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| Author | : Crabbe |
| Publisher | : CUP Archive |
| Total Pages | : 492 |
| Release | : 1967-05 |
| Genre | : Literary Criticism |
| ISBN | : 9780521094207 |
This selection of Crabbe's work includes the entire Tales of 1812, two-thirds of The Parish Register and nearly half of The Borough, besides other poems.
| Author | : George Crabbe |
| Publisher | : London : Cambridge U.P |
| Total Pages | : 498 |
| Release | : 1967-05 |
| Genre | : Literary Criticism |
| ISBN | : |
This selection of Crabbe's work includes the entire Tales of 1812, two-thirds of The Parish Register and nearly half of The Borough, besides other poems.
| Author | : Oliver Loo |
| Publisher | : CreateSpace |
| Total Pages | : 648 |
| Release | : 2014-09-19 |
| Genre | : Fiction |
| ISBN | : 9781503199699 |
The Grimms Tales as you have never experienced them before – complete, accurate, and authentic - exactly as the Grimms wrote them 200 years ago. A completely new, cover to cover translation with extensive notes and commentary for the 200th anniversary translated in a new style that preserves the original texts in a way that has never been done before. There are 34 stories in the original 1812 edition that never appear in any of the later editions. In the 1812 first edition of the tales, the Grimms also included an extensive 60 page appendix which discussed the oral and literary sources of the tales and often times one or more other versions of the stories. The 1812 appendix was never published in any English versions, so the 60 “new” stories and fragments found therein have been almost entirely unknown to English readers for last 200 years. The appendix is a lost “gem” and arguably as important as the stories themselves.
| Author | : Brothers Grimm |
| Publisher | : Penguin |
| Total Pages | : 436 |
| Release | : 1983-02-24 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780140444018 |
Selected Tales contains some of the most timeless and enchanting folk and fairy tales collected by the Brothers Grimm, translated with an introduction by David Luke These folktales collected by Jacob and Wilhelm Grimm are among the most memorable stories in European culture - conjuring up a world of spells and bewitchment, outwitted villains and cruel stepmothers, animal bridegrooms and enchanted princesses. Tales such as 'Hansel and Gretel', 'Little Red Cape' and 'The Robber Bridegroom' depict the dangers lurking in dark forests, and others, including 'Briar-Rose' and 'Snow White' show young beauties punished by unforgiving sorceresses. Other tales include 'Thickasathumb', which portrays a childless young couple whose wish for a baby is granted in an unexpected way, while 'The Frog King' tells of a rash promise made by a haughty princess to share her bed with a frog, and a fortune is won in 'The Blue Lamp', when a soldier gains a kingdom with the help of a magic lamp. David Luke's vibrant translation is accompanied by an introduction discussing the key themes of the tales and the literary background of the Brothers Grimm. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : Oliver Loo |
| Publisher | : Lulu.com |
| Total Pages | : 648 |
| Release | : 2014-08-11 |
| Genre | : Fiction |
| ISBN | : 1312419040 |
The Grimms Tales as you have never experienced them before - complete, accurate, and authentic - exactly as the Grimms wrote them 200 years ago. A completely new, cover-to-cover translation with extensive notes and commentary for the 200th anniversary translated in a new style that preserves the original texts in a way that has never been done before. There are 34 stories in the original 1812 edition that never appear in any of the later editions. In the 1812 first edition of the tales, the Grimms also included an extensive 60 page appendix which discussed the oral and literary sources of the tales and often times one or more other versions of the stories. The 1812 appendix was never published in any English versions, so the 60 "new" stories and fragments found therein have been almost entirely unknown to English readers for last 200 years. The appendix is a lost "gem" and arguably as important as the stories themselves.
| Author | : Jeremy Tambling |
| Publisher | : Routledge |
| Total Pages | : 278 |
| Release | : 2019-01-15 |
| Genre | : Literary Criticism |
| ISBN | : 042963207X |
This study of Nicholas Nickleby takes the Dickens novel which is perhaps the least critically discussed, though it is very popular, and examines its appeal and its significance, and finds it one of the most rewarding and powerful of Dickens’s texts. Nicholas Nickleby deals with the abduction and destruction of children, often with the collusion of their parents. It concentrates on this theme in a way which continues from Oliver Twist, describing such oppression, and the resistance to it, in the language of melodrama, of parody and comedy. With chapters on the school-system that Dickens attacks, and its grotesque embodiment in Squeers, and with discussion of how the novel reshapes eighteenth century literary traditions, and such topics as the novel’s comedy, and the concept of the ‘humorist’; and ‘theatricality’ and its debt to Carlyle,, the book delves into the way that the novel explores madness within the city in those whose lives have been fractured, or ruined, as so many have been, and considers the symptoms of hypocrisy in the lives of the oppressors and the oppressed alike; taking hypocrisy as a Dickensian subject which deserves further examination. Dickens, Nicholas Nickleby, and the Dance of Death explores ways in which Dickens draws on medieval and baroque traditions in how he analyses death and its grotesquerie, especially drawing on the visual tradition of the ‘dance of death’ which is referred to here and which is prevalent throughout Dickens’s novels. It shows these traditions to be at the heart of London, and aims to illuminate a strand within Dickens’s thinking from first to last. Drawing on the critical theory of Walter Benjamin, Freud, Nietzsche and Marx, and with close detailed readings of such well-known figures as Mrs Nickleby, Vincent Crummles and his theatrical troupe, and Mr Mantalini, and attention to Dickens’s description, imagery, irony, and sense of the singular, this book is a major study which will help in the revaluation of Dickens’s early novels.
| Author | : Robert James Merrett |
| Publisher | : FriesenPress |
| Total Pages | : 299 |
| Release | : |
| Genre | : Literary Criticism |
| ISBN | : 1039187544 |
Proper Words in Proper Places: Dialectical Explication and English Literary History explores how literary history intertwines cultural, political, philosophical, religious, and commercial influences with literary production to create new ways of reading, meaning, and understanding. The text provides a delightful and surprising mix of canonical and non-canonical texts that merge many genres and literary allusions to highlight the complexities of literary historiography. Simultaneously, Proper Words in Proper Places digests the challenges of literary history and prepares readers to formulate for themselves the multiplicity of its nature and function. Drawing from texts published between 1670 and 1920, Robert J. Merrett demonstrates how the mixing and involvement of literary forms with such influences as painting, music, theatre, natural history, and notions of civility and spirituality erode simplistic ideas about the nature of narrative. His keen analysis of the traditional and experimental rhetoric of the texts serves to illustrate the double vision of the humanities and shows how the liberal arts enlighten contemporary moral issues. Additionally, the chapters probe, through their diverse models of reading, how mixed literary genres oblige us to create textual memories as our readings unfold. Merrett’s linguistic and contextual analyses heighten cognitive, psychological, and aesthetic processes, thereby demonstrating that poems, plays, novels, and other literary forms mix lexical registers and interdisciplinary discourses to counter literal-mindedness. Proper Words in Proper Places is a unique work, unsettling notions of periodicity, promoting interdisciplinarity, and countering educational indifference toward literary and aesthetic cultures. Its explanations of the diversity of literary historiography could easily inform new design models for survey courses and help prepare those about to enter teaching professions, who are expected to be familiar with the philosophical and contextual problems that motivate literary texts. It promises stimulating and thought-provoking study and invites readers to develop a sense of how literature operates as a system based on philosophical contraries and logical paradoxes.
