The 1810 Grimm Manuscripts
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| Author | : Oliver Loo |
| Publisher | : Lulu.com |
| Total Pages | : 636 |
| Release | : 2015-08-14 |
| Genre | : Fiction |
| ISBN | : 1329466977 |
Before the Brothers Grimm published their now world famous "Childrens and Household Tales" in 1812, they had sent their manuscript containing approximately 51 tales to their friend Clemens Brentano, who also wanted to publish children's tales. The brothers asked him to return their manuscript when he was finished with it, but he never did. While they went on to publish their tales, their own copies of the original manuscripts for the first volume of the tales do not exist anymore. By accident or fortunate circumstance, the manuscript they sent to Brentano survived and can be read today. "The 1810 Grimm Manuscripts" is the first English language translation of the Grimms "Kinder- und Hausmärchen" as they were in the Fall of 1810. It is the first written documentation of the tales as the brothers heard and saw them. It shows the very first written documentation of the Grimms versions of Snow White, Sleeping Beauty, The Frog King and many other tales.
| Author | : Jacob Grimm |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 520 |
| Release | : 2004 |
| Genre | : Education |
| ISBN | : 9780393058482 |
Containing 40 stories in new translations by Tatar this celebration of the richness and dramatic power of the legendary fables also features 150 illustrations, many of them in color, by legendary painters.
| Author | : Franz Xaver von Schonwerth |
| Publisher | : Penguin |
| Total Pages | : 290 |
| Release | : 2015-02-24 |
| Genre | : Fiction |
| ISBN | : 0698144554 |
A rare discovery in the world of fairy tales—now for the first time in English Move over, Cinderella: Make way for the Turnip Princess! And for the “Cinderfellas” in these stories, which turn our understanding of gender in fairy tales on its head. With this volume, the holy trinity of fairy tales—the Brothers Grimm, Charles Perrault, and Hans Christian Andersen—becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost—until a few years ago, when thirty boxes of manuscripts were uncovered in a German municipal archive. Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : Brothers Grimm |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 28 |
| Release | : 2018-10-16 |
| Genre | : |
| ISBN | : 9781727863376 |
Rare edition with unique illustrations. When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers. "The Frog Prince; or, Iron Henry" is a fairy tale, best known through the Brothers Grimm's written version.In the tale, a spoiled princess reluctantly befriends the Frog Prince (meeting him after dropping a gold ball into a pond), who magically transforms into a handsome prince. Although in modern versions the transformation is invariably triggered by the princess kissing the frog, in the original Grimm version of the story the frog's spell was broken when the princess threw it against a wall in disgust.
| Author | : Jack Zipes |
| Publisher | : Princeton University Press |
| Total Pages | : 285 |
| Release | : 2016-08-02 |
| Genre | : Literary Criticism |
| ISBN | : 0691173672 |
In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.
| Author | : John Martin Ellis |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 1983-01-01 |
| Genre | : Fairy tales |
| ISBN | : 9780226205465 |
| Author | : James Norcliffe |
| Publisher | : Penguin Random House New Zealand Limited |
| Total Pages | : 376 |
| Release | : 2022-02-01 |
| Genre | : Fiction |
| ISBN | : 0143775502 |
A disappearance. An infatuation. The Frog Prince is an intriguing, multi-layered novel giving us a story, within a story, within a story. Remember the kiss between the frog prince and the princess? What about the part where the princess angrily flings the frog against the wall? What was that about? At an international school in France, the young teacher Cara writes her own version of the classic tale by the Brothers Grimm. Their fairy tale is nothing like Cara’s relationship with David, but when Cara disappears, can the story help David unravel what has happened? As for the various princesses and frogs in this intriguing multi-layered novel, will any live happily ever after? This is a stunning debut adult novel by James Norcliffe, who is renowned for his award-winning children’s books and for his poems, which David Eggleton says ‘invariably get us to attend more closely to the spirit of existence, to moments of being’.
| Author | : Zohar Shavit |
| Publisher | : University of Georgia Press |
| Total Pages | : 218 |
| Release | : 2009-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0820334812 |
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
| Author | : Alan Dundes |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 278 |
| Release | : 1999 |
| Genre | : Literary Criticism |
| ISBN | : 9780847695157 |
International folkloristics is a worldwide discipline in which scholars study various forms of folklore ranging from myth, folktale, and legend to custom and belief. Twenty classic essays, beginning with a piece by Jacob Grimm, reveal the evolving theoretical underpinnings of folkloristics from its nineteenth century origins to its academic coming-of-age in the twentieth century. Each piece is prefaced by extensive editorial introductions placing them in a historical and intellectual context. The twenty essays presented here, including several never published previously in English, will be required reading for any serious student of folklore.
| Author | : John Zornado |
| Publisher | : Routledge |
| Total Pages | : 264 |
| Release | : 2013-10-18 |
| Genre | : Literary Criticism |
| ISBN | : 1135862974 |
Now in paperback, Inventing the Child is a highly entertaining, humorous, and at times acerbic account of what it means to be a child (and a parent) in America at the dawn of the new millennium. J. Zornado explores the history and development of the concept of childhood, starting with the works of Calvin, Freud, and Rousseau and culminating with the modern 'consumer' childhood of Dr. Spock and television. The volume discusses major media depictions of childhood and examines the ways in which parents use different forms of media to swaddle, educate, and entertain their children. Zornado argues that the stories we tell our children contain the ideologies of the dominant culture - which, more often than not, promote 'happiness' at all costs, materialism as the way to happiness, and above all, obedience to the dominant order.
