The Actor And His Body
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Author | : Litz Pisk |
Publisher | : Bloomsbury Publishing |
Total Pages | : 123 |
Release | : 2017-11-30 |
Genre | : Performing Arts |
ISBN | : 1474269761 |
'Once you start working with someone like Litz you don't ever want to stop if you can help it' - Vanessa Redgrave Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th Century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, The Actor and His Body, is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move. The Actor and His Body is also a practical manual for keeping the actor's body physically and expressively responsive. In addition, there are a range of movement exercises, illuminated by her exquisite line drawings, and a complete weekly programme which concentrates on movement practice within different timescales. This fourth edition features the original foreword by Michael Elliot as well as a new introduction by Ayse Tashkiran, contemporary movement director and Senior Lecturer at the Royal Central School of Speech and Drama, which contextualises Pisk's work.
Author | : Litz Pisk |
Publisher | : Bloomsbury Publishing |
Total Pages | : 123 |
Release | : 2017-11-30 |
Genre | : Performing Arts |
ISBN | : 1474269753 |
'Once you start working with someone like Litz you don't ever want to stop if you can help it' - Vanessa Redgrave Litz Pisk was widely regarded as the most influential teacher of modern theatre movement of the 20th Century. She innovated and advocated a physical training that sought to combine awareness, emotion and imagination specifically for the actor's craft. Her seminal book, The Actor and His Body, is the direct result of her unique dual career as a professional movement director and as an actor movement teacher working in leading British conservatoires. Pisk's quest was to find expression for the inner impulse that motivated actors to move. Her teachings, as outlined in this book, offer insight on the specific craft of the actor, and the relationship between movement, imagination and the 'need' to move. The Actor and His Body is also a practical manual for keeping the actor's body physically and expressively responsive. In addition, there are a range of movement exercises, illuminated by her exquisite line drawings, and a complete weekly programme which concentrates on movement practice within different timescales. This fourth edition features the original foreword by Michael Elliot as well as a new introduction by Ayse Tashkiran, contemporary movement director and Senior Lecturer at the Royal Central School of Speech and Drama, which contextualises Pisk's work.
Author | : Anne Dennis |
Publisher | : MIT Press |
Total Pages | : 212 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9781854596833 |
This manual shows how the actor can use his or her body to be as expressive and articulate as he or she is with words. It analyses the actor's physical needs, offering a series of graded exercises.
Author | : Yoshi Oida |
Publisher | : Bloomsbury Publishing |
Total Pages | : 123 |
Release | : 2020-10-01 |
Genre | : Drama |
ISBN | : 1350148288 |
The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.
Author | : Litz Pisk |
Publisher | : |
Total Pages | : 112 |
Release | : 1975 |
Genre | : Performing Arts |
ISBN | : |
In this volume, Litz Pisk examines the emotional and psychological impulses that motivate an actor in their role on the stage. Her theory is illuminated by her comments on specific texts and the relationship between meaning and movement. It is also a practical manual for keeping the body fit.
Author | : Hollis Huston |
Publisher | : University of Michigan Press |
Total Pages | : 232 |
Release | : 1992 |
Genre | : Acting |
ISBN | : 9780472103089 |
The book also offers a poetics of the central stage and suggests a new way of writing about performance.
Author | : Declan Donnellan |
Publisher | : |
Total Pages | : 287 |
Release | : 2006 |
Genre | : Performing Arts |
ISBN | : 9781559362856 |
Author | : Betsy Polatin |
Publisher | : North Atlantic Books |
Total Pages | : 297 |
Release | : 2013-11-05 |
Genre | : Performing Arts |
ISBN | : 1583946837 |
Offering revolutionary new training for the actor, The Actor's Secret teaches actors and performers how to incorporate the fundamentals of the Alexander Technique, Somatic Experiencing®, and Breathing Coordination in order to reduce performance anxiety and stress; improve stage presence, breathing, and vocal production; and restore well-being and healthy functioning. These three kinesthetic disciplines are designed to lead to profound change and healing through body-mind reeducation. Part I explains in detail the principles of the three techniques. A practical method for self-improvement and neuromuscular reeducation, the Alexander Technique focuses on changing inefficient habits of movement and patterns of tension that inhibit the ability to move easily. Breathing Coordination helps increase breathing capacity and awareness. A method for resolving emotional trauma, Somatic Experiencing® follows a process of tracking bodily sensations to restore vitality and health. Enhanced with over 100 instructive photos, Parts II and III present explorations and exercises that draw on elements of the three methods. Topics covered include the importance of presence and non-doing; the proper mechanics of vocalization and singing; the understanding of character and role; and the actor's journey from auditions to performance, including initial script preparation, rehearsal, monologue, and scene work. Developed by Betsy Polatin, a movement specialist and master lecturer at Boston University's College of Fine Arts, the book's exercises provide the actor with simple tools for exploring his or her acting work. Most techniques and self-help books teach a new way of "doing." The secret of this book lies in "non-doing." When the actor learns to first recognize and then suspend habitual patterns, he or she opens the door to deeper artistic choices. "I have worked with many fine Alexander Technique teachers over the years and Betsy Polatin is far and away one of the finest. Her touch, her instincts, and her knowledge are miraculous."—Andre Gregory, actor and director, My Dinner with Andre
Author | : David Zinder |
Publisher | : Routledge |
Total Pages | : 332 |
Release | : 2013-10-15 |
Genre | : Performing Arts |
ISBN | : 1134043295 |
David Zinder’s Body Voice Imagination is written by one of the master teachers of the Michael Chekhov technique of acting training. This book is a comprehensive course of exercises devoted to the development of actors’ creative expressivity, comprising both pre-Chekhov ImageWork Training and seminal exercises of the Chekhov technique. It also details the way in which these techniques can be applied to performance through a discovery of the profound connections between the actor’s body, imagination and voice.
Author | : Rick Kemp |
Publisher | : Routledge |
Total Pages | : 258 |
Release | : 2012 |
Genre | : Biography & Autobiography |
ISBN | : 0415507871 |
A pragmatic intervention in the study of how recent discoveries within cognitive science can and should be applied to performance. Drawing on his experience the author interrogates the key cognitive activities involved in performance inc non-verbal communication; thought, speech, and gesture relationships; empathy, imagination, and emotion.