Elizabethan and Jacobean Drama
Author | : Peter Ure |
Publisher | : [Liverpool] : Liverpool University Press |
Total Pages | : 280 |
Release | : 1974 |
Genre | : Drama |
ISBN | : |
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Author | : Peter Ure |
Publisher | : [Liverpool] : Liverpool University Press |
Total Pages | : 280 |
Release | : 1974 |
Genre | : Drama |
ISBN | : |
Author | : Harold Bloom |
Publisher | : Infobase Publishing |
Total Pages | : 439 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 079107675X |
Presents critical essays which discuss the writers and literary works of the Elizabethan era, and includes a chronology of the cultural, political, and literary events of the period.
Author | : Joel B. Altman |
Publisher | : Univ of California Press |
Total Pages | : 424 |
Release | : 1978-01-01 |
Genre | : Literary Criticism |
ISBN | : 9780520034273 |
Sets out the principles of banking law and explains both case law and legislation. Author from University of Sydney, Australia.
Author | : Victor Oscar Freeburg |
Publisher | : |
Total Pages | : 264 |
Release | : 1915 |
Genre | : English drama |
ISBN | : |
Author | : Bradbrook |
Publisher | : Foundation Books |
Total Pages | : 284 |
Release | : 2016-08 |
Genre | : Literary Criticism |
ISBN | : 9788175963276 |
The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintsev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are realted to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middleton. For this second edition, Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performance and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters.
Author | : Robin Headlam Wells |
Publisher | : Cambridge University Press |
Total Pages | : 312 |
Release | : 1994-05-12 |
Genre | : Literary Criticism |
ISBN | : 9780521433853 |
For lovers of music and poetry the legendary figure of Orpheus probably suggests a romantic ideal. But for the Renaissance he is essentially a political figure. Mythographers interpreted the Orpheus story as an allegory of the birth of civilization because they recognized in the arts in which Orpheus excelled an instrument of social control so powerful that with it you could, as one writer put it, 'winne Cities and whole Countries'. Dealing with plays, poems, songs and the iconography of musical instruments, Robin Headlam Wells re-examines the myth, central to the Orpheus story, of the transforming power of music and poetry. Elizabethan Mythologies, first published in 1994, contains numerous illustrations from the period and will be of interest to scholars and students of Renaissance poetry, drama and music, and of the history of ideas.
Author | : Peter Happe |
Publisher | : Routledge |
Total Pages | : 190 |
Release | : 2018-10-08 |
Genre | : Literary Criticism |
ISBN | : 131787112X |
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Author | : Douglas Bruster |
Publisher | : Cambridge University Press |
Total Pages | : 192 |
Release | : 2005-01-27 |
Genre | : Biography & Autobiography |
ISBN | : 9780521607063 |
Douglas Bruster's provocative study of English Renaissance drama explores its links with Elizabethan and Jacobean economy and society, looking at the status of playwrights such as Shakespeare and the establishment of commercial theatres. He identifies in the drama a materialist vision which has its origins in the climate of uncertainty engendered by the rapidly expanding economy of London. His examples range from the economic importance of cuckoldry to the role of stage props as commodities, and the commercial significance of the Troy story in Shakespeare's Troilus and Cressida, and he offers new ways of reading English Renaissance drama, by returning the theatre and the plays performed there, to its basis in the material world.
Author | : Linda McJannet |
Publisher | : |
Total Pages | : 248 |
Release | : 1999 |
Genre | : Drama |
ISBN | : |
This book highlights the form and voice of stage directions as an important aspect of dramatic discourse generally and Elizabethan drama specifically. It traces the development of Elizabethan directions from their medieval forebears and contrasts the directions associated with the professional theaters with the neoclassical conventions of other venues.
Author | : Howard B. Norland |
Publisher | : Associated University Presse |
Total Pages | : 286 |
Release | : 2009 |
Genre | : Literary Criticism |
ISBN | : 9780874130454 |
Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.