Sublime Inspiration
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Author | : JOSEPH D. PUTTI |
Publisher | : Trafford Publishing |
Total Pages | : 353 |
Release | : 2013-08 |
Genre | : Religion |
ISBN | : 1466995548 |
At one time or another, life hits everyone like a ton of bricks. Energy is drained, moods are dark, and motivation low. The will to live takes a blow. Joie de vivre vanishes into thin air. However, we human beings are incredibly resilient creatures. We do not throw in the towel easily. We have the potential to rise above the gloom and doom and fill our lives with fresh purpose and new resolve. We have the power of inspiration. We all need inspiration. Without it we will shrivel emotionally. Inspiration opens up a world of possibility. We need it as much to navigate the exceptional moments as to deal with the details of ordinary existence. This book is a tour de force and takes the readers on an exciting journey of self-discovery traversing such central pathways of human existence as life, self, community, leadership, family, nature, work, adversity, spirituality, hope, etc., and, with the help of up-to-date research in the fields, shows how they can all become instruments of profound inspiration. Take hold of this book and you will find much fodder for the soul.
Author | : James Noggle |
Publisher | : Oxford University Press |
Total Pages | : 284 |
Release | : 2001-11-01 |
Genre | : Literary Criticism |
ISBN | : 0195349571 |
This book argues that philosophical skepticism helps define the aesthetic experience of the sublime in late seventeenth- and eighteenth-century British literature, especially the poetry of Alexander Pope. Skeptical doubt appears in the period as an astonishing force in discourse that cannot be controlled--"doubt's boundless Sea," in Rochester's words--and as such is consistently seen as affiliated with the sublime, itself emerging as an important way to conceive of excessive power in rhetoric, nature, psychology, religion, and politics. This view of skepticism as a force affecting discourse beyond its practitioners' control links Noggle's discussion to other theoretical accounts of sublimity, especially psychoanalytic and ideological ones, that emphasize the sublime's activation of unconscious personal and cultural anxieties and contradictions. But because The Skeptical Sublime demonstrates the sublime's roots in the epistemological obsessions of Pope and his age, it also grounds such theories in what is historically evident in the period's writing. The skeptical sublime is a concrete, primary instance of the transformation of modernity's main epistemological liability, its loss of certainty, into an aesthetic asset--retaining, however, much of the unsettling irony of its origins in radical doubt. By examining the cultural function of such persistent instability, this book seeks to clarify the aesthetic ideology of major writers like Pope, Swift, Dryden, and Rochester, among others, who have been seen, sometimes confusingly, as both reactionary and supportive of the liberal-Whig model of taste and civil society increasingly dominant in the period. While they participate in the construction of proto-aesthetic categories like the sublime to stabilize British culture after decades of civil war and revolution, their appreciation of the skepticism maintained by these means of stabilization helps them express ambivalence about the emerging social order and distinguishes their views from the more providentially assured appeals to the sublime of their ideological opponents.
Author | : Harsha Ram |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 324 |
Release | : 2006-03-31 |
Genre | : Literary Criticism |
ISBN | : 9780299181949 |
The Imperial Sublime examines the rise of the Russian empire as a literary theme simultaneous with the evolution of Russian poetry between the 1730s and 1840—the century during which poets defined the main questions facing Russian literature and society. Harsha Ram shows how imperial ideology became implicated in an unexpectedly wide range of issues, from formal problems of genre, style, and lyric voice to the vexed relationship between the poet and the ruling monarch.
Author | : Cristina Mittermeier |
Publisher | : National Geographic Books |
Total Pages | : 228 |
Release | : 2014 |
Genre | : Nature |
ISBN | : 1426213018 |
A photograph collection explores the variations of natural landscapes, plants, and animals and is complemented by perspectives on humanity's visceral connections to the natural universe.
Author | : Williams James Williams |
Publisher | : Edinburgh University Press |
Total Pages | : 288 |
Release | : 2019-09-11 |
Genre | : Philosophy |
ISBN | : 1474439144 |
We call sublime those things and experiences supposed to be the very best. But what if the best actually leads to inequality and exploitation? Williams critiques the sublime over its long history and in recent returns to sublime nature and technologies. Deploying a new critical method that draws on process philosophy, he shows how the sublime has always led to inequality. This holds true even where it underpins ideas of cosmopolitan enlightenment, and even when refined by Burke, Kant, Nietzsche, Schopenhauer and Zizek. Against the unjust legacies of the traditional sublime, James Williams defends a new, anarchist sublime: multiple, self-destructive and temporary; opposed to any idea of highest value to be shared by all but always imposed on the powerless.
Author | : James I. Porter |
Publisher | : Cambridge University Press |
Total Pages | : 713 |
Release | : 2016-03-07 |
Genre | : History |
ISBN | : 1107037476 |
Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.
Author | : Stijn Bussels |
Publisher | : Taylor & Francis |
Total Pages | : 256 |
Release | : 2023-11-21 |
Genre | : Art |
ISBN | : 1003803490 |
Contrary to what Kant believed about the Dutch (and their visual culture) as “being of an orderly and diligent position” and thus having no feeling for the sublime, this book argues that the sublime played an important role in seventeenth-century Dutch visual culture. By looking at different visualizations of exceptional heights, divine presence, political grandeur, extreme violence, and extraordinary artifacts, the authors demonstrate how viewers were confronted with the sublime, which evoked in them a combination of contrasting feelings of awe and fear, attraction and repulsion. In studying seventeenth-century Dutch visual culture through the lens of notions of the sublime, we can move beyond the traditional and still widespread views on Dutch art as the ultimate representation of everyday life and the expression of a prosperous society in terms of calmness, neatness, and order. The book will be of interest to scholars working in art history, visual culture, architectural history, and cultural history.
Author | : Thomas Matthew Vozar |
Publisher | : Oxford University Press |
Total Pages | : 225 |
Release | : 2024-03-14 |
Genre | : |
ISBN | : 0198875940 |
No author in the English canon seems more deserving of the epithet sublime than John Milton. Yet Milton's sublimity has long been dismissed as an invention of eighteenth-century criticism. The poet himself, the story goes, could hardly have had any notion of the sublime, a concept that only took shape in the decades after his death with the advent of philosophical aesthetics. Such a narrative, however, fails to account for the fact that Milton is one of the first writers in English to refer to Longinus, the author traditionally associated with the Ancient Greek treatise On the Sublime. This book argues that Milton did have an idea of the sublime--one that came to him from Longinus but also from a larger classical tradition that offered a pre-aesthetic predecessor to the aesthetic concept of the sublime. Thomas Vozar shows that Longinus was better known in early modern England than has been previously appreciated; that various notions of sublimity beyond that of Longinus would have been available to Milton and his contemporaries; and that such notions of the sublime were integral to Milton's rhetorical, scientific, and theological imagination. Additional material relating to the early modern reception of Longinus is provided in the appendices, which contain the first bibliographical study of copies of Longinus in English private libraries to 1674 and an edition of a newly discovered seventeenth-century English translation of Longinus. Far from being anachronistic, Milton's "abstracted sublimities" touch on almost every aspect of his thought, from rhetoric to politics, from science to theology. Making substantive contributions to literary scholarship, classical reception studies, and the history of ideas, Milton, Longinus, and the Sublime in the Seventeenth Century returns the sublime to its proper place at the forefront of Milton criticism, re-evaluates the diffusion of Longinian texts and concepts in early modern Europe, and records a crucial missing chapter in the history of the sublime.
Author | : Louis Marin |
Publisher | : Stanford University Press |
Total Pages | : 292 |
Release | : 1999 |
Genre | : Art |
ISBN | : 9780804734776 |
The eminent scholar and critic Louis Marin considered the paintings and the writings of Nicolas Poussin (1594-1665) an enduring source of inspiration, and he returned to Poussin again and again over the years. The ten major essays in this volume constitute his definitive statement on the painter who inspired his most eloquent and probing commentary. 17 illustrations.
Author | : Irene Montori |
Publisher | : Edizioni Studium S.r.l. |
Total Pages | : 409 |
Release | : 2020-11-23 |
Genre | : Literary Criticism |
ISBN | : 8838250219 |
Milton, the Sublime and Dramas of Choice challenges readers and scholars to rethink Milton’s relationship to the sublime in terms of ethics. The book demonstrates that Milton’s sublimity merges the early modern reception of Longinus with classical, medieval, and Renaissance categories of magnanimity, wonder, and inspiration to investigate the relations between human and divine agency. Under the influence of early modern models of sublimity, including Spenser and Shakespeare, Milton speaks through his fictional characters about the making of heroic and literary virtue. In turn, the work also sheds light on the importance of tragedy as an additional source to the formation of the Renaissance sublime. Milton’s tragic plots illustrate how the character’s virtue is tested, strengthened, and eventually transformed into an experience of elevation. The study explores the heroic path from dramatic choice to self-realisation, offering extensive treatments of Milton’s dramas – A Maske and Samson Agonistes. The redefinition of the pairing “Milton and the sublime” in this work aims to relocate the poet within the English literary history as the climax of earlier traditions and receptions of the sublime, but also as the starting point of modern sublimity