed by them, and helped to shape them. This dissertation is a thematic social history of the American newsroom. Using memoirs, trade journals, textbooks and archival material, it explores how newsrooms in the United States evolved during a formative moment for American journalism and its workers, from the conclusion of the First World War through the 1950s, the Cold War, and the ascendancy of broadcast journalism, but prior to the computerization of the newsroom. It examines the interior work culture of news workers “within” their newsroom space at large, metropolitan daily newspapers. It investigates how space and ideas of labor transformed the ideology of the newsroom. It argues that news workers were neither passive nor predestinated in how they formed their workplace. Finally, it also examines how technology and unionization affected the newsroom and news workers, and thus charts the evolution of the newsroom in the early-to-middle decades of the twentieth century. In so doing, it fills an important gap in the journalism-studies literature prior to the newsroom ethnographies of the 1970s and 1980s.
| Author | : David M. Ryfe |
| Publisher | : John Wiley & Sons |
| Total Pages | : 213 |
| Release | : 2013-08-27 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 074566413X |
Journalists have failed to respond adequately to the challenge of the Internet, with far-reaching consequences for the future of journalism and democracy. This is the compelling argument set forth in this timely new text, drawing on the most extensive ethnographic fieldwork in American newsrooms since the 1970s. David Ryfe argues that journalists are unable or unwilling to innovate for a variety of reasons: in part because habits are sticky and difficult to dislodge; in part because of their strategic calculation that the cost of change far exceeds its benefit; and in part because basic definitions of what journalism is, and what it is for, anchor journalism to tradition even when journalists prefer to change. The result is that journalism is unraveling as an integrated social field; it may never again be a separate and separable activity from the broader practice of producing news. One thing is certain: whatever happens next, it will have dramatic consequences for the role journalism plays in democratic society and perhaps will transform its basic meaning and purpose. Can Journalism Survive? is essential and provocative reading for all concerned with the future of journalism and society.
| Author | : Nikki Usher |
| Publisher | : Columbia University Press |
| Total Pages | : 232 |
| Release | : 2021-07-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231545606 |
As cash-strapped metropolitan newspapers struggle to maintain their traditional influence and quality reporting, large national and international outlets have pivoted to serving readers who can and will choose to pay for news, skewing coverage toward a wealthy, white, and liberal audience. Amid rampant inequality and distrust, media outlets have become more out of touch with the democracy they purport to serve. How did journalism end up in such a predicament, and what are the prospects for achieving a more equitable future? In News for the Rich, White, and Blue, Nikki Usher recasts the challenges facing journalism in terms of place, power, and inequality. Drawing on more than a decade of field research, she illuminates how journalists decide what becomes news and how news organizations strategize about the future. Usher shows how newsrooms remain places of power, largely white institutions growing more elite as journalists confront a shrinking job market. She details how Google, Facebook, and the digital-advertising ecosystem have wreaked havoc on the economic model for quality journalism, leaving local news to suffer. Usher also highlights how the handful of likely survivors—well-funded media outlets such as the New York Times—increasingly appeal to a global, “placeless” reader. News for the Rich, White, and Blue concludes with a series of provocative recommendations to reimagine journalism to ensure its resiliency and its ability to speak to a diverse set of issues and readers.
| Author | : James L. Baughman |
| Publisher | : JHU Press |
| Total Pages | : 634 |
| Release | : 2001 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780801867163 |
"A solid account of Luce's life and legacy... A concise, readable volume." -- Journalism Quarterly
| Author | : Charles L. Ponce de Leon |
| Publisher | : University of Chicago Press |
| Total Pages | : 331 |
| Release | : 2016-09-09 |
| Genre | : History |
| ISBN | : 022642152X |
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
| Author | : William McGowan |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2003 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9781893554603 |
"This is the provocative argument that drives William McGowan's Coloring the News, a brave, searching work that examines journalism's most controversial issue. McGowan presents a fascinating insider's analysis of how a well-intentioned attempt to accommodate minorities and minority viewpoints has been overtaken by political correctness, which determines what stories get reported in the "elite" media and how. Along the way he dissects how the press has "mistold" key stories including California's Proposition 209 vote, the allegedly "racist" burnings of black churches in the South, the military's ongoing problems with the integration of women and gays, and the consequences of a chaotic immigration policy."--BOOK JACKET.
| Author | : David H. Weaver |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2009-03-04 |
| Genre | : Biography & Autobiography |
| ISBN | : 1135250839 |
An authoritative and detailed illustration of the state of journalistic practice in the United States today, The American Journalist in the 21st Century sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, The American Journalist in the 1990s, and reflects the continued evolution of journalistic practice and professionalism. The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s. Serving as a detailed snapshot of current journalistic practice, The American Journalist in the 21st Century offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.
| Author | : Bruce J. Schulman |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 272 |
| Release | : 2017-02-27 |
| Genre | : History |
| ISBN | : 0812248880 |
Media Nation brings together some of the most exciting voices in media and political history to present fresh perspectives on the role of mass media in the evolution of modern American politics. Together, these contributors offer a field-shaping work that aims to bring the media back to the center of scholarship modern American history.
| Author | : Sintia Radu |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2017 |
| Genre | : |
| ISBN | : |
Today, journalists need to engage in the most advanced technological methods of reaching their audience more efficiently as media professionals now battle a fast spread of unverified news. Journalists need to be quicker, but also retain the high level of accuracy that distinguishes the media from other sources of information. A very good example of the importance of the media needing to be faster and more accurate than ever, especially in the online environment, is the bombardment with false news on Facebook and Google during the 2016 U.S. elections. The purpose of my thesis is to explore what influences the adoption or resistance to new technology in newsrooms and how new technologies change the journalistic processes. I looked at how nonmanagement news producers dealt with technology throughout time, referring to the previous adoption of now embraced technologies. I also inquired about technologies that they are currently experimenting with, and attempted to predict the probability of them using other new technologies that they might not be familiar with. The research method that I used is qualitative semi-structured interviews with 11 news producers from newspapers across the United States, who talked about their perception on how their newsrooms deal with technology-related decisions. My results showed that non-management news producers believe newspaper newsrooms adopt technology based on preferences and industry practices. The media seems keen on experimenting with new types of technologies, but there are several aspects that they fail to consider. This makes the implementation of these technologies either hard to understand by users or very hard to carry out per se. News producers complained they are overburdened with tasks because of new technology that newsrooms are forcing onto them just because their peers in the industry are using it, while they admitted they would be interested in trying anything that might get them closer to their readers. If the technology serves them or not, they thought this is mostly related to leadership in the company. These results are to be considered by those who build technology for the media and those in charge of incorporating it in the work of news producers. Future research could take into consideration both including more diverse subject categories, as well as the academic environment in which journalism is still taught.
