T S Eliot Life And Times Of A Dramatist Poet Biography
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Author | : Biographiq |
Publisher | : Biographiq |
Total Pages | : 60 |
Release | : 2008-04-01 |
Genre | : Biography & Autobiography |
ISBN | : 9781599860374 |
T. S. Eliot - Life and Times of a Dramatist Poet is a biography of Thomas Stearns Eliot. T. S. Eliot was an American-British poet, dramatist, and literary critic who received the Noble Prize in Literature in 1948. Eliot studied at Harvard, the Sorbonne, and Oxford, and wrote numerous works including Old Possum's Book of Practical Cats (1939), The Waste Land (1922), and The Hollow Men (1925). T.S. Eliot - Life and Times of a Dramatist Poet is highly recommended for those interested in the life and history of T. S. Eliot, one of the most distinguished literary figures of the 20th century.
Author | : T. S. Eliot |
Publisher | : Macmillan |
Total Pages | : 325 |
Release | : 2009-07-07 |
Genre | : Literary Criticism |
ISBN | : 0374531978 |
T. S. Eliot was not only one of the greatest poets of the twentieth century—he was also one of the most acute writers on his craft. In On Poetry and Poets, which was first published in 1957, Eliot explores the different forms and purposes of poetry in essays such as "The Three Voices of Poetry," "Poetry and Drama," and "What Is Minor Poetry?" as well as the works of individual poets, including Virgil, Milton, Byron, Goethe, and Yeats. As he writes in "The Music of Poetry," "We must expect a time to come when poetry will have again to be recalled to speech. The same problems arise, and always in new forms; and poetry has always before it . . . an ‘endless adventure.'"
Author | : Mario Vargas Llosa |
Publisher | : Macmillan + ORM |
Total Pages | : 189 |
Release | : 2015-08-11 |
Genre | : Literary Collections |
ISBN | : 0374710317 |
The Peruvian Nobel laureate presents a collection of essays on the decline of intellectual life in the age of media spectacle. In the past, culture was a kind of vital consciousness that constantly rejuvenated and revivified everyday reality. Now it is largely a mechanism of distraction and entertainment. Notes on the Death of Culture is an examination and indictment of this transformation—penned by Mario Vargas Llosa, who is not only one of our finest novelists but one of the keenest social critics. Taking his cues from T.S. Eliot—whose essay “Notes Toward a Definition of Culture” is a touchstone precisely because the culture Eliot aimed to describe has since vanished—Vargas Llosa traces a decline whose ill effects have only just begun. He mourns, in particular, the figure of the intellectual: for most of the twentieth century, men and women of letters drove political, aesthetic, and moral conversations; today they have all but disappeared from public debate. But Vargas Llosa stubbornly refuses to fade into the background. A necessary gadfly, the Nobel laureate Vargas Llosa, here vividly translated by John King, provides a tough but essential critique of our time and culture.
Author | : T. S. Eliot |
Publisher | : HarperCollins |
Total Pages | : 65 |
Release | : 2014-03-10 |
Genre | : Poetry |
ISBN | : 0547539703 |
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
Author | : A. David Moody |
Publisher | : Cambridge University Press |
Total Pages | : 412 |
Release | : 1994 |
Genre | : Literary Criticism |
ISBN | : 9780521467506 |
A carefully revised and corrected second edition of a classic book on our century's best-known poet. 'An important and original study, which admirably generates fresh thought about Eliot.' Journal of American Studies
Author | : Eliot |
Publisher | : |
Total Pages | : |
Release | : |
Genre | : |
ISBN | : 9781421406855 |
Author | : T. S. Eliot |
Publisher | : Graphic Arts Books |
Total Pages | : 26 |
Release | : 2021-02-16 |
Genre | : Poetry |
ISBN | : 1513284703 |
Prufrock and Other Observations (1917) is a collection of poems by T.S. Eliot. Published following the successful appearance of “The Love Song of J. Alfred Prufrock” in the June 1915 issue of Poetry: A Magazine of Verse, Prufrock and Other Observations established Eliot’s reputation as a leading English poet and pioneering literary Modernist. Opening with “The Love Song of J. Alfred Prufrock,” the collection begins with an invocation of Dante, whom Eliot saw as an important innovator of a polyphonic, referential poetry capable of interrogating and dramatizing the construction and representation of the self. The poem is written from the perspective of a repressed, despairing middle-aged man who meditates on his relationships with women and the regrets he has accumulated with age. In “Preludes,” a poem of urban malaise, Eliot “thinks of all the hands / That are raising dingy shades / In a thousand furnished rooms,” and reaches for an understanding of the world as “some infinitely gentle / Infinitely suffering thing.” Other poems include “Morning at the Window,” another brief vision of city life, “The Boston Evening Transcript,” a satirical reverie on time and community, and “Cousin Nancy,” a humorous lyric celebrating Miss Nancy Ellicott, who unabashedly “smoked, / And danced all the modern dances. Both personal and universal, global in scope and intensely insular, Eliot’s poetry changed the course of literary history, inspiring countless poets and establishing his reputation as one of the foremost artists of his generation. With a beautifully designed cover and professionally typeset manuscript, this edition of T.S. Eliot’s Prufrock and Other Observations is a classic of English literature reimagined for modern readers.
Author | : T. S. ELIOT |
Publisher | : |
Total Pages | : 0 |
Release | : 2018 |
Genre | : |
ISBN | : 9781033233481 |
Author | : Thomas Stearns Eliot |
Publisher | : Harvard University Press |
Total Pages | : 168 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780674931503 |
Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot invites us to "start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is."
Author | : T. S. Eliot |
Publisher | : Houghton Mifflin Harcourt |
Total Pages | : 91 |
Release | : 2014-03-04 |
Genre | : Drama |
ISBN | : 0544358546 |
The Nobel Prize–winning author created the words for this unique play about religion in the twentieth century. The choruses in this pageant play represent a new verse experiment on Mr. Eliot’s part; and taken together make a sequence of verses about twice the length of “The Waste Land.” Mr. Eliot has written the words; the scenario and design of the play were provided by a collaborator, and the purpose was to provide a pageant of the Church of England for presentation on a particular occasion. The action turns upon the efforts and difficulties of a group of London masons in building a church. Incidentally, a number of historical scenes, illustrative of church-building, are introduced. The play, enthusiastically greeted, was first presented in England, at Sadler’s Wells; the production included much pageantry, mimetic action, and ballet, with music by Dr. Martin Shaw. Immediately after the production of this play in England, Francis Birrell wrote in The New Statesman: “The magnificent verse, the crashing Hebraic choruses which Mr. Eliot has written had best be studied in the book. The Rock is certainly one of the most interesting artistic experiments to be given in recent times.” The Times Literary Supplement also spoke with high praise: “The choruses exceed in length any of his previous poetry; and on the stage they prove the most vital part of the performance. They combine the sweep of psalmody with the exact employment of colloquial words. They are lightly written, as though whispered to the paper, yet are forcible to enunciate . . . . There is exhibited here a command of novel and musical dramatic speech which, considered alone, is an exceptional achievement.”