Tableaux Anciens Et Modernes Etudes Esquisses Et Copies Danciens Maitres
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Author | : Darius A. Spieth |
Publisher | : BRILL |
Total Pages | : 535 |
Release | : 2017-11-06 |
Genre | : Art |
ISBN | : 9004276750 |
Seventeenth-century Dutch and Flemish paintings were aesthetic, intellectual, and economic touchstones in the Parisian art world of the Revolutionary era, but their importance within this framework, while frequently acknowledged, never attracted much subsequent attention. Darius A. Spieth’s inquiry into Revolutionary Paris and the Market for Netherlandish Art reveals the dominance of “Golden Age” pictures in the artistic discourse and sales transactions before, during, and after the French Revolution. A broadly based statistical investigation, undertaken as part of this study, shows that the upheaval reduced prices for Netherlandish paintings by about 55% compared to the Old Regime, and that it took until after the July Revolution of 1830 for art prices to return where they stood before 1789.
Author | : James Patty |
Publisher | : University Press of Kentucky |
Total Pages | : 282 |
Release | : 2005-01-31 |
Genre | : Literary Criticism |
ISBN | : 0813171938 |
" Salvator Rosa (1615–1673) was a colorful and controversial Italian painter, talented musician, a notable comic actor, a prolific correspondent, and a successful satirist and poet. His paintings, especially his rugged landscapes and their evocation of the sublime, appealed to Romantic writers, and his work was highly influential on several generations of European writers. James S. Patty analyzes Rosa’s tremendous influence on French writers, chiefly those of the nineteenth century, such as Stendhal, Honoré de Balzac, Victor Hugo, George Sand, and Théophile Gautier. Arranged in chronological order, with numerous quotations from French fiction, poetry, drama, art criticism, art history, literary history, and reference works, Salvator Rosa in French Literature forms a narrative account of the reception of Rosa’s life and work in the world of French letters. James S. Patty, professor emeritus of French at Vanderbilt University, is the author of Dürer in French Letters . He lives in Nashville, Tennessee.
Author | : Christine Poggi |
Publisher | : Yale University Press |
Total Pages | : 318 |
Release | : 1992-01-01 |
Genre | : Art |
ISBN | : 9780300051094 |
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Author | : Leslie Rainer |
Publisher | : Getty Publications |
Total Pages | : 438 |
Release | : 2011-06-14 |
Genre | : Architecture |
ISBN | : 1606060430 |
Earthen architecture constitutes one of the most diverse forms of cultural heritage and one of the most challenging to preserve. It dates from all periods and is found on all continents but is particularly prevalent in Africa, where it has been a building tradition for centuries. Sites range from ancestral cities in Mali to the palaces of Abomey in Benin, from monuments and mosques in Iran and Buddhist temples on the Silk Road to Spanish missions in California. This volume's sixty-four papers address such themes as earthen architecture in Mali, the conservation of living sites, local knowledge systems and intangible aspects, seismic and other natural forces, the conservation and management of archaeological sites, research advances, and training.
Author | : |
Publisher | : |
Total Pages | : 1390 |
Release | : 1843 |
Genre | : Biography |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 264 |
Release | : 1995 |
Genre | : Painting, Flemish |
ISBN | : |
Author | : Jody Blake |
Publisher | : Penn State Press |
Total Pages | : 232 |
Release | : 1999-01-01 |
Genre | : Art |
ISBN | : 9780271017532 |
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Author | : Richard Offner |
Publisher | : |
Total Pages | : 526 |
Release | : 1984 |
Genre | : Art and religion |
ISBN | : |
Author | : Klara Steinweg |
Publisher | : |
Total Pages | : 470 |
Release | : 1967 |
Genre | : Painting, Italian |
ISBN | : |
Author | : Miklós Boskovits |
Publisher | : |
Total Pages | : 638 |
Release | : 1984 |
Genre | : Miniature painters |
ISBN | : |