The Agency Of Things In Medieval And Early Modern Art
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Author | : Grażyna Jurkowlaniec |
Publisher | : Routledge |
Total Pages | : 428 |
Release | : 2017-09-22 |
Genre | : Art |
ISBN | : 1351681494 |
This volume explores the late medieval and early modern periods from the perspective of objects. While the agency of things has been studied in anthropology and archaeology, it is an innovative approach for art historical investigations. Each contributor takes as a point of departure active things: objects that were collected, exchanged, held in hand, carried on a body, assembled, cared for or pawned. Through a series of case studies set in various geographic locations, this volume examines a rich variety of systems throughout Europe and beyond. The Open Access version of this book, available at http://www.taylorfrancis.com/doi/view/10.4324/9781315401867, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license
Author | : Antoni Ziemba |
Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
Total Pages | : 1032 |
Release | : 2021-03-19 |
Genre | : |
ISBN | : 9783631821237 |
This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of "returning to things" (B. Latour, A. Gell and others), the author searches for the "agency of things" in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States.
Author | : Jutta Eming |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 612 |
Release | : 2021-12-06 |
Genre | : Literary Criticism |
ISBN | : 3110743086 |
The eleven chapters in this international volume draw on a variety of theoretical and methodological approaches to focus our attention on medieval and early modern things (ca. 700–1600). The range of things includes actual objects (the Altenburg Crucifixion, a copy of Hieronymus Brunschwig’s Liber de arte distillandi, a pilgrim’s letter), imagined objects (a prayed cloak for the Virgin Mary), and narrative objects in texts (the Alliterative Morte Arthure, the Ordene de Chevalerie, Hartmann von Aue’s Erec, Heinrich of Neustadt’s Apollonius of Tyre, Luís de Camões’s Os Lusíadas, and the vita of Saint Guthlac). Each in its own way, the papers consider how things do what they do in texts and art, often foregrounding the intersection between the material and the immaterial by exploring such questions as how things act, how they express power, and how texts and images represent them. Medieval and early modern things are repeatedly shown to be more than symbolic or passive, they are agentive and determinative in both their intra- and extradiegetic worlds. The things that are addressed in this volume are varied and are embedded, or entangled, in different contexts and societies, and yet they share a concerted engagement in human life.
Author | : Kristin B. Aavitsland |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 805 |
Release | : 2021-04-19 |
Genre | : Religion |
ISBN | : 3110636271 |
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Jerusalem is conceived as a code to Christian cultures in Scandinavia. The first volume is dealing with the different notions of Jerusalem in the Middle Ages. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Author | : Jennifer Borland |
Publisher | : Penn State Press |
Total Pages | : 237 |
Release | : 2021-10-29 |
Genre | : Art |
ISBN | : 0271091495 |
In 1256, the countess of Provence, Beatrice of Savoy, enlisted her personal physician to create a health handbook to share with her daughters. Written in French and known as the Régime du corps, this health guide would become popular and influential, with nearly seventy surviving copies made over the next two hundred years and translations in at least four other languages. In Visualizing Household Health, art historian Jennifer Borland uses the Régime to show how gender and health care converged within the medieval household. Visualizing Household Health explores the nature of the households portrayed in the Régime and how their members interacted with professionalized medicine. Borland focuses on several illustrated versions of the manuscript that contain historiated initials depicting simple scenes related to health care, such as patients’ consultations with physicians, procedures like bloodletting, and foods and beverages recommended for good health. Borland argues that these images provide important details about the nature of women’s agency in the home—and offer highly compelling evidence that women enacted multiple types of health care. Additionally, she contends, the Régime opens a window onto the history of medieval women as owners, patrons, and readers of books. Interdisciplinary in scope, this book broadens notions of the medieval medical community and the role of women in medieval health care. It will be welcomed by scholars and students of women’s history, art history, book history, and the history of medicine.
Author | : Loretta Vandi |
Publisher | : Routledge |
Total Pages | : 399 |
Release | : 2017-09-22 |
Genre | : Art |
ISBN | : 1351668587 |
These in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Author | : Sabrina Corbellini |
Publisher | : BRILL |
Total Pages | : 434 |
Release | : 2024-10-28 |
Genre | : Art |
ISBN | : 900471412X |
This volume explores the production, transmission, and reading practices of vernacular Bibles in early modern Europe. This varied collection of essays provides historical, book historical, literary, theological, and art historical perspectives to the movements of manuscript and printed Bibles. The contributions concern Bibles in many different languages and from across the European continent, from Ireland to Portugal. Rather than perceiving Scripture and the material carriers of Scripture as static things, this volume demonstrates how Bibles constantly acquired new meanings and functions as they moved through time and space, and were touched by the hands of makers, readers, and users.
Author | : Leah R. Clark |
Publisher | : Cambridge University Press |
Total Pages | : 806 |
Release | : 2018-06-28 |
Genre | : Art |
ISBN | : 1108678114 |
In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed through their exchange. Her study brings forward the mechanisms that structured relations within the court, and most importantly, also with individuals, representations, and spaces outside the court. The volume examines the courts of Italy through the wide variety of objects - statues, paintings, jewellery, furniture, and heraldry - that were valued for their subject matter, material forms, histories, and social functions. As Clark shows, the late fifteenth-century Italian court an be located not only in the body of the prince, but also in the objects that constituted symbolic practices, initiated political dialogues, caused rifts, created memories, and formed associations.
Author | : Maria do Sameiro Barroso |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 288 |
Release | : 2020-01-31 |
Genre | : Medical |
ISBN | : 1527546462 |
Very little has been written on the unique historical medical heritage of the National Palace of Mafra in Portugal, which celebrated its new status as a UNESCO World Heritage site in 2019. This book brings together a set of innovative studies which consider the importance of this unique collection of medical texts and items of material medical culture. Using a multifaceted approach, topics as diverse as the rise of alchemy at the hands of Paracelsus, the lives and contributions of neglected eighteenth century physicians, and the history of elements of the materia medica are brought together in this celebration of a Portuguese national icon. This book will appeal to all those with an interest in the history of science, and especially those who enjoy the history of medicine and pharmacy, and bibliographic studies.
Author | : Leah R. Clark |
Publisher | : Cambridge University Press |
Total Pages | : 745 |
Release | : 2023-05-31 |
Genre | : Art |
ISBN | : 1009276204 |
In Courtly Mediators, Leah R. Clark investigates the exchange of a range of materials and objects, including metalware, ceramic drug jars, Chinese porcelain, and aromatics, across the early modern Italian, Mamluk, and Ottoman courts. She provides a new narrative that places Aragonese Naples at the center of an international courtly culture, where cosmopolitanism and the transcultural flourished, and in which artists, ambassadors, and luxury goods actively participated. By articulating how and why transcultural objects were exchanged, displayed, copied, and framed, she provides a new methodological framework that transforms our understanding of the Italian Renaissance court. Clark's volume provides a multi-sensorial, innovative reading of Italian Renaissance art. It demonstrates that the early modern culture of collecting was more than a humanistic enterprise associated with the European roots of the Renaissance. Rather, it was sustained by interactions with global material cultures from the Islamic world and beyond.