A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996

A Chronicle of First Broadcast Performances of Musical Works in the United Kingdom, 1923-1996
Author: Alastair Mitchell
Publisher: Routledge
Total Pages: 575
Release: 2019-06-04
Genre: Music
ISBN: 1351791249

First published in 2001, this work provides detailed information taken from the ’Programmes-as-Broadcast’ daily log of output held at the BBC Written Archives Centre in Caversham. Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. In addition to its usefulness as a reference tool, the Chronicle enables us to gauge the trends in twentieth-century British musical life, and the role of the BBC in their promotion.

Listen & View

Listen & View
Author: WFIU (Radio station : Bloomington, Ind.)
Publisher:
Total Pages: 104
Release: 1968
Genre: Radio stations
ISBN:

Composers in the Classroom

Composers in the Classroom
Author: James Michael Floyd
Publisher: Scarecrow Press
Total Pages: 357
Release: 2011-02-07
Genre: Biography & Autobiography
ISBN: 1461657644

Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer's life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject's work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer. Researchers will find especially useful the organization of each subject's compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.

ITG Journal

ITG Journal
Author: International Trumpet Guild
Publisher:
Total Pages: 568
Release: 2003
Genre: Trumpet
ISBN:

T.U.B.A. Journal

T.U.B.A. Journal
Author: Tubists Universal Brotherhood Association
Publisher:
Total Pages: 292
Release: 1992
Genre: Euphonium
ISBN:

Brass Music of Black Composers

Brass Music of Black Composers
Author: Aaron Horne
Publisher: Bloomsbury Publishing USA
Total Pages: 558
Release: 1996-05-16
Genre: Music
ISBN: 0313064865

Aaron Horne provides the most comprehensive guide to brass music written by black composers. He covers composers from around the world in the 19th and 20th centuries. Included in the book is biographical information; commission, duration, instrumentation, date of publication, premiere, publisher, discography for each piece; bibliographical sources; and an index which groups the music by numbers, medium, and ensemble. This is the fourth volume in Aaron Horne's monumental effort to provide the most comprehensive guide to music composed by black composers. In this volume he covers composers from around the world in the 19th and 20th centuries, including William Grant Still, Ulysses Kay, Anthony Davis, John Coltrane, and other major figures from the world of classical, jazz, and popular music. The main body of the book is divided into sections devoted to African, African American, Afro-European, and Afro-Latino composers. Within each section composers are arranged alphabetically; each entry provides biographical information as well as commission, duration, instrumentation, date of publication, premiere, publisher, discography for each composition. Backmatter includes a Brass Music Index which groups the music by numbers, medium, and ensembles; a title index; discography; and bibliography. As with the earlier volumes, this is an essential reference tool for anyone with an interest in researching and/or performing the music of black composers.