Thats Enough Folks
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Author | : Henry T. Sampson |
Publisher | : Rlpg/Galleys |
Total Pages | : 320 |
Release | : 1998 |
Genre | : Performing Arts |
ISBN | : |
An authoritative and valuable resource for students and scholars of film animation and African-American history, film buffs, and casual readers. It is the first and only book to detail the history of black images in animated cartoons. Using advertisements, quotes from producers, newspaper reviews, and other sources, Sampson traces stereotypical black images through their transition from the first newspaper comic strips in the late 1890s, to their inclusion in the first silent theatrical cartoons, through the peak of their popularity in 1930s musical cartoons, to their gradual decline in the 1960s. He provides detailed storylines with dialogue, revealing the extensive use of negative caricatures of African Americans. Sampson devotes chapters to cartoon series starring black characters; cartoons burlesquing life on the old slave plantation with "happy" slaves Uncle Tom and Topsy; depictions of the African safari that include the white hunter, his devoted servant, and bloodthirsty black cannibals; and cartoons featuring the music and the widely popular entertainment style of famous 1930s black stars including Cab Calloway, Louis Armstrong, and Fats Waller. That's Enough Folks includes many rare, previously unpublished illustrations and original animation stills and an appendix listing cartoon titles with black characters along with brief descriptions of gags in these cartoons.
Author | : Jared Bernstein |
Publisher | : Berrett-Koehler Publishers |
Total Pages | : 270 |
Release | : 2008-04-21 |
Genre | : Business & Economics |
ISBN | : 1605095354 |
Is Social Security really going bust, and what does that mean to me? If I hire an immigrant, am I hurting a native-born worker? Why does the stock market go up when employment declines? Should I give that homeless guy a buck? What’s a “living wage”? How much can presidents really affect economic outcomes? What does the Federal Reserve Bank really do? And even when some pundits say the economy’s sound, why do I still feel so squeezed? If you’d like some straight answers, premier economist Jared Bernstein is here to help. In Crunch he responds to dozens of questions he has fielded from working Americans, questions that directly relate to the bottom-line, dollars-and-cents concerns of real people. Chances are if there’s a stumper you’ve always wanted to ask an economist, it’s solved in this book. Bernstein is fed up with “Darth Vaders with PhDs” who use their supposed expertise to intimidate average citizens and turn economics into a tool for the rich and powerful. In the pages of Crunch, Bernstein lays bare the dark secret of economics: it’s not an objective scientific discipline. It’s a set of decisions about the best way to organize our society to produce and distribute resources and opportunities. And we all can, and must, participate in these decisions. “America is a democracy,” he writes. “And in a democracy all of us, not just the elites and their scholarly shock troops, get to weigh in on biggies like this.” To not weigh in, Bernstein insists, is a profoundly political act, one with damaging consequences. Our economy will be only as fair as we can make it. In this lively and irreverent tour through everyday economic mysteries, Bernstein helps us decode economic “analysis,” navigate through murky ethical quandaries, and make sound economicdecisions that reflect our deepest aspirations for ourselves, our families, and our country.
Author | : Jonathan Haskel |
Publisher | : Princeton University Press |
Total Pages | : 292 |
Release | : 2018-10-16 |
Genre | : Business & Economics |
ISBN | : 0691183295 |
Early in the twenty-first century, a quiet revolution occurred. For the first time, the major developed economies began to invest more in intangible assets, like design, branding, and software, than in tangible assets, like machinery, buildings, and computers. For all sorts of businesses, the ability to deploy assets that one can neither see nor touch is increasingly the main source of long-term success. But this is not just a familiar story of the so-called new economy. Capitalism without Capital shows that the growing importance of intangible assets has also played a role in some of the larger economic changes of the past decade, including the growth in economic inequality and the stagnation of productivity. Jonathan Haskel and Stian Westlake explore the unusual economic characteristics of intangible investment and discuss how an economy rich in intangibles is fundamentally different from one based on tangibles. Capitalism without Capital concludes by outlining how managers, investors, and policymakers can exploit the characteristics of an intangible age to grow their businesses, portfolios, and economies.
Author | : |
Publisher | : |
Total Pages | : 1294 |
Release | : 1978 |
Genre | : United States |
ISBN | : |
Author | : Blair Yerxa |
Publisher | : Trafford Publishing |
Total Pages | : 193 |
Release | : 2010-03-05 |
Genre | : Fiction |
ISBN | : 1426935412 |
Five U.S. Air Force adventurers depart aboard "Anti-Grav One," from a secret desert location. The year is 2013 and their mission includes the testing of Albert Einstein's "Theory of General Relativity." They are primarily concerned with its "Time/Speed Continuum" projections. The astronauts expect to return from their five day, near warp-speed, mission with the passage of only a few weeks of earth-time. When they land on the coast of california they are shocked to find that more than a thousand years have passed on their home planet. What follows is the author's perception of what they will find in the year 3030, the Fourth Millennium. Sorry, no further clues as to what these dramatic changes will be. Naturally, this story touches on the young astronauts personal individual experiences, including developing love affairs--: it is a novel. Far beyong these intrigues, the primary message is one of hope and a positive view of the future for us all. There is, however, a faint hint of foreboding as the story closes. I am thoroughly convinced that this, or something quite similar, is what lies ahead for us all in the FOURTH MILLENNIUM.
Author | : Martina Kessel |
Publisher | : University of Toronto Press |
Total Pages | : 241 |
Release | : 2012-01-30 |
Genre | : Literary Criticism |
ISBN | : 1442695137 |
The period between the First World War and the fall of the Berlin Wall is often characterized as the age of extremes—while this era witnessed unprecedented violence and loss of human life, it also saw a surge in humorous entertainment in both democratic and authoritarian societies. The Politics of Humour examines how works such as satirical magazines and comedy films were used both to reaffirm group identity and to exclude those who did not belong. The essays in this collection analyse the political and social context of comedy in Europe and the United States, exploring topics ranging from the shifting targets of ethnic jokes to the incorporation of humour into wartime broadcasting and the uses of satire as a means of resistance. Comedy continues to define the nature of group membership today, and The Politics of Humour offers an intriguing look at how entertainment helped everyday people make sense of the turmoil of the twentieth century.
Author | : Opie Read |
Publisher | : |
Total Pages | : 216 |
Release | : 1897 |
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ISBN | : |
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Total Pages | : 796 |
Release | : 1924 |
Genre | : Roads |
ISBN | : |
Author | : J. Alison Bryant |
Publisher | : Routledge |
Total Pages | : 520 |
Release | : 2001-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1135663890 |
This second edition of a trend-setting volume provides an updated examination of the interaction between families and the most pervasive mass medium: television. Charting the dynamic developments of the American family and television over the past decade, this volume provides a comprehensive representation of programmatic research into family and television and examines extensively the uses families make of television, how extensions of television affect usage, families' evolving attitudes toward television, the ways families have been and are portrayed on television, the effects television has on families, and the ways in which families can mediate its impact on their lives. The volume is an invaluable resource for scholars and students in the areas of media and society, children and media, and family studies.
Author | : Kimberley Brownlee |
Publisher | : Oxford University Press |
Total Pages | : 255 |
Release | : 2020-05-26 |
Genre | : Philosophy |
ISBN | : 0191023450 |
We are deeply social creatures. Our core social needs—for meaningful social inclusion—are more important than our civil and political needs and our economic welfare needs, and we won't secure those other things if our core social needs go unmet. Our core social needs ground a human right against social deprivation as well as a human right to have the resources to sustain other people. Kimberley Brownlee defends this fundamental but largely neglected human right; having defined social deprivation as a persistent lack of minimally adequate access to decent human contact, she then discusses situations such as solitary confinement and incidental isolation. Fleshing out what it means to belong, Brownlee considers why loneliness and weak social connections are not just moral tragedies, but often injustices, and argues that we endure social contribution injustice when we are denied the means to sustain others. Our core social needs can clash with our interests in interactive and associative freedom, and when they do, social needs take priority. We have a duty to ensure that everyone has the opportunity to satisfy their social needs. As Brownlee asserts, we violate this duty if we classify some people as inescapably socially threatening, either through using reductive, essentialist language that reduces people to certain acts or traits—'criminal', 'rapist', 'paedophile', 'foreigner'—or in the ways we physically segregate such people and fail to help people to reintegrate after segregation.