Islamic Art in the Metropolitan Museum of Art
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 1972 |
Genre | : Art |
ISBN | : 0870991116 |
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Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 344 |
Release | : 1972 |
Genre | : Art |
ISBN | : 0870991116 |
Author | : D. David Charles Stove |
Publisher | : Transaction Publishers |
Total Pages | : 232 |
Release | : 2003 |
Genre | : Philosophy |
ISBN | : 9780765801364 |
The idea of enlightenment entails liberty, equality, rationalism, secularism, and the connection between knowledge and human well being. In spite of the setbacks of revolutionary violence, political mass murder, and two world wars, the spread of enlightenment values has become the yardstick by which moral, political, and even scientific advances are measured. Indeed, most critiques of the enlightenment ideal point to failure in implementation rather than principle. By contrast, David Stove, in On Enlightenment, attacks the intellectual roots of enlightenment thought, to define the limitations of its successes and the areas of its likely failures. Stove is not insensitive to the many valuable aspects of enlightenment thought. He champions the use of reason and rationality, and recognizes the falsity of religious claims as well as the importance of individual liberty. What he rejects is the enlightenment's uncritical optimism regarding social progress and its willingness to embrace revolutionary change. What evidence is there that the elimination of superstition will lead to happiness? Or that it is possible to accept Darwinism without Social Darwinism? Or that the enlightenment's liberal, rationalistic outlook will ever lead to the kind of social progress envisioned by its advocates. Despite their best intentions, social reformers who attempt to improve the world as a whole inevitably make things worse. He advocates a conservative "go slow" approach to change, pointing out that today's social structures are so large and complex that any widespread social reform will have innumerable unforeseen consequences. For example, the welfare state may diminish individual initiative, the use of pesticides may increase the food supply while polluting the water supply, the popularizing of university education may lead to a decline in academic standards. Since government has a virtual monopoly on large-scale change, it follows, in Stove's view, that its powers must be limited in order to prevent large-scale damage. Instead, he argues that reforms, when they are to be made at all, must be realistic, local, necessary and never coercive. Writing in the conservative tradition of Edmund Burke with the same passion for clarity and intellectual honesty as George Orwell, David Stove was one of the most precise, articulate, and insightful philosophers of his day. "Never just an academic, Stove was also a prominent, often crotchety, public intellectual of a conservative and, all too often, reactionary bent, many of whose views were extremist on any account, and his targets were many. ... For Stove the important question about a belief is not whether it is extreme or mainstream, but whether it is true, or probable, or has sound evidentiary and/or rational credentials. In this he was surely right." -D. D. Todd, Philosophy in Review David Stove (1927-1994) taught philosophy at the University of New South Wales and the University of Sydney. He is the author of Against the Idols of the Age and Scientific Irrationalism, both available from Transaction. Andrew Irvine is professor of philosophy at the University of British Columbia, Vancouver. Roger Kimball is managing editor of the New Criterion.
Author | : Bernard Smith |
Publisher | : Oxford University Press, USA |
Total Pages | : 214 |
Release | : 1975 |
Genre | : Art |
ISBN | : |
The Power Lecture in Contemporary Art is delivered annually throughout Australia ... The present volume contains the first six lectures, given between 1968 and 1973.
Author | : Heinrich Schäfer |
Publisher | : Griffith Inst |
Total Pages | : 470 |
Release | : 1986-01-01 |
Genre | : Art |
ISBN | : 9780900416521 |
This classic work discusses representations in Egyptian painting, sculpture and reliefs, assessing how objects and figures are represented in two dimensions, introducing the idea of "conceptual" and "perceptual" art. Translated from the German by John Baines, who has revised the text and illustrations to take account of recent research.
Author | : Percy Macquoid |
Publisher | : ACC Distribution |
Total Pages | : 404 |
Release | : 1983 |
Genre | : Antiques & Collectibles |
ISBN | : |
The Dictionary of English Furniture by Ralph Edwards (1954 Revised Edition) is the most authoritative general work on English antique furniture ever published. The first edition of this work was published 1924-27. It was instantly recognised as the primar
Author | : Dennis R. Reid |
Publisher | : Oxford University Press, USA |
Total Pages | : 472 |
Release | : 1988 |
Genre | : Art |
ISBN | : |
"First published in 1973, this book quickly became an indispensable short history of Canadian painting and was reprinted many times. For this Second Edition the text has been revised to incorporate new information--and, in some places, new interpretations--and expanded. The First Edition studied Canadian painting to 1965, masterfully combining visual description, anecdotes, and aesthetic evaluation with full accounts of the careers of most of the leading painters, beginning in the French colonial period. This Second Edition covers painting to 1980. A long final chapter treats a crucial fifteen years when there developed in Canada a tremendous interest in other art forms and apparent falling off of interest in painting. In fact the cry was heard--throughout the western world--that painting was dead. It turned out, however, that this was far from true. Dennis Reid discusses the work of established artists who produced steadily in this period--including Jack Bush, Jack Chambers, Greg Curnoe, Gershon Iskowitz, John Meredith, Guido Molinari, Jack Shadbolt, and Claude Tousignant--as well as new arrivals on the scene who have since joined the ranks of leading Canadian artists. Among the more recent painters discussed are David Bolduc, John Boyle, David Craven, Paterson Ewen, Ivan Eyre, Yves Gaucher, John Hall, Ron Martin, Michale Morris, Norval Morrisseau, Christopher Pratt, Shirley Wiitasalo, and Tim Zuck. Enriched by this overview, and by many additions to the original text, A Concise History of Canadian Painting in its Second Edition is the widest-ranging and most authoritative handbook available. Lucid, interesting, and informative, it is still a pleasure to read from first to last." -- Back cover
Author | : Todd Boss |
Publisher | : W. W. Norton & Company |
Total Pages | : 104 |
Release | : 2022-02-15 |
Genre | : Poetry |
ISBN | : 0393881415 |
Poems of wayfaring and wayfinding, recovery and discovery, from “one of the best poets of his generation” (Elizabeth Lund, Washington Post). In 2018, reeling from marital, parental, and societal losses, acclaimed poet Todd Boss risked everything to be at one with the world. Boss sold his belongings and began to circle the globe in a series of consecutive housesits. He alternately inhabited thatched-roof farmhouses, hillside estates, urban apartments, and lush gardens in Berlin, Barcelona, Austin, Austria, Marrakesh, Singapore, Baltimore, Auckland, and more. The poems in Someday the Plan of a Town are his only souvenirs. Written under the influence of long walks along the Thames and the Pacific, of mornings at farmers’ markets, train stations, and mountaintop basilicas, Someday the Plan of a Town conjures Spanish dust, English rain, French moss, Arizona cliffs, and Hungarian light, ringing all the while with timeless humor and wisdom. At the same time, these poems concern the most domestic of matters—personal grief and familial estrangement, reflections on a changing nation, and a journey of self-discovery that offers a new meaning of home. As much a commentary on modern-day America as a personal history replete with grief, Someday the Plan of a Town is a sensual, intellectual, and arrestingly musical map of one nomadic troubadour’s journey to self.