Attorney General's Commission on Pornography, Final Report
Author | : United States. Attorney General's Commission on Pornography |
Publisher | : |
Total Pages | : 936 |
Release | : 1986 |
Genre | : Obscenity (Law) |
ISBN | : |
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Author | : United States. Attorney General's Commission on Pornography |
Publisher | : |
Total Pages | : 936 |
Release | : 1986 |
Genre | : Obscenity (Law) |
ISBN | : |
Author | : United States. Attorney General's Commission on Pornography |
Publisher | : |
Total Pages | : 1960 |
Release | : 1986 |
Genre | : Pornography |
ISBN | : |
Author | : United States. Attorney General's Commission on Pornography |
Publisher | : |
Total Pages | : 1044 |
Release | : 1986 |
Genre | : Obscenity (Law) |
ISBN | : |
Author | : Whitney Strub |
Publisher | : Columbia University Press |
Total Pages | : 392 |
Release | : 2011 |
Genre | : Family & Relationships |
ISBN | : 0231148860 |
Whitney Strub illustrates the crucial function of pornography in constructing the New Right agenda, which emphasized social issues over racial & economic inequality. He situates the fight over obscenity within the politics of 1950s pop culture & the pivotal events that followed, including the sexual revolution & feminist activism.
Author | : United States. Congress. House. Committee on the Judiciary. Subcommittee on Crime |
Publisher | : |
Total Pages | : 766 |
Release | : 1989 |
Genre | : Advertising laws |
ISBN | : |
Author | : Giorgio Baruchello |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 280 |
Release | : 2023-11-06 |
Genre | : Philosophy |
ISBN | : 3110760223 |
The present book addresses the background, rationale, general structure, and particular aims and arguments characterizing our third and last volume about "humor" and "cruelty". A guiding foray is provided into the vast expert literature that can be retrieved in the Western humanities and social sciences on these two terms. Pivotal thinkers and crucial notions are duly identified, highlighted, and examined. Apposite subsidiary references are also included, especially with regard to psychodynamics and clinical psychology, existentialism, feminism, liberalism, Marxism, and representative recent studies in the philosophy of humor and its cognates. The stage is thus set for the exploration and assessment of the conflicts between humor and cruelty unfolding in Part 2 of Volume 3. Being the philosophical terminus of our entire research project, Volume 3 counterbalances, complements, and, occasionally, complexifies the numerous forms of mutual cooperation between humor and cruelty that the preceding Volume 2 had unearthed and discussed.
Author | : Ronald B. Flowers |
Publisher | : McFarland |
Total Pages | : 264 |
Release | : 1994-01-01 |
Genre | : Social Science |
ISBN | : 9780899509785 |
The means by which women and children are most often subjected to victimization are discussed here, along with the causes and the legal avenues available. Part One examines family issues, including child abuse, domestic violence, and missing or abducted children, and Part Two examines their sexual exploitation. Part Three explores violent crimes against children (e.g., murder, rape and assault), while Part Four is a study of violence against women. Prostitution, pornography, sexual harassment and stalking are the subjects of Part Five. Finally, legislative responses are studied in Part Six.
Author | : Stephanie R. Larson |
Publisher | : Penn State Press |
Total Pages | : 233 |
Release | : 2021-07-15 |
Genre | : Language Arts & Disciplines |
ISBN | : 0271091703 |
Winner of the 2022 Association for the Rhetoric of Science, Technology, and Medicine (ARSTM) Book Award Winner of the 2022 Winifred Bryan Horner Outstanding Book Award from the Coalition of Feminist Scholars in the History of Rhetoric and Composition What It Feels Like interrogates an underexamined reason for our failure to abolish rape in the United States: the way we communicate about it. Using affective and feminist materialist approaches to rhetorical criticism, Stephanie Larson examines how discourses about rape and sexual assault rely on strategies of containment, denying the felt experiences of victims and ultimately stalling broader claims for justice. Investigating anti-pornography debates from the 1980s, Violence Against Women Act advocacy materials, sexual assault forensic kits, public performances, and the #MeToo movement, Larson reveals how our language privileges male perspectives and, more deeply, how it is shaped by systems of power—patriarchy, white supremacy, ableism, and heteronormativity. Interrogating how these systems work to propagate masculine commitments to “science” and “hard evidence,” Larson finds that US culture holds a general mistrust of testimony by women, stereotyping it as “emotional.” But she also gives us hope for change, arguing that testimonies grounded in the bodily, material expression of violation are necessary for giving voice to victims of sexual violence and presenting, accurately, the scale of these crimes. Larson makes a case for visceral rhetorics, theorizing them as powerful forms of communication and persuasion. Demonstrating the communicative power of bodily feeling, Larson challenges the long-held commitment to detached, distant, rationalized discourses of sexual harassment and rape. Timely and poignant, the book offers a much-needed corrective to our legal and political discourses.