Textual Memory
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Joyce's Book of Memory
Author | : John S. Rickard |
Publisher | : Duke University Press |
Total Pages | : 258 |
Release | : 1999-01-06 |
Genre | : Literary Criticism |
ISBN | : 9780822321705 |
DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div
The Medieval Craft of Memory
Author | : Mary Carruthers |
Publisher | : University of Pennsylvania Press |
Total Pages | : 324 |
Release | : 2002 |
Genre | : Health & Fitness |
ISBN | : 9780812218817 |
"A volume that will interest a wide spectrum of readers."—Patrick Geary, University of California, Los Angeles
Literatures of Memory
Author | : Peter Middleton |
Publisher | : Manchester University Press |
Total Pages | : 412 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780719059506 |
Not only do drama and poetry about the past and historical novels reveal a shared understanding of pivotal moments, historical figures, and every life of earlier times, say Middleton (English, U. of Southampton) and Woods (English, U. of Wales-Aberystwyth), they also outline more general beliefs about the past and its relation to the present. It is.
Textual Agency
Author | : Ann M. Gomez-Bravo |
Publisher | : University of Toronto Press |
Total Pages | : 345 |
Release | : 2013-12-11 |
Genre | : Literary Criticism |
ISBN | : 1442667524 |
Textual Agency examines the massive proliferation of poetic texts in fifteenth-century Spain, focusing on the important yet little-known cancionero poetry – the largest poetic corpus of the European Middle Ages. Ana M. Gómez-Bravo situates this cultural production within its social, political, and material contexts. She places the different forms of document production fostered by a shifting political and urban model alongside the rise in literacy and access to reading materials and spaces. At the core of the book lies an examination of both the materials of writing and how human agents used and transformed them, giving way to a textual agency that pertains not only to writers, but to the inscribed paper. Gómez-Bravo also explores how authorial and textual agency were competing forces in the midst of an era marked by the institution of the Inquisition, the advent of the absolutist state, the growth of cities, and the constitution of the Spanish nation.
Reading Memory and Identity in the Texts of Medieval European Holy Women
Author | : M. Cotter-Lynch |
Publisher | : Springer |
Total Pages | : 471 |
Release | : 2012-03-14 |
Genre | : History |
ISBN | : 1137064838 |
Examines a range of texts commemorating European holy women from the ninth through fifteenth centuries. Explores the relationship between memorial practices and identity formation. Draws upon much of the recent scholarly interest in the nature and uses of memory.
Textual Memory
Author | : Jaqueline S. Du Toit |
Publisher | : Social World of Biblical Antiq |
Total Pages | : 187 |
Release | : 2011 |
Genre | : Religion |
ISBN | : 9781907534157 |
In modern scholarship the Hebrew Bible represents a collection of books, perhaps even a library of books. Some think that it is a selection of ancient oral traditions that were eventually written down, edited and preserved. Others suggest that the biblical corpus resulted from a merging of regional libraries in ancient Palestine or was the outcome of the Hasmoneans' need to legitimize their rule by claiming ownership of a library of books originating in the Jerusalem temple. No matter how tantalizing these hypotheses are, the implications of a concrete understanding of the origins of the Bible as library or archive are not often fully appreciated by scholars. Textual Memory explores how various disciplines, including Assyriology, biblical studies, archival science and library history, have made sense of the thousands of collections of clay tablets and ancient written material discovered over the past two hundred years in the Middle East. And it raises the question whether the great libraries of Ashurbanipal and Alexandria, among others, are able to suggest models of how the Hebrew Bible came into being. Can the temple libraries in Mesopotamia or Egypt offer us any clues about who decided what should be preserved and why? What have ancient archival practices of careful selection, conservation, classification and dissemination of information to contribute to our understanding of the creation of the Hebrew Bible? Ultimately, this book is a historiographical synthesis of current scholarship on ancient Near Eastern archives and libraries from different disciplinary perspectives. Its purpose is to understand better how we should conceive of the Bible as religious tradition and literary heritage.
The Routledge Handbook of Shakespeare and Memory
Author | : Andrew Hiscock |
Publisher | : Routledge |
Total Pages | : 504 |
Release | : 2017-08-09 |
Genre | : Literary Criticism |
ISBN | : 1317596846 |
The Routledge Handbook of Shakespeare and Memory introduces this vibrant field of study to students and scholars, whilst defining and extending critical debates in the area. The book begins with a series of "Critical Introductions" offering an overview of memory in particular areas of Shakespeare such as theatre, print culture, visual arts, post-colonial adaptation and new media. These essays both introduce the topic but also explore specific areas such as the way in which Shakespeare’s representation in the visual arts created a national and then a global poet. The entries then develop into more specific studies of the genre of Shakespeare, with sections on Tragedy, History, Comedy and Poetry, which include insightful readings of specific key plays. The book ends with a state of the art review of the area, charting major contributions to the debate, and illuminating areas for further study. The international range of contributors explore the nature of memory in religious, political, emotional and economic terms which are not only relevant to Shakespearean times, but to the way we think and read now.
Ancient and Medieval Memories
Author | : Janet Coleman |
Publisher | : Cambridge University Press |
Total Pages | : 670 |
Release | : 1992-01-30 |
Genre | : History |
ISBN | : 0521411440 |
This book is an analysis of thinking, remembering and reminiscing according to ancient authors, and their medieval readers. The author argues that behind the various medieval methods in interpreting texts of the past lie two apparently incompatible theories of human knowledge and remembering, as well as two differing attitudes to matter and intellect. The book comprises a series of studies which take ancient texts as evidence of the past, and show how medieval readers and writers understood them. The studies confirm that medieval and renaissance interpretations and uses of the past differ greatly from modern interpretation and yet betray many startling continuities between modern and ancient and medieval theories.
Contours in the Text
Author | : Jonathan D.H. Norton |
Publisher | : A&C Black |
Total Pages | : 225 |
Release | : 2013-05-01 |
Genre | : Religion |
ISBN | : 0567521990 |
Norton-Piliavsky places Paul's work within the context of ancient Jewish literary practice, bridging the gap between textual criticism and social history in contemporary discussions. The author argues that studies of ancient Jewish exegesis draw on two distinct analytical modes: the text-critical and the socio-historical. He then shows that the two are usually joined together in discussions of ancient Jewish literature arguing that as a result of this commentators often allow the text-critical approach to guide their efforts to understand historical questions. Norton argues that text-critical and historical data must be combined, but not conflated and in this volume sets out a new approach, showing that exegesis was part of an ongoing discussion, which included mutually supporting written and oral practices. Norton shows that Josephus' and Dead Sea sectarians' use of textual variation, like Paul's, belongs to this discussion demonstrating that neither Paul nor his contemporaries viewed Jewish scripture as a fixed literary monolith. Rather, they took part in a dynamic exegetical dialogue, constituted by oral as much as textual modes.