Technology And The Early Modern Self
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Author | : A. Cohen |
Publisher | : Springer |
Total Pages | : 271 |
Release | : 2009-03-02 |
Genre | : Literary Criticism |
ISBN | : 0230619584 |
Cohen utilizes the interdisciplinary nature of contemporary literary and cultural studies to shed new light on the relationships between technologies and the people who used them during the early modern period.
Author | : Udo Thiel |
Publisher | : Oxford University Press, USA |
Total Pages | : 498 |
Release | : 2011-09-29 |
Genre | : Philosophy |
ISBN | : 019954249X |
Udo Thiel presents a critical evaluation of the understanding of self-consciousness and personal identity in early modern philosophy. He explores over a century of European philosophical debate from Descartes to Hume, and argues that our interest in human subjectivity remains strongly influenced by the conceptual framework of early modern thought.
Author | : Arthur F. Kinney |
Publisher | : Oxford University Press |
Total Pages | : 846 |
Release | : 2012 |
Genre | : Drama |
ISBN | : 0199566100 |
Contains forty original essays.
Author | : S. Herbrechter |
Publisher | : Springer |
Total Pages | : 270 |
Release | : 2012-07-31 |
Genre | : Literary Criticism |
ISBN | : 1137033592 |
Shakespeare scholars and cultural theorists critically investigate the relationship between early modern culture and contemporary political and technological changes concerning the idea of the 'human.' The volume covers the tragedies King Lear and Hamlet in particular, but also provides posthumanist readings of other Shakespearean plays.
Author | : Kent Cartwright |
Publisher | : John Wiley & Sons |
Total Pages | : 568 |
Release | : 2010-01-21 |
Genre | : Literary Criticism |
ISBN | : 9781444317220 |
A Companion to Tudor Literature presents a collection of thirty-one newly commissioned essays focusing on English literature and culture from the reign of Henry VII in 1485 to the death of Elizabeth I in 1603. Presents students with a valuable historical and cultural context to the period Discusses key texts and representative subjects, and explores issues including international influences, religious change, travel and New World discoveries, women’s writing, technological innovations, medievalism, print culture, and developments in music and in modes of seeing and reading
Author | : Michele Marrapodi |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 344 |
Release | : 2011 |
Genre | : Literary Criticism |
ISBN | : 9781409421498 |
Throwing fresh light on a much discussed but still controversial field, this collection of essays places the presence of Italian literary theories against and alongside the background of English dramatic traditions, to assess this influence in the emergence of Elizabethan theatrical convention and the innovative dramatic practices under the early Stuarts.
Author | : Rebecca Cypess |
Publisher | : University of Chicago Press |
Total Pages | : 334 |
Release | : 2016-03-22 |
Genre | : History |
ISBN | : 022631944X |
'Curious and Modern Inventions' offers an insight into the motivating forces behind music, tracing it to a new conception of instruments of all sorts - whether musical, artistic, or scientific - as vehicles of discovery.
Author | : Kevin LaGrandeur |
Publisher | : Routledge |
Total Pages | : 224 |
Release | : 2013-01-04 |
Genre | : Literary Criticism |
ISBN | : 1136220739 |
Awarded a 2014 Science Fiction and Technoculture Studies Prize Honourable Mention. This book explores the creation and use of artificially made humanoid servants and servant networks by fictional and non-fictional scientists of the early modern period. Beginning with an investigation of the roots of artificial servants, humanoids, and automata from earlier times, LaGrandeur traces how these literary representations coincide with a surging interest in automata and experimentation, and how they blend with the magical science that preceded the empirical era. In the instances that this book considers, the idea of the artificial factotum is connected with an emotional paradox: the joy of self-enhancement is counterpoised with the anxiety of self-displacement that comes with distribution of agency.In this way, the older accounts of creating artificial slaves are accounts of modernity in the making—a modernity characterized by the project of extending the self and its powers, in which the vision of the extended self is fundamentally inseparable from the vision of an attenuated self. This book discusses the idea that fictional, artificial servants embody at once the ambitions of the scientific wizards who make them and society’s perception of the dangers of those ambitions, and represent the cultural fears triggered by independent, experimental thinkers—the type of thinkers from whom our modern cyberneticists descend.
Author | : Katharine D. Scherff |
Publisher | : Taylor & Francis |
Total Pages | : 211 |
Release | : 2023-03-17 |
Genre | : Art |
ISBN | : 1000852822 |
Through a multidisciplinary collection of case studies, this book explores the effects of the digital age on medieval and early modern studies. Divided into five parts, the book examines how people, medieval and modern, engage with medieval media and technology through an exploration of the theory underpinning audience interactions with historical materials in the past and the real-world engagement of a twenty-first century audience with medieval and early modern studies through the multimodal lens of a vast digital landscape. Each case study reveals the diversity of medieval media and technology and challenges readers to consider new types of literacy competencies as scholarly, rigorous methods of engaging in pre-modern investigations of materiality. Essays in the first section engage in the examination of medieval media, mediation, and technology from a theoretical framework, while the second section explores how digitization, smart technologies, digital mapping, and the internet have shaped medieval and early modern studies today. The book will be of interest to students in undergraduate or graduate intermediate or advanced courses as well as scholars, in medieval studies, art history, architectural history, medieval history, literary history, and religious history.
Author | : Susanne Rupp |
Publisher | : Rodopi |
Total Pages | : 207 |
Release | : 2005 |
Genre | : Business & Economics |
ISBN | : 9042018054 |
Communities have often shaped themselves around cultural spaces set apart and declared sacred. For this purpose, churches, priests or scholars no less than writers frequently participate in giving sacred figures a local habitation and, sometimes, voice or name. But whatever sites, rites, images or narratives have thus been constructed, they also raise some complex questions: how can the sacred be presented and yet guarded, claimed yet concealed, staged in public and at the same time kept exclusive? Such questions are pursued here in a variety of English texts historically employed to manifest and manage versions of the sacred. But since their performances inhabit social space, this often functions as a theatrical arena which is also used to stage modes of dissent, difference, sacrifice and sacrilege. In this way, all aspects of social life - the family, the nation, the idea of kingship, gender identities, courtly ideals, love making or smoking - may become sacralized and buttress claims for power by recourse to a repertoire of religious symbolic forms. Through critical readings of central texts and authors - such as Sir Gawain, Foxe, Sidney, Shakespeare, Donne, or Vaughan - as well as less canonical examples - the Croxton play, Buchanan, Lanyer, Wroth, or the tobacco pamphlets - the twelve contributions all engage with the crucial question how, and to what end, performances of the sacred affect, or effect, cultural transformation.