Technique and Design in the History of Printing

Technique and Design in the History of Printing
Author: Frans A. Janssen
Publisher: BRILL
Total Pages: 383
Release: 2021-10-25
Genre: History
ISBN: 9004475303

Containing 26 selected and thoroughly rewritten essays and articles (all written by Janssen and published previously between 1976 and 2002 in yearbooks and periodicals) all dedicated to the history of printing and book production, this work draws systematically attention to the typogtaphical design of the book. The articles are mainly divided into two fields of attention: the analytical bibliography of the printed book (book production, studies of the technical aspects of type-setting and printing, type founding, printing presses, paper etc.) and the typographical design of books (its functions and its influence on how texts are read).

Architecture in the Age of Printing

Architecture in the Age of Printing
Author: Mario Carpo
Publisher: MIT Press
Total Pages: 255
Release: 2017-02-10
Genre: Architecture
ISBN: 0262534096

A history of the influence of communication technologies on Western architectural theory. The discipline of architecture depends on the transmission in space and time of accumulated experiences, concepts, rules, and models. From the invention of the alphabet to the development of ASCII code for electronic communication, the process of recording and transmitting this body of knowledge has reflected the dominant information technologies of each period. In this book Mario Carpo discusses the communications media used by Western architects, from classical antiquity to modern classicism, showing how each medium related to specific forms of architectural thinking. Carpo highlights the significance of the invention of movable type and mechanically reproduced images. He argues that Renaissance architectural theory, particularly the system of the five architectural orders, was consciously developed in response to the formats and potential of the new printed media. Carpo contrasts architecture in the age of printing with what preceded it: Vitruvian theory and the manuscript format, oral transmission in the Middle Ages, and the fifteenth-century transition from script to print. He also suggests that the basic principles of "typographic" architecture thrived in the Western world as long as print remained our main information technology. The shift from printed to digital representations, he points out, will again alter the course of architecture.

A Companion to the History of the Book

A Companion to the History of the Book
Author: Simon Eliot
Publisher: John Wiley & Sons
Total Pages: 617
Release: 2009-03-30
Genre: Literary Criticism
ISBN: 140519278X

A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

The Art of the Print

The Art of the Print
Author: Fritz Eichenberg
Publisher: London : Thames and Hudson
Total Pages: 611
Release: 1976
Genre: Prints
ISBN: 9780500232538

Five Hundred Years of Printing

Five Hundred Years of Printing
Author: Sigfrid Henry Steinberg
Publisher: Oak Knoll Press
Total Pages: 280
Release: 1996
Genre: Art
ISBN:

Five Hundred Years of Printing is essential reading for the book collector, the cultural historian, the professional publisher and book designer, and teachers and students of typography, graphic design and communications studies. It immediately became established as a standard work on its publication as a Pelican in 1955 and saw two new editions within twenty years.

Printing Colour 1400-1700

Printing Colour 1400-1700
Author:
Publisher: BRILL
Total Pages: 278
Release: 2015-08-24
Genre: Art
ISBN: 9004290117

In Printing Colour 1400–1700, Ad Stijnman and Elizabeth Savage offer the first handbook of early modern colour printmaking before 1700 (when most such histories begin), creating a new, interdisciplinary paradigm for the history of graphic art. It unveils a corpus of thousands of individual colour prints from across early modern Europe, proposing art historical, bibliographical, technical and scientific contexts for understanding them and their markets. The twenty-three contributions represent the state of research in this still-emerging field. From the first known attempts in the West until the invention of the approach we still use today (blue-red-yellow-black/‘key’, now CMYK), it demonstrates that colour prints were not rare outliers, but essential components of many early modern book, print and visual cultures.

Prints and Printmaking

Prints and Printmaking
Author: Antony Griffiths
Publisher: Univ of California Press
Total Pages: 172
Release: 1996
Genre: Art
ISBN: 9780520207141

Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.