The Aesthetics And Politics Of The Crowd In American Literature
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| Author | : Mary Esteve |
| Publisher | : Cambridge University Press |
| Total Pages | : 274 |
| Release | : 2003-02-27 |
| Genre | : Literary Criticism |
| ISBN | : 1139436201 |
Mary Esteve provides a study of crowd representations in American literature from the antebellum era to the early twentieth century. As a central icon of political and cultural democracy, the crowd occupies a prominent place in the American literary and cultural landscape. Esteve examines a range of writing by Poe, Hawthorne, Lydia Maria Child, Du Bois, James, and Stephen Crane among others. These writers, she argues, distinguish between the aesthetics of immersion in a crowd and the mode of collectivity demanded of political-liberal subjects. In their representations of everyday crowds, ranging from streams of urban pedestrians to swarms of train travellers, from upper-class parties to lower-class revivalist meetings, such authors seize on the political problems facing a mass liberal democracy - problems such as the stipulations of citizenship, nation formation, mass immigration and the emergence of mass media. Esteve examines both the aesthetic and political meanings of such urban crowd scenes.
| Author | : Christian Borch |
| Publisher | : Cambridge University Press |
| Total Pages | : 347 |
| Release | : 2012-04-12 |
| Genre | : Social Science |
| ISBN | : 1107378494 |
When sociology emerged as a discipline in the late nineteenth century, the problem of crowds constituted one of its key concerns. It was argued that crowds shook the foundations of society and led individuals into all sorts of irrational behaviour. Yet crowds were not just something to be fought in the street, they also formed a battleground over how sociology should be demarcated from related disciplines, most notably psychology. In The Politics of Crowds, Christian Borch traces sociological debates on crowds and masses from the birth of sociology until today, with a particular focus on the developments in France, Germany and the USA. The book is a refreshing alternative history of sociology and modern society, observed through society's other, the crowd. Borch shows that the problem of crowds is not just of historical interest: even today the politics of sociology is intertwined with the politics of crowds.
| Author | : Marianne Noble |
| Publisher | : Cambridge University Press |
| Total Pages | : 306 |
| Release | : 2019-03-28 |
| Genre | : Literary Criticism |
| ISBN | : 1108481337 |
The book analyzes the evolution of antebellum literary explorations of sympathy and human contact in the 1850s and 1860s. It will appeal to undergraduates and scholars seeking new approaches to canonical American authors, psychological theorists of sympathy and empathy, and philosophers of moral philosophy.
| Author | : Susanne Wegener |
| Publisher | : transcript Verlag |
| Total Pages | : 313 |
| Release | : 2014-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 383942416X |
The anticipatory logic of speculation and preemptive politics of risk are increasingly gaining significance in a globalizing neoliberal world. This study traces risk and speculation as aesthetic and political-economic strategies in factual and fictional discourses emerging at the North American Pacific Rim within a decade around 2000. Its exemplary close readings in particular focus on three fictional texts (Kathryn Bigelow's Hollywood film »Strange Days«, 1995, Karen T. Yamashita's novel »Tropic of Orange«, 1997, and Larissa Lai's novel »Salt Fish Girl«, 2002) whose intricate aesthetics pass perceptive critique on concurrent political-economic discourses and their subtle reconfiguration of race, class, and gender. The speculative near-future scenarios projected by these artifacts expose the rise of risk as a new rationality of governance. At the same time they illustrate neoliberal speculation as a new paradigm of subject formation at a hyper-capitalist, millennial Pacific Rim.
| Author | : David A. Zimmerman |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 309 |
| Release | : 2006-12-08 |
| Genre | : Literary Criticism |
| ISBN | : 0807877360 |
During the economic depression of the 1890s and the speculative frenzy of the following decade, Wall Street, high finance, and market crises assumed unprecedented visibility in the United States. Fiction writers published scores of novels in the period that explored this new cultural phenomenon. In Panic!, David A. Zimmerman studies how American novelists and their readers imagined--and in one case, incited--market crashes and financial panics. Panic! examines how Americans' attitudes toward securities markets, popular investment, and financial catastrophe were entangled with their conceptions of gender, class, crowds, corporations, and history. Zimmerman investigates how writers turned to mob psychology, psychic investigations, and conspiracy discourse to understand not only how financial markets worked, but also how mass acts of financial reading, including novel reading, could trigger economic disaster and cultural chaos. In addition, Zimmerman shows how, by concentrating on markets in crisis, novelists were able to explore the limits of fiction's aesthetic, economic, and ethical capacities. With readings of canonical as well as lesser-known novelists, Zimmerman provides an original and wide-ranging analysis of the relation between fiction and financial modernity.
| Author | : Steven Belletto |
| Publisher | : Cambridge University Press |
| Total Pages | : 392 |
| Release | : 2017-12-28 |
| Genre | : Literary Criticism |
| ISBN | : 1108307817 |
American Literature in Transition, 1950–1960 explores the under-recognized complexity and variety of 1950s American literature by focalizing discussions through a series of keywords and formats that encourage readers to draw fresh connections among literary form and concepts, institutions, cultures, and social phenomena important to the decade. The first section draws attention to the relationship between literature and cultural phenomena that were new to the 1950s. The second section demonstrates the range of subject positions important in the 1950s, but still not visible in many accounts of the era. The third section explores key literary schools or movements associated with the decade, and explains how and why they developed at this particular cultural moment. The final section focuses on specific forms or genres that grew to special prominence during the 1950s. Taken together, the chapters in the four sections not only encourage us to rethink familiar texts and figures in new lights, but they also propose new archives for future study of the decade.
| Author | : Alan Tansman |
| Publisher | : Univ of California Press |
| Total Pages | : 369 |
| Release | : 2009-08-12 |
| Genre | : History |
| ISBN | : 052094349X |
In this wide-ranging study of Japanese cultural expression, Alan Tansman reveals how a particular, often seemingly innocent aesthetic sensibility—present in novels, essays, popular songs, film, and political writings—helped create an "aesthetic of fascism" in the years leading up to World War II. Evoking beautiful moments of violence, both real and imagined, these works did not lead to fascism in any instrumental sense. Yet, Tansman suggests, they expressed and inspired spiritual longings quenchable only through acts in the real world. Tansman traces this lineage of aesthetic fascism from its beginnings in the 1920s through its flowering in the 1930s to its afterlife in postwar Japan.
| Author | : |
| Publisher | : Editoriale Jaca Book |
| Total Pages | : 196 |
| Release | : 2009 |
| Genre | : |
| ISBN | : 9788816720558 |
| Author | : Stacey Margolis |
| Publisher | : Cambridge University Press |
| Total Pages | : 225 |
| Release | : 2015-07-23 |
| Genre | : Literary Criticism |
| ISBN | : 1316381366 |
Fictions of Mass Democracy in Nineteenth-Century America examines how mass democracy was understood before public opinion could be measured by polls. It argues that fiction, in its freedom to represent what resists representation, develops the most groundbreaking theories of the democratic public. These literary accounts of democracy focus less on overt pubic action than the profound effects of everyday social encounters. This book thus departs from recent scholarship, which emphasizes the responsibilities of citizenship and the achievements of oppositional social movements. It demonstrates how novels and stories by Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Fanny Fern, Harriet Jacobs and James Fenimore Cooper attempt to understand a public organized not only by explicitly political discourse, but by informal and disorganized social networks.
| Author | : Joel Nickels |
| Publisher | : U of Minnesota Press |
| Total Pages | : 286 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 0816676089 |
The abstractions of modernism reimagined as figurations of collective self-organization
