The Afterlife Of Aldus
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Author | : Jill Kraye |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : Book collecting |
ISBN | : 9781908590558 |
On 6 February 2015, the Warburg Institute marked the 500th anniversary of Aldus Manutius's death with a one-day colloquium on his extraordinary legacy. Rather than examining his own output, which has already received a vast amount of scholarly attention, the focus was on far less studied topics related to his later fame and reputation. This book presents revised versions of six papers from the colloquium, together with three additional contributions. The nine papers, which explore how the notion of 'Aldine books' has changed over 500 years in Europe and America, are arranged in three sections: the Aldine press after Aldus; private Aldine collections in early modern Europe; and Aldine book trade and collecting from the nineteenth century to the present. Also included in the volume is a catalogue of the exhibition 'Collecting the Renaissance: The Aldine Press (1494-1598)', organized in conjunction with the colloquium and displayed in the Treasures Galley of the British Library. Addressing a wide readership of scholars, booksellers and collectors, The Afterlife of Aldus aims to stimulate further research in areas which have not been sufficiently investigated, despite their importance for a comprehensive understanding of the long-lasting fortuna of Aldus and his publications. The conference, the exhibition and this volume have received generous financial support from the Bibliographical Society, CERL and Bernard Quartich Ltd.
Author | : Richard Matthew Pollard |
Publisher | : Cambridge University Press |
Total Pages | : 377 |
Release | : 2020-12-17 |
Genre | : Art |
ISBN | : 110717791X |
A comprehensive, innovative study of how medieval people envisioned heaven, hell, and purgatory - images and imaginings that endure today.
Author | : Aldous Huxley |
Publisher | : |
Total Pages | : 98 |
Release | : 2017-03-22 |
Genre | : |
ISBN | : 9781544816227 |
Two great classics come to life in one of the most loved books in American History. Remastered to include Illustrated exercises, a biography of Aldous Huxley, and including the full essay of Heaven and Hell, and The Doors to Perception, this book is a great gift to those who are unfamiliar with his work, or may have forgotten about Huxley's famous contemplations of life and death. - ZKBS(c) All Rights Reserved.
Author | : Paolo Sachet |
Publisher | : BRILL |
Total Pages | : 317 |
Release | : 2020-04-06 |
Genre | : History |
ISBN | : 9004348654 |
In Publishing for the Popes, Paolo Sachet provides a detailed account of the attempts made by the Roman Curia to exploit printing in the mid-sixteenth century, after the Reformation but before the implementation of the ecclesiastical censorship.
Author | : Lea Stirling |
Publisher | : University of Michigan Press |
Total Pages | : 433 |
Release | : 2016-06-27 |
Genre | : History |
ISBN | : 0472121820 |
For centuries, statuary décor was a main characteristic of any city, sanctuary, or villa in the Roman world. However, from the third century CE onward, the prevalence of statues across the Roman Empire declined dramatically. By the end of the sixth century, statues were no longer a defining characteristic of the imperial landscape. Further, changing religious practices cast pagan sculpture in a threatening light. Statuary production ceased, and extant statuary was either harvested for use in construction or abandoned in place. The Afterlife of Greek and Roman Sculpture is the first volume to approach systematically the antique destruction and reuse of statuary, investigating key responses to statuary across most regions of the Roman world. The volume opens with a discussion of the complexity of the archaeological record and a preliminary chronology of the fate of statues across both the eastern and western imperial landscape. Contributors to the volume address questions of definition, identification, and interpretation for particular treatments of statuary, including metal statuary and the systematic reuse of villa materials. They consider factors such as earthquake damage, late antique views on civic versus “private” uses of art, urban construction, and deeper causes underlying the end of the statuary habit, including a new explanation for the decline of imperial portraiture. The themes explored resonate with contemporary concerns related to urban decline, as evident in post-industrial cities, and the destruction of cultural heritage, such as in the Middle East.
Author | : John William Dunne |
Publisher | : |
Total Pages | : 226 |
Release | : 1927 |
Genre | : Time |
ISBN | : |
Author | : Angela Nuovo |
Publisher | : BRILL |
Total Pages | : 492 |
Release | : 2013-06-17 |
Genre | : History |
ISBN | : 9004208496 |
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Author | : Edith Hall |
Publisher | : Oxford University Press (UK) |
Total Pages | : 416 |
Release | : 2013-01-10 |
Genre | : Drama |
ISBN | : 0195392892 |
This book presents a cultural history of the Greek tragedy and its influence on subsequent Greek and Roman art and literature.
Author | : Marco Sgarbi |
Publisher | : Springer Nature |
Total Pages | : 3618 |
Release | : 2022-10-27 |
Genre | : Philosophy |
ISBN | : 3319141694 |
Gives accurate and reliable summaries of the current state of research. It includes entries on philosophers, problems, terms, historical periods, subjects and the cultural context of Renaissance Philosophy. Furthermore, it covers Latin, Arabic, Jewish, Byzantine and vernacular philosophy, and includes entries on the cross-fertilization of these philosophical traditions. A unique feature of this encyclopedia is that it does not aim to define what Renaissance philosophy is, rather simply to cover the philosophy of the period between 1300 and 1650.
Author | : Kathryn M. Rudy |
Publisher | : Open Book Publishers |
Total Pages | : 226 |
Release | : 2016-09-26 |
Genre | : Literary Criticism |
ISBN | : 1783742364 |
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?