Terence: The lady of Andros ; The self-tormentor ; The eunuch

Terence: The lady of Andros ; The self-tormentor ; The eunuch
Author: Terence
Publisher:
Total Pages: 368
Release: 1920
Genre: Bilingual books
ISBN:

TERENCE (Publius Terentius Afer, c. 195-159 B.C.), was a north African of Carthage. He was brought to Rome as a household slave of the Roman Terentius Lucanus, who had him educated and freed. Terence was then admitted to the society of Roman nobles who liked literature; for them chiefly he composed six Latin comedies (based on Greek models), all of which are extant. Gifted with an intimate knowledge of human nature, but preferring the kindly to the cruel, he presents us, in polished poetry, with loving parents and children, gentle masters, and faithful slaves, well suited to the Roman circle for which he was writing. Even where social behavior is not high, there is refinement and subtle humour. At least one of the plays has a very modern look. Indeed none of them is specially related to his own time; all however are meant to reproduce life as presented by playwrights of the 'New Comedy' (especially Menander) at Athens about a century earlier.

Terence and Interpretation

Terence and Interpretation
Author: Sophia Papaioannou
Publisher: Cambridge Scholars Publishing
Total Pages: 325
Release: 2014-10-16
Genre: Literary Criticism
ISBN: 1443869678

PIERIDES IV This volume examines interpretation as the original process of critical reception vis-a-vis Terence’s experimental comedies. The book, which consists of two parts, looks at Terence as both an agent and a subject of interpretation. The First Part (‘Terence as Interpreter’) examines Terence as an interpreter of earlier literary traditions, both Greek and Roman. The Second Part (‘Interpretations of Terence’) identifies and explores different expressions of the critical reception of Terence’s output. The papers in both sections illustrate the various expressions of originality and individual creative genius that the process of interpretation entails. The volume at hand is the first study to focus not only on the interpreter, but also on the continuity and evolution of the principles of interpretation. In this way, it directs the focus from Terence’s work to the meaning of Terence’s work in relation to his predecessors (the past literary tradition), his contemporaries (his literary antagonists, but also his audience), and posterity (his critical readers across the centuries).

Terence

Terence
Author: Terence
Publisher:
Total Pages: 350
Release: 1925
Genre: Bilingual books
ISBN:

TERENCE (Publius Terentius Afer, c. 195-159 B.C.), was a north African of Carthage. He was brought to Rome as a household slave of the Roman Terentius Lucanus, who had him educated and freed. Terence was then admitted to the society of Roman nobles who liked literature; for them chiefly he composed six Latin comedies (based on Greek models), all of which are extant. Gifted with an intimate knowledge of human nature, but preferring the kindly to the cruel, he presents us, in polished poetry, with loving parents and children, gentle masters, and faithful slaves, well suited to the Roman circle for which he was writing. Even where social behavior is not high, there is refinement and subtle humour. At least one of the plays has a very modern look. Indeed none of them is specially related to his own time; all however are meant to reproduce life as presented by playwrights of the 'New Comedy' (especially Menander) at Athens about a century earlier.

Terence Davies

Terence Davies
Author: Michael Koresky
Publisher: University of Illinois Press
Total Pages: 185
Release: 2014-10-15
Genre: Performing Arts
ISBN: 0252096541

Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and unorthodox narrative films defy easy categorization, as their seeming existence within realism and personal memory cinema is undermined by an abstractness that makes the way he lays bare personal pain come across as distant, even alien. Film critic Michael Koresky explores the unique emotional tenor of Davies's work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies's ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies's work and his unfashionable ambivalence toward his own sexual orientation.

Terence

Terence
Author: Terence
Publisher: Aris and Phillips Classical Te
Total Pages: 233
Release: 2012
Genre: History
ISBN: 0856686069

Terence's Phormio, based on a Greek original by Apollodorus of Carystus, was produced towards the end of his short dramatic career in 161 BC. With its lively action, based on the traditional elements of love, deception and mistaken identity, the play provides an ideal introduction to the genre of New Comedy. What makes the Phormio unique amongst Terence's works is the central importance of the witty and scheming parasite who gives his name to the play and directs and controls its action throughout, even when absent from the stage. The use of the "double" plot with its two young men in love and two contrasting fathers provides ample scope for depth and variety of characterisation. The aim of the present edition is to bring out to the full Terence's skill in plot development and character portrayal which was to make the Phormio one of his most entertaining plays. Latin text with facing-page translation, introduction and commentary.

Terence, The Comedies

Terence, The Comedies
Author: Terence
Publisher: Oxford University Press, USA
Total Pages: 367
Release: 2006-12-07
Genre: Drama
ISBN: 0198149719

"Terence (?184-159 B.C.) was the outstanding comic playwright of his generation at Rome and one of the founding fathers of European comic drama. All six of his plays survive. This new translation with introduction and explanatory notes aims to be both accurate and idiomatic, and to convey the liveliness of the plays as pieces written for the theatre."--BOOK JACKET.

The Lyon Terence

The Lyon Terence
Author: Giulia Torello-Hill
Publisher: BRILL
Total Pages: 312
Release: 2020-10-20
Genre: Literary Collections
ISBN: 900443240X

An interdisciplinary approach to establish the significance of the first illustrated edition of the plays of Terence, its commentary and iconographic traditions and legacy in sixteenth-century Italy and France.

Terence

Terence
Author: Bithia Mary Sheppard Croker
Publisher:
Total Pages: 378
Release: 1916
Genre:
ISBN:

The Illustrated Afterlife of Terence’s Comedies (800–1200)

The Illustrated Afterlife of Terence’s Comedies (800–1200)
Author: Beatrice Radden Keefe
Publisher: BRILL
Total Pages: 287
Release: 2021-08-30
Genre: History
ISBN: 9004463321

This is a book about Roman comedy, ancient theatre imagery, and seven medieval illustrated manuscripts of Terence’s six Latin comedies. These manuscript illustrations, made between 800 and 1200, enabled their medieval readers to view these comedies as “mirrors of life”.

Terence and the Verb 'to Be' in Latin

Terence and the Verb 'to Be' in Latin
Author: Giuseppe Pezzini
Publisher:
Total Pages: 374
Release: 2015
Genre: History
ISBN: 019873624X

Terence and the Verb 'To Be' in Latin is the first in-depth study of the verb 'to be' in Latin (esse) and some of its hidden properties. Like the English 'be' (e.g. it's), the Latin forms of esse could undergo phonetic reduction or contraction. This phenomenon is largely unknown since classical texts have undergone a long process of transmission over the centuries, which has altered or deleted its traces. Although they are often neglected by scholars and puzzling to students, the use of contracted forms is shown to be widespread and significant. These forms expose the clitic nature of esse, which also explains other properties of the verb, including its participation in a prosodic simplification with a host ending in -s (sigmatic ecthlipsis), a phenomenon which is also discussed in the volume. After an introduction on methodology, the volume discusses the linguistic significance of such phenomena, focusing in particular on analysis of their behaviour in the plays of the ancient Roman playwright, Terence. Combining traditional scholarship with the use of digital resources, the volume explores the orthographic, phonological, semantic, and syntactic aspects of the verb esse, revealing that cliticization is a key feature of the verb 'to be' in Latin, and that contractions deserve a place within its paradigm.