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| Author | : Richard L. Anderson |
| Publisher | : Pearson |
| Total Pages | : 260 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : |
True to anthropology's hallmark relativism, Anderson includes the popular arts in his analysis, giving as much attention to such things as wedding cakes, rock-n-roll, and tattoos as he does to fine arts, such as gallery paintings, classical music, and serious literature."--BOOK JACKET.
| Author | : James Cuno |
| Publisher | : Princeton University Press |
| Total Pages | : 209 |
| Release | : 2018-06-05 |
| Genre | : Art |
| ISBN | : 0691188688 |
During the economic boom of the 1990s, art museums expanded dramatically in size, scope, and ambition. They came to be seen as new civic centers: on the one hand as places of entertainment, leisure, and commerce, on the other as socially therapeutic institutions. But museums were also criticized for everything from elitism to looting or illegally exporting works from other countries, to exhibiting works offensive to the public taste. Whose Muse? brings together five directors of leading American and British art museums who together offer a forward-looking alternative to such prevailing views. While their approaches differ, certain themes recur: As museums have become increasingly complex and costly to manage, and as government support has waned, the temptation is great to follow policies driven not by a mission but by the market. However, the directors concur that public trust can be upheld only if museums continue to see their core mission as building collections that reflect a nation's artistic legacy and providing informed and unfettered access to them. The book, based on a lecture series of the same title held in 2000-2001 by the Harvard Program for Art Museum Directors, also includes an introduction by Cuno and a fascinating--and surprisingly frank--roundtable discussion among the participating directors. A rare collection of sustained reflections by prominent museum directors on the current state of affairs in their profession, this book is without equal. It will be read widely not only by museum professionals, trustees, critics, and scholars, but also by the art-loving public itself.
| Author | : David Breslin |
| Publisher | : Whitney Museum of American Art |
| Total Pages | : 264 |
| Release | : 2022-04-26 |
| Genre | : |
| ISBN | : 9780300263893 |
Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.
| Author | : Steven C. Dubin |
| Publisher | : NYU Press |
| Total Pages | : 340 |
| Release | : 1999-04 |
| Genre | : Architecture |
| ISBN | : 0814718892 |
An examination of some of the USA's most controversial museum exhibitions of the 1990s. In its analysis of these episodes of America struggling to redefine itself in the late-20th century, the book draws upon interviews with museum administrators, community activists, curators and scholars.
| Author | : Brian Selznick |
| Publisher | : Scholastic |
| Total Pages | : 325 |
| Release | : 2015-09-03 |
| Genre | : Juvenile Fiction |
| ISBN | : 1407166557 |
Ben's story takes place in 1977 and is told in words. Rose's story in 1927 is told entirely in pictures. Ever since his mother died, Ben feels lost. At home with her father, Rose feels alone. When Ben finds a mysterious clue hidden in his mother's room, both children risk everything to find what's missing.
| Author | : Amy Lonetree |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 249 |
| Release | : 2012 |
| Genre | : Social Science |
| ISBN | : 0807837148 |
Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the co
| Author | : Christopher N. Phillips |
| Publisher | : JHU Press |
| Total Pages | : 375 |
| Release | : 2012-05 |
| Genre | : Art |
| ISBN | : 1421404893 |
This book investigates the concept of what it means to be 'epic' and its form in American life, literature, and art from the country's early days.
| Author | : Angela Terry |
| Publisher | : |
| Total Pages | : 384 |
| Release | : 2021-09-07 |
| Genre | : |
| ISBN | : 9781736324370 |
Fans of Sophie Kinsella and Emily Griffin will love this new offering from Angela Terry, author of Charming Falls Apart. Corporate attorney Adeline Turner thought she had life all figured out--work hard, play by the rules, and keep your head down. When Addie bumps into her former high school crush, their encounter unleashes a chain of events that turns her quiet life upside down. Unadventurous, nose-to-the-grindstone Adeline suddenly finds herself moving across the country, falling into messy romantic situations, and becoming the target of an office-politics plot that threatens her career. Without the support system she had in Chicago, Addie must rely solely on herself and learn that things aren't always what they seem. She soon realizes that to have the future she wants she must confront the past--including the mother who abandoned her. Rave reviews for Charming Falls Apart, the author's first book: "From the very first page, I was hooked on this tale of heartbreak, self-discovery, and one woman's charming determination to turn lemons into lemonade. Fans of Emily Giffin and Lauren Weisberger will love this engaging and entertaining debut!"―Meg Donohue, USA Today best-selling author of You, Me, and the Sea "Charming Falls Apart is the perfect comfort read. A smart and heartfelt ode to the healing power of friendship and the strength in reinvention. Fans of Sophie Kinsella will root for Allison James as she rebuilds her life on her own terms."―Allie Larkin, internationally best-selling author of Swimming for Sunlight "A breezy read perfect for a summer day. So many young women rush to make a plan for how they think their lives should go without stopping to think about what will make them happy. We can all cheer for a heroine who loses it all and comes to realize she never wanted it anyway."―Maria Murnane, best-selling author of the Waverly Bryson series
| Author | : Bridget R. Cooks |
| Publisher | : |
| Total Pages | : 205 |
| Release | : 2011 |
| Genre | : African American art |
| ISBN | : 9781613760062 |
"In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans--an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions--Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent."--
| Author | : Andrea A. Burns |
| Publisher | : Public History in Historical P |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : History |
| ISBN | : 9781625340351 |
Today well over two hundred museums focusing on African American history and culture can be found throughout the United States and Canada. Many of these institutions trace their roots to the 1960s and 1970s, when the struggle for racial equality inspired a movement within the black community to make the history and culture of African America more "public." This book tells the story of four of these groundbreaking museums: the DuSable Museum of African American History in Chicago (founded in 1961); the International Afro-American Museum in Detroit (1965); the Anacostia Neighborhood Museum in Washington, D.C. (1967); and the African American Museum of Philadelphia (1976). Andrea A. Burns shows how the founders of these institutions, many of whom had ties to the Black Power movement, sought to provide African Americans with a meaningful alternative to the misrepresentation or utter neglect of black history found in standard textbooks and most public history sites. Through the recovery and interpretation of artifacts, documents, and stories drawn from African American experience, they encouraged the embrace of a distinctly black identity and promoted new methods of interaction between the museum and the local community. Over time, the black museum movement induced mainstream institutions to integrate African American history and culture into their own exhibits and educational programs. This often controversial process has culminated in the creation of a National Museum of African American History and Culture, now scheduled to open in the nation's capital in 2015.
