TEFAF Art Market Report 2015
Author | : Clare McAndrew |
Publisher | : |
Total Pages | : 221 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9789075375206 |
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Author | : Clare McAndrew |
Publisher | : |
Total Pages | : 221 |
Release | : 2015 |
Genre | : Art |
ISBN | : 9789075375206 |
Author | : Clare Andrew |
Publisher | : Vior Webmedia |
Total Pages | : 164 |
Release | : 2014-05-21 |
Genre | : Art |
ISBN | : 9075375190 |
In this, the latest TEFAF report on the international art and antiques market, Dr Clare McAndrew of Arts Economics analyses the 47.4 billion global art trade in 2013. This annual survey has become the established source of data on an increasingly important economic sector, which now supports 2.5 million jobs worldwide in over 308,000 businesses. This year the emphasis is on the US, the worlds largest art market, and on China, its fastest growing rival in recent years. The report draws attention to the part played by art fairs in attracting international collectors to a single location. TEFAF Maastricht, which last year drew over 70,000 visitors from sixty one countries, is a leading example of the economic benefits of such events. We are again grateful to Anthony Browne for organizing this annual research programme for TEFAF. Willem Baron van Dedem President Ben Janssens Chairman
Author | : Anne Laure Bandle |
Publisher | : Edward Elgar Publishing |
Total Pages | : 414 |
Release | : 2016-10-28 |
Genre | : Art |
ISBN | : 1786431017 |
The glamour and mystery of the art auction, gathering interested buyers from across the globe, makes it one of the most fascinating marketplaces in existence. ‘Sleepers’, artworks or antiques that have been undervalued and mislabelled due to an expert’s oversight and consequently undersold, appear regularly. This fascinating new book provides the first extensive study of the phenomenon of sleepers through an in-depth analysis of the contractual relationships, liability and remedies that arise in the context of auction sales.
Author | : European Fine Art Foundation |
Publisher | : |
Total Pages | : 224 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9789075375268 |
Annual report on the international art market.
Author | : Edward Winkleman |
Publisher | : Simon and Schuster |
Total Pages | : 360 |
Release | : 2015-09-01 |
Genre | : Art |
ISBN | : 1621534731 |
A sophisticated examination of today’s contemporary art market from an art dealer’s point of view, this new book focuses on recent changes in the quickly evolving market. With an emphasis on how the market responded to the global recession that began in 2008, gallery owner Edward Winkleman moves from an examination of the factors beyond the individual dealer’s command to those that the dealer can control. Sections cover: The rise of the art fair The rise of the mega gallery New online competition Models of post–brick-and-mortar art dealing Art dealers as art fair organizers Collaboration in a new era Coverage is also given to the specifics of contracts contemporary art dealers may need, including an examination of a variety of contracts for representation, consignment, and new forms of contemporary art. Exhibiting a wide range of interviews with international experts including dealers, collectors, art fair directors, journalists, and online art entrepreneurs, Selling Contemporary Art is a must-read for gallery owners, dealers, and artists affected by the rapid innovations in the art-dealing industry. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Author | : John Zarobell |
Publisher | : Univ of California Press |
Total Pages | : 340 |
Release | : 2017-04-18 |
Genre | : Art |
ISBN | : 0520291522 |
Introduction : measuring the economy of the arts -- Museums in flux -- The exhibitionary complex -- Art and the global marketplace -- Conclusion : non-profits and artist collectives as market alternatives
Author | : Franz Schultheis |
Publisher | : transcript Verlag |
Total Pages | : 265 |
Release | : 2016-03-31 |
Genre | : Social Science |
ISBN | : 3839432960 |
Until recently still a blank spot on the world map of art, China today occupies one of the top positions in the rankings of the global art market and has moved into the center of the speculations and the covetousness of its protagonists. But what is really happening on the spot, beyond the ethnocentric distortions of the Western viewpoint? What social representations and uses of art can be identified? A research team from the University of St. Gallen has taken up such questions in an ethnographical field research project which enables the actors in this emergent and nonetheless already market-dominated art field to have their say.
Author | : Victoria D. Alexander |
Publisher | : Springer |
Total Pages | : 333 |
Release | : 2018-01-16 |
Genre | : Social Science |
ISBN | : 3319646443 |
Art and the Challenge of Markets Volumes 1 & 2 examine the politics of art and culture in light of the profound changes that have taken place in the world order since the 1980s and 1990s. The contributors explore how in these two decades, the neoliberal or market-based model of capitalism started to spread from the economic realm to other areas of society. As a result, many aspects of contemporary Western societies increasingly function in the same way as the private enterprise sector under traditional market capitalism. This second volume analyses the relationships of art with contemporary capitalist economies and instrumentalist cultural policies, and examines several varieties of capitalist-critical and alternative art forms that exist in today’s art worlds. It also addresses the vexed issues of art controversies and censorship. The chapters cover issues such as the culturalization of the economy, aesthetics and anti-aesthetics, the societal benefits of works of art, art's responsibility to society, "artivism", activist arts as protest and capitalism-critical works, and controversies over nudity in art, as well as considering the marketisation of emerging visual arts worlds in East Asia. The book ends with the a concluding chapter suggesting that even in today's marketized and commercialized environments, art will find a way. Both volumes provide students and scholars across a range of disciplines with an incisive, comparative overview of the politics of art and culture and national, international and transnational art worlds in contemporary capitalism.
Author | : Cara G. Tremain |
Publisher | : University Press of Florida |
Total Pages | : 231 |
Release | : 2019-07-15 |
Genre | : Social Science |
ISBN | : 0813057205 |
Pre-Columbian artifacts are among the most popular items on the international antiquities market, yet it is becoming increasingly difficult to monitor these items as public, private, and digital sales proliferate. This timely volume explores past, current, and future policies and trends concerning the sales and illicit movement of artifacts from Mesoamerica to museums and private collections. Informed by the fields of anthropology, economics, law, and criminology, contributors critically analyze practices of research and collecting in Central American countries. They assess the circulation of looted and forged artifacts on the art market and in museums and examine government and institutional policies aimed at fighting trafficking. They also ask if and how scholars can use materials removed from their context to interpret the past. The theft of cultural heritage items from their places of origin is a topic of intense contemporary discussion, and The Market for Mesoamerica updates our knowledge of this issue by presenting undocumented and illicit antiquities within a regional and global context. Through discussion of transparency, accountability, and ethical practice, this volume ultimately considers how antiquities can be protected and studied through effective policy and professional practice. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase
Author | : Arturo Cifuentes |
Publisher | : Columbia University Press |
Total Pages | : 192 |
Release | : 2023-09-05 |
Genre | : Art |
ISBN | : 0231554265 |
Silver Medal Winner, 2024 Axiom Business Book Award, Personal Finance / Retirement Planning / Investing The market for art can be as eye-catching as artworks themselves. Works by artists from da Vinci and Rembrandt to Picasso and Modigliani have sold for hundreds of millions of dollars. The world’s ultrawealthy increasingly treat art as part of their portfolios. Since artworks are often valuable assets, how should financial professionals analyze them? Arturo Cifuentes and Ventura Charlin provide an expert guide to the methods, risks, and rewards of investing in art. They detail how to apply the financial and statistical tools and techniques used to evaluate more traditional investments such as stocks, bonds, and real estate to art markets. The Worth of Art: Financial Tools for the Art Markets shows readers how to use empirical evidence to answer questions such as: How do the returns on Basquiat compare to the S&P 500? Are Monet’s portraits as valuable as his landscapes? Do red paintings fetch higher prices than blue ones, and does the color palette matter equally to the sales of abstract Rothkos and figurative Hockneys? How much should be loaned to a borrower who is pledging one of Joan Mitchell’s late abstract paintings as collateral? Would the risk-return profile of a conventional portfolio benefit from exposure to Warhol? Rigorous and readable, this book also demonstrates how quantitative analysis can deepen aesthetic appreciation of art.