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| Author | : Samuel Beckett |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : French prose literature |
| ISBN | : 9780571244621 |
This volume contains all of the short fictions - some of them no longer than a page - written and published by Samuel Beckett between 1950 and the early 1970s.
| Author | : James Little |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 360 |
| Release | : 2020-05-14 |
| Genre | : Literary Criticism |
| ISBN | : 1350112348 |
Confinement appears repeatedly in Samuel Beckett's oeuvre – from the asylums central to Murphy and Watt to the images of confinement that shape plays such as Waiting for Godot and Endgame. Drawing on spatial theory and new archival research, Beckett in Confinement explores these recurring concepts of closed space to cast new light on the ethical and political dimensions of Beckett's work. Covering the full range of Beckett's writing career, including two plays he completed for prisoners, Catastrophe and the unpublished 'Mongrel Mime', the book shows how this engagement with the ethics of representing prisons and asylums stands at the heart of Beckett's poetics. "James Little's Beckett in Confinement offers a brilliant analysis of the politics behind Beckett's production of closed space, both as a writer and as a director. It carefully examines the move from writing about closed space to creating an art of confinement. To argue that Beckett's use of confined space is central to the political dynamics of his works, James Little also superbly employs genetic criticism to open up the confined space of the published text and bring highly relevant draft materials back into the critical conversation." Dirk Van Hulle, Professor of Bibliography and Modern Book History, University of Oxford, UK "The many characters Beckett invented share one characteristic: they are all imprisoned or trapped in some way, no matter where they are. Samuel Beckett in Confinement: The Politics of Closed Space draws on untapped riches from Beckett's correspondence and the archives to reconsider the obsession with entrapment, coercion and detention central to Beckett's varied oeuvre. In this exciting and illuminating analysis, James Little offers a fresh and original reading of the work's ethical and political dimensions, and shows us why we need to stop thinking about confinement as a metaphysical metaphor." Emilie Morin, Professor of Modern Literature, University of York, UK "Little breaks new ground in this expansive investigation to explore how confinement is a central component of Beckett's political aesthetics ... The reader is guided by a crisp and easy style of writing as Little demonstrates a command of sources which are broad in scope, but negotiated to form a compelling and impactful study." Journal of Beckett Studies
| Author | : Davide Crosara |
| Publisher | : Anthem Press |
| Total Pages | : 203 |
| Release | : 2024-06-11 |
| Genre | : Literary Criticism |
| ISBN | : 183998967X |
Beckett’s dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett’s relationship with Italian arts and poetry on one side–and on Italian artists’ response to Beckett’s oeuvre on the other–is still missing. The volume offers an original examination of Beckett’s presence on the contemporary Italian cultural scene, a stage where he became (and still is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an “Italian” artist, in constant dialogue with the most significant modern European cultural turns.
| Author | : Matthew Feldman |
| Publisher | : Columbia University Press |
| Total Pages | : 315 |
| Release | : 2014-04-01 |
| Genre | : Literary Criticism |
| ISBN | : 3838267060 |
The dozen essays brought together here, alongside a newly-written introduction, contextualize and exemplify the recent 'empirical turn' in Beckett studies. Characterized, above all, by recourse to manuscript materials in constructing revisionist interpretations, this approach has helped to transform the study of Samuel Beckett over the past generation. In addition to focusing upon Beckett's early immersion in philosophy and psychology, other chapters similarly analyze his later collaboration with the BBC through the lens of literary history. Falsifying Beckett thus offers new readings of Beckett by returning to his archive of notebooks, letters, and drafts. In reassessing key aspects of his development as one of the 20th century's leading artists, this collection is of interest to all students of Beckett's writing as well as ' historicist' scholars and critics of modernism more generally.
| Author | : Christopher Webb |
| Publisher | : Liverpool University Press |
| Total Pages | : 216 |
| Release | : 2022-07-01 |
| Genre | : Literary Criticism |
| ISBN | : 1800855303 |
Using a broad range of archival material from Washington University, St. Louis, the University of Glasgow, and the British Library, Useless Activity: Work, Leisure and British Avant-Garde Fiction, 1960-1975 is the first study to ask why the experimental writing of the 1960s and 1970s appears so fraught with anxiety about its own uselessness, before suggesting that this very anxiety was symptomatic of a unique period in British literary history when traditional notions about literary work – and what 'worked' in terms of literature – were being radically scrutinised and reassessed. The study is divided into five chapters with three of those dedicated to the close analysis of work produced by three writers representative of the 1960s British avant-garde: Eva Figes (1932–2012), B.S. Johnson (1933–1973), and Alexander Trocchi (1925–1984). The book argues that these writers’ preoccupations with concepts related to work, such as leisure, debt, and various forms of neglected labour like housework, allow us to rethink the British avant-garde's relation to realism while posing broader questions about the production and value of post-war literary avant-gardism more generally. Useless Activity proposes that only with an understanding of the British avant-garde’s engagement with the idea of work and its various corollaries can we appreciate these writers' move away from certain forms of literary realism and their contribution to the development of the modern British novel during the mid-twentieth century.
| Author | : Conor Carville |
| Publisher | : Cambridge University Press |
| Total Pages | : 118 |
| Release | : 2022-03-17 |
| Genre | : Literary Criticism |
| ISBN | : 100900333X |
Samuel Beckett's 1976 Television play Ghost Trio is one of his most beautiful and mysterious works. It is also the play that most clearly demonstrates Beckett's imaginative and aesthetic engagement with the visual arts and the history of painting in particular. Drawing on the work of Stanley Cavell and Michael Fried, On Ghost Trio demonstrates Beckett's exploration of the relationship between theatricality, absorption and objecthood, and shows how his work anticipates the development of video and installation art. In doing so Conor Carville develops a new and highly original reading of Beckett's art, rooted in both archival sources and philosophical aesthetics.
| Author | : Steven Matthews |
| Publisher | : Oxford University Press |
| Total Pages | : 577 |
| Release | : 2023-08-25 |
| Genre | : Literary Criticism |
| ISBN | : 0198880952 |
The Irish writer and Nobel Prize winner, Samuel Beckett, assembled for himself a history of western philosophy during the 1930s, just at the point at which his first novel, Murphy, was coming together. The 'Philosophy Notes', together with related notes taken at that time about St. Augustine, thereafter provided Beckett with a store of knowledge, but also with phrases and images, which he took up in the major work that won him international and enduring fame, from the dramas Waiting for Godot and Endgame, through to the late prose works Worstward Ho and Stirrings Still. This edition presents, for the first time, Beckett's full 'Philosophy Notes', which constitute his most extensive unpublished text. The Notes display Beckett's own interests and emphases within the history of western philosophy, from the pre-Socratic Greeks onwards, together with more familiar figures in the study of his work, such as Descartes, Leibnitz, and Geulincx. Here we see Beckett's original thoughts on all of these figures for the first time. The Notes also, tellingly and often comically, display Beckett's impatience with many aspects of philosophy, such as its anthropological or anthropomorphic bias, or the idealism of the Enlightenment and Kant. The Edition contains an extensive Introduction, outlining the origin of Beckett's Notes, his major sources and approach to them, the historical context for his view of philosophy, and the significance of Beckett's 'Philosophy Notes' within his mature writings. The many footnotes then suggest ways in which particular aspects of the philosophy narrated here by Beckett suggest fresh insights into those later writings—the images, but also the creative impulses, behind some of his most famous texts. This Edition, further, raises larger questions about, and perspectives upon, the relation between philosophy and literature in the twentieth century and beyond.
| Author | : Doug Battersby |
| Publisher | : Oxford University Press |
| Total Pages | : 321 |
| Release | : 2022-09-29 |
| Genre | : Literary Criticism |
| ISBN | : 019267806X |
In the late nineteenth and early twentieth centuries, modernist writers developed new techniques for depicting characters' thoughts, feelings, and desires that revolutionized the novel form—a revolution novelists and critics are still reckoning with today. Troubling Late Modernism tracks how those techniques have been perversely reinvented by some of the most influential and innovative writers of the postwar period. Chapters on Vladimir Nabokov, Samuel Beckett, Toni Morrison, John Banville, J. M. Coetzee, and Eimear McBride reveal how these writers at once exploit and extend modernist forms of narration to cultivate disquieting affective attachments to protagonists compelled by violent or exploitative sexual desires. By interrogating the expressive power and ethical liabilities of modes of writing that give us intimate access to characters' inner lives, late modernism poses fundamental philosophical questions about emotion and its inseparability from knowledge and ethical deliberation. Whilst other historians of the novel have characterized late modernism's formal innovations as ethically and politically edifying, Troubling Late Modernism highlights their more disquieting potential for lending sympathy and profundity to sentiments deemed inadmissible in our everyday lives. Charting late modernism's characteristic fusion of aesthetic difficulty with emotional and ethical provocation demands an approach attuned to the experience of reading these disturbingly erotic narratives. In dialogue with recent debates about critical method, Troubling Late Modernism presents a new way of closely reading prose fiction that brings together the lessons of formalism and affect theory.
| Author | : Tom Betteridge |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2020-01-23 |
| Genre | : Philosophy |
| ISBN | : 1350085863 |
Reinterpreting Badiou's philosophy in light of both his persistent, reverent invocations of the German-Jewish poet Paul Celan, and his long-term engagement with Samuel Beckett, Badiou, Poem and Subject fundamentally reassesses Badiou's radical departure from the legacy of Martin Heidegger, and his wholesale rejection of philosophies that would, in the wake of twentieth-century violence and beyond, proclaim their own end or completion. For Badiou, both writers, from the terminus of Literary Modernism, affirm novel conceptions of subjectivity capable of transcending the historical conditions of their presentation: Celan's collective and ephemeral subject of 'anabasis', and Beckett's disjunctive 'Two' of love. Blending close textual analyses with critical reflections on Heidegger, Lacoue-Labarthe and Adorno, among others, Tom Betteridge argues that Badiou's innovative readings of both Celan's poetry and the 'latent poem' in Beckett's late prose are crucial to understanding his significance in the history of twentieth-century French philosophy and its German heritage, offering a significant contribution to a growing field of interest in Badiou's philosophical encounter with poetry, and its political ramifications.
| Author | : Matthew Feldman |
| Publisher | : Columbia University Press |
| Total Pages | : 405 |
| Release | : 2014-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 383826701X |
This collection of essays, most of which return to or renew something of an empirical or archival approach to the issues, represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion.?S. E. Gontarski, Journal of Beckett StudiesThis is an important contribution to ongoing attempts to understand the relationship of Beckett's work to philosophy. It breaks some new ground, and helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophical.?Anthony Uhlmann, University of Western Sydney
